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"The Man Who Forgot" by Henry Lawson is a poignant short story that explores themes of memory, identity, and the impact of loss. The narrative follows a man grappling with the devastation of forgetting his past, highlighting the emotional and psychological struggles that come with memory loss. Through Lawson's vivid storytelling and rich character development, the story delves into the significance of personal history and the connections that define who we are. With its deep empathy and reflection on the human condition, the tale resonates with anyone who has faced the fragility of memory.


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Submitted by davidb on February 23, 2025


								
get your cheque, and soon as you blessed well like; and then take a walk, and don't forget to take your lovely swag with you.” The matter was discussed at the dinner-table. The Oracle swore that it was a cruel, mean way to treat a “pore afflicted chap,” and cursed the boss. Tom's admirers cursed in sympathy, and trouble seemed threatening, when the voice of Mitchell was heard to rise in slow, deliberate tones over the clatter of cutlery and tin plates. “I wonder,” said the voice, “I wonder whether Smith forgot his cheque?” It was ascertained that Smith hadn't. There was some eating and thinking done. Soon Mitchell's voice was heard again, directed at The Oracle. It said “Do you keep any vallabels about your bunk, Oracle?” Tom looked hard at Mitchell. “Why?” “Oh, nothin': only I think it wouldn't be a bad idea for you to look at your bunk and see whether Smith forgot.” The chaps grew awfully interested. They fixed their eyes on Tom, and he looked with feeling from one face to another; then he pushed his plate back, and slowly extracted his long legs from between the stool and the table. He climbed to his bunk, and carefully reviewed the ingredients of his swag. Smith hadn't forgot. When The Oracle's face came round again there was in it a strange expression which a close study would have revealed to be more of anger than of sorrow, but that was not all. It was an expression such as a man might wear who is undergoing a terrible operation, without chloroform, but is determined not to let a whimper escape him. Tom didn't swear, and by that token they guessed how mad he was. 'Twas a rough shed, with a free and lurid vocabulary, but had they all sworn in chorus, with One-eyed Bogan as lead, it would not have done justice to Tom's feelings--and they realized this. The Oracle took down his bridle from its peg, and started for the door amid a respectful and sympathetic silence, which was only partly broken once by the voice of Mitchell, which asked in an awed whisper: “Going ter ketch yer horse, Tom?” The Oracle nodded, and passed on; he spake no word--he was too full for words. Five minutes passed, and then the voice of Mitchell was heard again, uninterrupted by the clatter of tinware. It said in impressive tones: “It would not be a bad idea for some of you chaps that camp in the bunks along there, to have a look at your things. Scotty's bunk is next to Tom's.” Scotty shot out of his place as if a snake had hold of his leg, starting a plank in the table and upsetting three soup plates. He reached for his bunk like a drowning man clutching at a plank, and tore out the bedding. Again, Smith hadn't forgot. Then followed a general overhaul, and it was found in most cases that Smith had remembered. The pent-up reservoir of blasphemy burst forth. The Oracle came up with Smith that night at the nearest shanty, and found that he had forgotten again, and in several instances, and was forgetting some more under the influence of rum and of the flattering interest taken in his case by a drunken Bachelor of Arts who happened to be at the pub. Tom came in quietly from the rear, and crooked his finger at the shanty-keeper. They went apart from the rest, and talked together a while very earnestly. Then they secretly examined Smith's swag, the core of which was composed of Tom's and his mate's valuables. Then The Oracle stirred up Smith's recollections and departed. Smith was about again in a couple of weeks. He was damaged somewhat physically, but his memory was no longer impaired.
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Henry Lawson

Henry Lawson (1867–1922) was a prominent Australian writer and poet, celebrated for his vivid depictions of the Australian landscape and the lives of its people, particularly the working class. His works often explored themes of identity, loneliness, and social justice, reflecting the challenges and hardships of rural life during Australia's late 19th and early 20th centuries. Lawson's storytelling style combined realism with a deep sense of empathy, making him a key figure in Australian literature alongside contemporaries like Banjo Paterson. His most notable works include "The Drovers Wife," "The Loaded Dog," and numerous poems that capture the essence of Australian life. more…

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