The Picture of Dorian Gray Page #24

The Picture of Dorian Gray is a Gothic and philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. Fearing the story was indecent, prior to publication the magazine's editor deleted roughly five hundred words without Wilde's knowledge.

• Fiction
• Philosophy

								


When the second act was over, there came a storm of hisses, and Lord Henry got up from his chair and put on his coat.  "She is quite beautiful, Dorian," he said, "but she can't act.  Let us go."

"I am going to see the play through," answered the lad, in a hard bitter voice.  "I am awfully sorry that I have made you waste an evening, Harry.  I apologize to you both."

"My dear Dorian, I should think Miss Vane was ill," interrupted Hallward.  "We will come some other night."

"I wish she were ill," he rejoined.  "But she seems to me to be simply callous and cold.  She has entirely altered.  Last night she was a great artist.  This evening she is merely a commonplace mediocre actress."

"Don't talk like that about any one you love, Dorian.  Love is a more wonderful thing than art."

"They are both simply forms of imitation," remarked Lord Henry.  "But do let us go.  Dorian, you must not stay here any longer.  It is not good for one's morals to see bad acting.  Besides, I don't suppose you will want your wife to act, so what does it matter if she plays Juliet like a wooden doll?  She is very lovely, and if she knows as little about life as she does about acting, she will be a delightful experience.  There are only two kinds of people who are really fascinating--people who know absolutely everything, and people who know absolutely nothing.  Good heavens, my dear boy, don't look so tragic! The secret of remaining young is never to have an emotion that is unbecoming.  Come to the club with Basil and myself.  We will smoke cigarettes and drink to the beauty of Sibyl Vane.  She is beautiful. What more can you want?"

"Go away, Harry," cried the lad.  "I want to be alone.  Basil, you must go.  Ah! can't you see that my heart is breaking?"  The hot tears came to his eyes.  His lips trembled, and rushing to the back of the box, he leaned up against the wall, hiding his face in his hands.

"Let us go, Basil," said Lord Henry with a strange tenderness in his voice, and the two young men passed out together.

A few moments afterwards the footlights flared up and the curtain rose on the third act.  Dorian Gray went back to his seat.  He looked pale, and proud, and indifferent.  The play dragged on, and seemed interminable.  Half of the audience went out, tramping in heavy boots and laughing.  The whole thing was a fiasco.  The last act was played to almost empty benches.  The curtain went down on a titter and some groans.

As soon as it was over, Dorian Gray rushed behind the scenes into the greenroom.  The girl was standing there alone, with a look of triumph on her face.  Her eyes were lit with an exquisite fire.  There was a radiance about her.  Her parted lips were smiling over some secret of their own.

When he entered, she looked at him, and an expression of infinite joy came over her.  "How badly I acted to-night, Dorian!" she cried.

"Horribly!" he answered, gazing at her in amazement.  "Horribly!  It was dreadful.  Are you ill?  You have no idea what it was.  You have no idea what I suffered."

The girl smiled.  "Dorian," she answered, lingering over his name with long-drawn music in her voice, as though it were sweeter than honey to the red petals of her mouth.  "Dorian, you should have understood.  But you understand now, don't you?"

"Understand what?" he asked, angrily.

"Why I was so bad to-night. Why I shall always be bad.  Why I shall never act well again."

He shrugged his shoulders.  "You are ill, I suppose.  When you are ill you shouldn't act.  You make yourself ridiculous.  My friends were bored.  I was bored."

She seemed not to listen to him.  She was transfigured with joy.  An ecstasy of happiness dominated her.

"Dorian, Dorian," she cried, "before I knew you, acting was the one reality of my life.  It was only in the theatre that I lived.  I thought that it was all true.  I was Rosalind one night and Portia the other.  The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also.  I believed in everything.  The common people who acted with me seemed to me to be godlike.  The painted scenes were my world. I knew nothing but shadows, and I thought them real.  You came--oh, my beautiful love!--and you freed my soul from prison.  You taught me what reality really is.  To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness of the empty pageant in which I had always played.  To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, were not what I wanted to say.  You had brought me something higher, something of which all art is but a reflection.  You had made me understand what love really is.  My love!  My love!  Prince Charming!  Prince of life! I have grown sick of shadows.  You are more to me than all art can ever be.  What have I to do with the puppets of a play?  When I came on to-night, I could not understand how it was that everything had gone from me.  I thought that I was going to be wonderful.  I found that I could do nothing.  Suddenly it dawned on my soul what it all meant. The knowledge was exquisite to me.  I heard them hissing, and I smiled. What could they know of love such as ours?  Take me away, Dorian--take me away with you, where we can be quite alone.  I hate the stage.  I might mimic a passion that I do not feel, but I cannot mimic one that burns me like fire.  Oh, Dorian, Dorian, you understand now what it signifies?  Even if I could do it, it would be profanation for me to play at being in love.  You have made me see that."

He flung himself down on the sofa and turned away his face.  "You have killed my love," he muttered.

She looked at him in wonder and laughed.  He made no answer.  She came across to him, and with her little fingers stroked his hair.  She knelt down and pressed his hands to her lips.  He drew them away, and a shudder ran through him.

Then he leaped up and went to the door.  "Yes," he cried, "you have killed my love.  You used to stir my imagination.  Now you don't even stir my curiosity.  You simply produce no effect.  I loved you because you were marvellous, because you had genius and intellect, because you realized the dreams of great poets and gave shape and substance to the shadows of art.  You have thrown it all away.  You are shallow and stupid.  My God! how mad I was to love you!  What a fool I have been! You are nothing to me now.  I will never see you again.  I will never think of you.  I will never mention your name.  You don't know what you were to me, once.  Why, once ... Oh, I can't bear to think of it!  I wish I had never laid eyes upon you!  You have spoiled the romance of my life.  How little you can know of love, if you say it mars your art! Without your art, you are nothing.  I would have made you famous, splendid, magnificent.  The world would have worshipped you, and you would have borne my name.  What are you now?  A third-rate actress with a pretty face."
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