The Marsh King's Daughter Page #6

"The Marsh King's Daughter" is a captivating story by Hans Christian Andersen that draws the reader into a world of Norse mythology and ancient Egypt. The story revolves around a Marsh King who kidnaps a princess and has a child with her named Helga. Helga, who is beautiful by day but horrible at night, sets upon a journey of transformation. With compelling themes of love and redemption, the story encapsulates the struggle of good versus evil through the life of Helga and her journey to find her true self. It is a tale filled with symbolism, fantasy, and vivid imagery characteristic of Hans Christian Andersen's works.

• Children

								

everywhere as I used to do in old times. I can do it in Egypt, where I
can be a companion of the people, without forgetting myself. But
here I cannot go and peep into the pots and kettles as I do there. No,
I can only sit up here and feel angry with that girl, the little
wretch; and I am angry with you, too; you should have left her lying
in the water lily, then no one would have known anything about her."

"You are far better than your conversation," said the papa
stork; "I know you better than you know yourself." And with that he
gave a hop, and flapped his wings twice, proudly; then he stretched
his neck and flew, or rather soared away, without moving his outspread
wings. He went on for some distance, and then he gave a great flap
with his wings and flew on his course at a rapid rate, his head and
neck bending proudly before him, while the sun's rays fell on his
glossy plumage.

"He is the handsomest of them all," said the mamma stork, as she
watched him; "but I won't tell him so."

Early in the autumn, the Viking again returned home laden with
spoil, and bringing prisoners with him. Among them was a young
Christian priest, one of those who contemned the gods of the north.
Often lately there had been, both in hall and chamber, a talk of the
new faith which was spreading far and wide in the south, and which,
through the means of the holy Ansgarius, had already reached as far as
Hedeby on the Schlei. Even Helga had heard of this belief in the
teachings of One who was named Christ, and who for the love of
mankind, and for their redemption, had given up His life. But to her
all this had, as it were, gone in one ear and out the other. It seemed
that she only understood the meaning of the word "love," when in the
form of a miserable frog she crouched together in the corner of the
sleeping chamber; but the Viking's wife had listened to the
wonderful story, and had felt herself strangely moved by it.

On their return, after this voyage, the men spoke of the beautiful
temples built of polished stone, which had been raised for the
public worship of this holy love. Some vessels, curiously formed of
massive gold, had been brought home among the booty. There was a
peculiar fragrance about them all, for they were incense vessels,
which had been swung before the altars in the temples by the Christian
priests. In the deep stony cellars of the castle, the young
Christian priest was immured, and his hands and feet tied together
with strips of bark. The Viking's wife considered him as beautiful
as Baldur, and his distress raised her pity; but Helga said he ought
to have ropes fastened to his heels, and be tied to the tails of
wild animals.

"I would let the dogs loose after him" she said; "over the moor
and across the heath. Hurrah! that would be a spectacle for the
gods, and better still to follow in its course."

But the Viking would not allow him to die such a death as that,
especially as he was the disowned and despiser of the high gods. In
a few days, he had decided to have him offered as a sacrifice on the
blood-stone in the grove. For the first time, a man was to be
sacrificed here. Helga begged to be allowed to sprinkle the
assembled people with the blood of the priest. She sharpened her
glittering knife; and when one of the great, savage dogs, who were
running about the Viking's castle in great numbers, sprang towards
her, she thrust the knife into his side, merely, as she said, to prove
its sharpness.

The Viking's wife looked at the wild, badly disposed girl, with
great sorrow; and when night came on, and her daughter's beautiful
form and disposition were changed, she spoke in eloquent words to
Helga of the sorrow and deep grief that was in her heart. The ugly
frog, in its monstrous shape, stood before her, and raised its brown
mournful eyes to her face, listening to her words, and seeming to
understand them with the intelligence of a human being.

"Never once to my lord and husband has a word passed my lips of
what I have to suffer through you; my heart is full of grief about
you," said the Viking's wife. "The love of a mother is greater and
more powerful than I ever imagined. But love never entered thy
heart; it is cold and clammy, like the plants on the moor."

Then the miserable form trembled; it was as if these words had
touched an invisible bond between body and soul, for great tears stood
in the eyes.

"A bitter time will come for thee at last," continued the Viking's
wife; "and it will be terrible for me too. It had been better for thee
if thou hadst been left on the high-road, with the cold night wind
to lull thee to sleep." And the Viking's wife shed bitter tears, and
went away in anger and sorrow, passing under the partition of furs,
which hung loose over the beam and divided the hall.

The shrivelled frog still sat in the corner alone. Deep silence
reigned around. At intervals, a half-stifled sigh was heard from its
inmost soul; it was the soul of Helga. It seemed in pain, as if a
new life were arising in her heart. Then she took a step forward and
listened; then stepped again forward, and seized with her clumsy hands
the heavy bar which was laid across the door. Gently, and with much
trouble, she pushed back the bar, as silently lifted the latch, and
then took up the glimmering lamp which stood in the ante-chamber of
the hall. It seemed as if a stronger will than her own gave her
strength. She removed the iron bolt from the closed cellar-door, and
slipped in to the prisoner. He was slumbering. She touched him with
her cold, moist hand, and as he awoke and caught sight of the
hideous form, he shuddered as if he beheld a wicked apparition. She
drew her knife, cut through the bonds which confined his hands and
feet, and beckoned to him to follow her. He uttered some holy names
and made the sign of the cross, while the form remained motionless
by his side.

"Who art thou?" he asked, "whose outward appearance is that of
an animal, while thou willingly performest acts of mercy?"

The frog-figure beckoned to him to follow her, and led him through
a long gallery concealed by hanging drapery to the stables, and then
pointed to a horse. He mounted upon it, and she sprang up also
before him, and held tightly by the animal's mane. The prisoner
understood her, and they rode on at a rapid trot, by a road which he
would never have found by himself, across the open heath. He forgot
her ugly form, and only thought how the mercy and loving-kindness of
the Almighty was acting through this hideous apparition. As he offered
pious prayers and sang holy songs of praise, she trembled. Was it
the effect of prayer and praise that caused this? or, was she
shuddering in the cold morning air at the thought of approaching
twilight? What were her feelings? She raised herself up, and wanted to
stop the horse and spring off, but the Christian priest held her
back with all his might, and then sang a pious song, as if this
could loosen the wicked charm that had changed her into the
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