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"The Marquis" is a short story by Guy de Maupassant that explores themes of social status, desire, and the complexities of human relationships. Set in the context of 19th-century French society, the narrative revolves around a young woman's encounter with a nobleman, the Marquis, who embodies both charm and decadence. Through their interactions, Maupassant delves into the intricacies of love and manipulation, revealing the stark contrasts between the allure of the aristocracy and the moral dilemmas faced by individuals drawn into their world. The story captures Maupassant's keen observations on human nature and societal norms, ultimately leaving readers to reflect on the cost of ambition and the nature of true fulfillment.


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Submitted by davidb on February 03, 2025


								
do not know me?" "No, I do not." "Very well, ask anyone in the neighborhood. Everybody will tell you that the Marquis does not live on charity." The Marquis! At that name she suddenly remembered that two years ago she had heard his story. It was at the time that she bought the property, and the vendor had mentioned the Marquis as one of the curiosities of the soil. He was said to be half silly, at any rate an original, almost in his dotage, living by any lucky bits that he could make as horse-coper and veterinary. The peasants gave him a little work, as they feared that he might throw spells over anyone who refused to employ him. They also respected him on account of his former wealth and of his title, for he had been rich, very rich, and they said that he really was a marquis, and it was said that he had ruined himself in Paris by speculating. The reason, of course, was women! At that moment the dinner bell began to ring, and a wild idea entered Sonia's head. She ran to the little door that opened onto the terrace, overtook the musician, and with a ceremonious bow she said to him: "Will you give me the pleasure and the honor of dining with me, Marquis?" The old man left off smiling and grew serious; he put his hand to his forehead, as if to bring old recollections back, and then with a very formal, old-fashioned bow, he said: "With pleasure, my dear." And letting his wallet drop, he offered Sonia his arm. When she introduced this new guest to them, all the seven, even to the best drilled, started. "I see what disturbs you," she said. "It is his dress. Well! It really leaves much to be desired. But wait a moment; that can soon be arranged." She rang for her lady's maid and whispered something to her, and then she said: "Marquis, your bath is ready in your dressing-room. If you will follow Sabina, she will show you to it. These gentlemen and I will wait dinner for you." And as soon as he had gone out, she said to the youngest there: "And now, Ernest, go upstairs and undress; I will allow you to dine in your morning coat, and you will give your dress coat and the rest to Sabina, for the Marquis." Ernest was delighted at having to play a part in the piece, and the six others clapped their hands. "Nobody else could think of such things; nobody, nobody!" Half an hour later they were sitting at dinner, the Marquis in a dress coat on Sonia's left, and it was a great deception for the seven. They had reckoned on having some fun with him, and especially Ernest, who set up as a wit, had intended to draw him. But at the first attempt of this sort, Sonia had given him a look which they all understood, and dinner began very ceremoniously for the seven, but merrily and without restraint between Sonia and the old man. They cut very long faces, those seven, but inwardly, if one can say so, for of course they could not dream of showing how put out they were, and those inward long faces grew longer still when Sonia said to the old fellow, quite suddenly: "I say, how stupid these gentlemen are! Suppose we leave them to themselves?" The Marquis rose, offered her his arm again, and said: "Where shall we go to?" But Sonia's only reply was to sing the couplet of that song which she had remembered: "For three years I passed The nights with my love, In a beautiful bed In a splendid alcove. Though wine makes me sleepy, Yet love keeps me frisky." And the seven, who were altogether dumbfounded this time, and who could not conceal their vexation, saw the couple disappear out of the door which led to Sonia's apartments. "Hum!" Ernest ventured to say, "this is really rather strong!" "Yes," the eldest of the menagerie replied. "It certainly is rather strong, but it will do! You know, there is nobody like her for thinking of such things!" The next morning, the château bell woke them up at six o'clock, when they had agreed to return to Paris, and the seven men asked each other whether they should go and wish Sonia good-morning, as usual, before she was out of her room. Ernest hesitated more than any of them about it, and it was not until Sabina, her maid, came and told them that her mistress insisted upon it, that they could make up their minds to do so, and they were surprised to find Sonia in bed by herself. "Well!" Ernest asked boldly, "and what about the Marquis?" "He left very early," Sonia replied. "A queer sort of marquis, I must say!" Ernest observed contemptuously, and growing bolder. "Why, I should like to know?" Sonia replied, drawing herself up. "The man has his own habits, I suppose!" "Do you know, Madame," Sabina observed, "that he came back half an hour after he left?" "Ah!" Sonia said, getting up and walking about the room. "He came back? What did he want, I wonder?" "He did not say, Madame. He merely went upstairs to see you. He was dressed in his old clothes again." And suddenly Sonia uttered a loud cry, and clapped her hands, and the seven came round to see what had caused her emotion. "Look here! Just look here!" she cried. "Do look on the mantel-piece! It is really charming! Do look!" And with a smiling, and yet somewhat melancholy expression in her eyes, with a tender look which they could not understand, she showed them a small bunch of wild flowers, by the side of a heap of half-pennies. Mechanically she took them up and counted them, and then began to cry. There were forty-seven of them.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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