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"The Passing of Enriquez" by Bret Harte is a poignant short story that explores themes of identity, nostalgia, and cultural transition in the American West. Set in a mining town during the gold rush era, the narrative revolves around the character of Enriquez, a once-prominent figure who embodies the spirit and struggles of the Hispanic community. As his life unfolds, the story reflects on the impact of societal changes, personal loss, and the bittersweet nature of progress. Harte's lyrical prose captures the complexities of human emotion and the inevitable passage of time, making it a compelling exploration of the American experience.


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to convey my adieus to her, and, in spite of his embraces and protestations, I managed to get out of the room. But I had scarcely reached the front door when I heard Enriquez's voice and his bounding step on the stairs. In another moment his arm was round my neck. "You must return on the instant! Mother of God! I haf forget, SHE haf forget, WE all haf forget! But you have not seen him!" "Seen whom?" "El nino, the baby! You comprehend, pig! The criaturica, the leetle child of ourselfs!" "The baby?" I said confusedly. "IS there--is there a BABY?" "You hear him?" said Enriquez, sending an appealing voice upward. "You hear him, Urania? You comprehend. This beast of a leetle brother demands if there ees one!" "I beg your pardon," I said, hurriedly reascending the stairs. On the landing I met Mrs. Saltillo, but as calm, composed, and precise as her husband was extravagant and vehement. "It was an oversight of Enriquez's," she said quietly, reentering the room with us; "and was all the more strange, as the child was in the room with you all the time." She pointed to the corner of the wall, where hung what I had believed to be an old Indian relic. To my consternation, it WAS a bark "papoose-case," occupied by a LIVING child, swathed and bandaged after the approved Indian fashion. It was asleep, I believe, but it opened a pair of bright huckleberry eyes, set in the smallest of features, that were like those of a carved ivory idol, and uttered a "coo" at the sound of its mother's voice. She stood on one side with unruffled composure, while Enriquez threw himself into an attitude before it, with clasped hands, as if it had been an image of the Holy Child. For myself, I was too astounded to speak; luckily, my confusion was attributed to the inexperience of a bachelor. "I have adopted," said Mrs. Saltillo, with the faintest touch of maternal pride in her manner, "what I am convinced is the only natural and hygienic mode of treating the human child. It may be said to be a reversion to the aborigine, but I have yet to learn that it is not superior to our civilized custom. By these bandages the limbs of the infant are kept in proper position until they are strong enough to support the body, and such a thing as malformation is unknown. It is protected by its cradle, which takes the place of its incubating-shell, from external injury, the injudicious coddling of nurses, the so-called 'dancings' and pernicious rockings. The supine position, as in the adult, is imposed only at night. By the aid of this strap it may be carried on long journeys, either by myself or by Enriquez, who thus shares with me, as he fully recognizes, its equal responsibility and burden." "It--certainly does not--cry," I stammered. "Crying," said Mrs. Saltillo, with a curve of her pretty red lip, "is the protest of the child against insanitary and artificial treatment. In its upright, unostentatious cradle it is protected against that injudicious fondling and dangerous promiscuous osculation to which, as an infant in human arms, it is so often subjected. Above all, it is kept from that shameless and mortifying publicity so unjust to the weak and unformed animal. The child repays this consideration by a gratifying silence. It cannot be expected to understand our thoughts, speech, or actions; it cannot participate in our pleasures. Why should it be forced into premature contact with them, merely to feed our vanity or selfishness? Why should we assume our particular parental accident as superior to the common lot? If we do not give our offspring that prominence before our visitors so common to the young wife and husband, it is for that reason solely; and this may account for what seemed the forgetfulness of Enriquez in speaking of it or pointing it out to you. And I think his action in calling you back to see it was somewhat precipitate. As one does not usually introduce an unknown and inferior stranger without some previous introduction, he might have asked you if you wished to see the baby before he recalled you." I looked from Urania's unfathomable eyes to Enriquez's impenetrable countenance. I might have been equal to either of them alone, but together they were invincible. I looked hopelessly at the baby. With its sharp little eyes and composed face, it certainly was a marvelous miniature of Enriquez. I said so. "It would be singular if it was not," said Mrs. Saltillo dryly; "and as I believe it is by no means an uncommon fact in human nature, it seems to me strange that people should insist upon it as a discovery. It is an inheritance, however, that in due time progress and science will no doubt interrupt, to the advancement of the human race. I need not say that both Enriquez and myself look forward to it with confident tranquillity." There was clearly nothing for me to do now but to shake hands again and take my leave. Yet I was so much impressed with the unreality of the whole scene that when I reached the front door I had a strong impulse to return suddenly and fall in upon them in their relaxed and natural attitudes. They could not keep up this pose between themselves; and I half expected to see their laughing faces at the window, as I glanced up before wending my perilous way to the street. I found Mrs. Saltillo's manuscript well written and, in the narrative parts, even graphic and sparkling. I suppressed some general remarks on the universe, and some correlative theories of existence, as not appertaining particularly to the Aztecs, and as not meeting any unquenchable thirst for information on the part of the readers of the "Daily Excelsior." I even promoted my fair contributor to the position of having been commissioned, at great expense, to make the Mexican journey especially for the "Excelsior." This, with Mrs. Saltillo's somewhat precise preraphaelite drawings and water-colors, vilely reproduced by woodcuts, gave quite a sensational air to her production, which, divided into parts, for two or three days filled a whole page of the paper. I am not aware of any particular service that it did to ethnology; but, as I pointed out in the editorial column, it showed that the people of California were not given over by material greed to the exclusion of intellectual research; and as it was attacked instantly in long communications from one or two scientific men, it thus produced more copy. Briefly, it was a boom for the author and the "Daily Excelsior." I should add, however, that a rival newspaper intimated that it was also a boom for Mrs. Saitillo's HUSBAND, and called attention to the fact that a deserted Mexican mine, known as "El Bolero," was described graphically in the Aztec article among the news, and again appeared in the advertising columns of the same paper. I turned somewhat indignantly to the file of the "Excelsior," and, singularly enough, found in the
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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