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"The Marsh King's Daughter" is a captivating story by Hans Christian Andersen that draws the reader into a world of Norse mythology and ancient Egypt. The story revolves around a Marsh King who kidnaps a princess and has a child with her named Helga. Helga, who is beautiful by day but horrible at night, sets upon a journey of transformation. With compelling themes of love and redemption, the story encapsulates the struggle of good versus evil through the life of Helga and her journey to find her true self. It is a tale filled with symbolism, fantasy, and vivid imagery characteristic of Hans Christian Andersen's works.


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Submitted by davidb on September 21, 2023


								
the grave, and held it aloft, and now they rode through the air over the rustling trees, over the hills where warriors lay buried each by his dead war-horse; and the brazen monumental figures rose up and galloped forth, and stationed themselves on the summits of the hills. The golden crescent on their foreheads, fastened with golden knots, glittered in the moonlight, and their mantles floated in the wind. The dragon, that guards buried treasure, lifted his head and gazed after them. The goblins and the satyrs peeped out from beneath the hills, and flitted to and fro in the fields, waving blue, red, and green torches, like the glowing sparks in burning paper. Over woodland and heath, flood and fen, they flew on, till they reached the wild moor, over which they hovered in broad circles. The Christian priest held the cross aloft, and it glittered like gold, while from his lips sounded pious prayers. Beautiful Helga's voice joined with his in the hymns he sung, as a child joins in her mother's song. She swung the censer, and a wonderful fragrance of incense arose from it; so powerful, that the reeds and rushes of the moor burst forth into blossom. Each germ came forth from the deep ground: all that had life raised itself. Blooming water-lilies spread themselves forth like a carpet of wrought flowers, and upon them lay a slumbering woman, young and beautiful. Helga fancied that it was her own image she saw reflected in the still water. But it was her mother she beheld, the wife of the Marsh King, the princess from the land of the Nile. The dead Christian priest desired that the sleeping woman should be lifted on the horse, but the horse sank beneath the load, as if he had been a funeral pall fluttering in the wind. But the sign of the cross made the airy phantom strong, and then the three rode away from the marsh to firm ground. At the same moment the cock crew in the Viking's castle, and the dream figures dissolved and floated away in the air, but mother and daughter stood opposite to each other. "Am I looking at my own image in the deep water?" said the mother. "Is it myself that I see represented on a white shield?" cried the daughter. Then they came nearer to each other in a fond embrace. The mother's heart beat quickly, and she understood the quickened pulses. "My child!" she exclaimed, "the flower of my heart--my lotus flower of the deep water!" and she embraced her child again and wept, and the tears were as a baptism of new life and love for Helga. "In swan's plumage I came here," said the mother, "and here I threw off my feather dress. Then I sank down through the wavering ground, deep into the marsh beneath, which closed like a wall around me; I found myself after a while in fresher water; still a power drew me down deeper and deeper. I felt the weight of sleep upon my eyelids. Then I slept, and dreams hovered round me. It seemed to me as if I were again in the pyramids of Egypt, and yet the waving elder trunk that had frightened me on the moor stood ever before me. I observed the clefts and wrinkles in the stem; they shone forth in strange colors, and took the form of hieroglyphics. It was the mummy case on which I gazed. At last it burst, and forth stepped the thousand years' old king, the mummy form, black as pitch, black as the shining wood-snail, or the slimy mud of the swamp. Whether it was really the mummy or the Marsh King I know not. He seized me in his arms, and I felt as if I must die. When I recovered myself, I found in my bosom a little bird, flapping its wings, twittering and fluttering. The bird flew away from my bosom, upwards towards the dark, heavy canopy above me, but a long, green band kept it fastened to me. I heard and understood the tenor of its longings. Freedom! sunlight! to my father! Then I thought of my father, and the sunny land of my birth, my life, and my love. Then I loosened the band, and let the bird fly away to its home--to a father. Since that hour I have ceased to dream; my sleep has been long and heavy, till in this very hour, harmony and fragrance awoke me, and set me free." The green band which fastened the wings of the bird to the mother's heart, where did it flutter now? whither had it been wafted? The stork only had seen it. The band was the green stalk, the cup of the flower the cradle in which lay the child, that now in blooming beauty had been folded to the mother's heart. And while the two were resting in each other's arms, the old stork flew round and round them in narrowing circles, till at length he flew away swiftly to his nest, and fetched away the two suits of swan's feathers, which he had preserved there for many years. Then he returned to the mother and daughter, and threw the swan's plumage over them; the feathers immediately closed around them, and they rose up from the earth in the form of two white swans. "And now we can converse with pleasure," said the stork-papa; "we can understand one another, although the beaks of birds are so different in shape. It is very fortunate that you came to-night. To-morrow we should have been gone. The mother, myself and the little ones, we're about to fly to the south. Look at me now: I am an old friend from the Nile, and a mother's heart contains more than her beak. She always said that the princess would know how to help herself. I and the young ones carried the swan's feathers over here, and I am glad of it now, and how lucky it is that I am here still. When the day dawns we shall start with a great company of other storks. We'll fly first, and you can follow in our track, so that you cannot miss your way. I and the young ones will have an eye upon you." "And the lotus-flower which I was to take with me," said the Egyptian princess, "is flying here by my side, clothed in swan's feathers. The flower of my heart will travel with me; and so the riddle is solved. Now for home! now for home!" But Helga said she could not leave the Danish land without once more seeing her foster-mother, the loving wife of the Viking. Each pleasing recollection, each kind word, every tear from the heart which her foster-mother had wept for her, rose in her mind, and at that moment she felt as if she loved this mother the best. "Yes, we must go to the Viking's castle," said the stork; "mother and the young ones are waiting for me there. How they will open their eyes and flap their wings! My wife, you see, does not say much; she is short and abrupt in her manner; but she means well, for all that. I will flap my wings at once, that they may hear us coming." Then stork-papa flapped his wings in first-rate style, and he and the swans flew away to the Viking's castle. In the castle, every one was in a deep sleep. It had been late in the evening before the Viking's wife retired to rest. She was anxious about Helga, who, three days before, had vanished with the Christian priest. Helga must have helped him in his flight, for it was her horse that was missed from the stable; but by what power had all
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Hans Christian Andersen

Hans Christian Andersen was a Danish author best known for his fairy tales, which have been translated into more than 125 languages. Born in 1805, Andersen's notable works include "The Little Mermaid," "The Ugly Duckling," "The Emperor's New Clothes," and "Thumbelina." His stories have become a part of global children's literature and continue to inspire movies, ballets, and plays. Before his death in 1875, Andersen also wrote plays, novels, and poems. more…

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