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"The Life-Book of Uncle Jesse" by Lucy Maud Montgomery is a heartwarming tale that explores the life and adventures of Uncle Jesse, a charming and whimsical character. Through a series of letters and anecdotes, the narrative captures his experiences, relationships, and the wisdom he imparts to his family and friends. Montgomery's signature style of rich, descriptive prose and insightful character development brings Uncle Jesse's world to life, inviting readers to reflect on themes of love, nostalgia, and the importance of storytelling in connecting generations. This endearing work showcases the author's ability to weave humor and poignancy into the fabric of everyday life.


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Submitted by davidb on February 10, 2025


								
white glory to whatever was waiting beyant, on a sea that ain't mapped out on any airthly chart. I think, Mary, I'd find lost Margaret there." He had already told me the story of "lost Margaret," as he always called her. He rarely spoke of her, but when he did his love for her trembled in every tone--a love that had never grown faint or forgetful. Uncle Jesse was seventy; it was fifty years since lost Margaret had fallen asleep one day in her father's dory and drifted--as was supposed, for nothing was ever known certainly of her fate--across the harbour and out of the Gate, to perish in the black thunder squall that had come up suddenly that long-ago afternoon. But to Uncle Jesse those fifty years were but as yesterday when it is past. "I walked the shore for months after that," he said sadly, "looking to find her dear, sweet little body, but the sea never gave her back to me. But I'll find her sometime. I wisht I could tell you just how she looked but I can't. I've seen a fine silvery mist hanging over the Gate at sunrise that seemed like her--and then again I've seen a white birch in the woods back yander that made me think of her. She had pale brown hair and a little white face, and long slender fingers like yours, Mary, only browner, for she was a shore girl. Sometimes I wake up in the night and hear the sea calling to me in the old way and it seems as if lost Margaret called in it. And when there's a storm and the waves are sobbing and moaning I hear her lamenting among them. And when they laugh on a gay day it's her laugh--lost Margaret's sweet little laugh. The sea took her from me but some day I'll find her, Mary. It can't keep us apart forever." I had not been long at Golden Gate before I saw Uncle Jesse's "life-book," as he quaintly called it. He needed no coaxing to show it and he proudly gave it to me to read. It was an old leather-bound book filled with the record of his voyages and adventures. I thought what a veritable treasure trove it would be to a writer. Every sentence was a nugget. In itself the book had no literary merit; Uncle Jesse's charm of story-telling failed him when he came to pen and ink; he could only jot down roughly the outlines of his famous tales, and both spelling and grammar were sadly askew. But I felt that if anyone possessing the gift could take that simple record of a brave, adventurous life, reading between the bald lines the tale of dangers staunchly faced and duties manfully done, a wonderful story might be made from it. Pure comedy and thrilling tragedy were both lying hidden in Uncle Jesse's "life-book," waiting for the touch of the magician's hand to waken the laughter and grief and horror of thousands. I thought of my cousin, Robert Kennedy, who juggled with words in a masterly fashion, but complained that he found it hard to create incidents or characters. Here were both ready to his hand, but Robert was in Japan in the interests of his paper. In the fall, when the harbour lay black and sullen under November skies, Mother and I went back to town, parting with Uncle Jesse regretfully. We wanted him to visit us in town during the winter but he shook his head. "It's too far away, Mary. If lost Margaret called me I mightn't hear her there. I must be here when my time comes. It can't be very far off now." I wrote often to Uncle Jesse through the winter and sent him books and magazines. He enjoyed them but he thought--and truly enough--that none of them came up to his life-book for real interest. "If my life-book could be took and writ by someone that knowed how, it would beat them holler," he wrote in one of his few letters to me. In the spring we returned joyfully to Golden Gate. It was as golden as ever and the harbour as blue; the winds still rollicked as gaily and sweetly and the breakers boomed outside the bar as of yore. All was unchanged save Uncle Jesse. He had aged greatly and seemed frail and bent. After he had gone home from his first call on us, Mother cried. "Uncle Jesse will soon be going to seek lost Margaret," she said. In June Robert came. I took him promptly over to see Uncle Jesse, who was very much excited when he found that Robert was a "real writing man." "Robert wants to hear some of your stories, Uncle Jesse," I said. "Tell him the one about the captain who went crazy and imagined he was the Flying Dutchman." This was Uncle Jesse's best story. It was a compound of humour and horror, and though I had heard it several times, I laughed as heartily and shivered as fearsomely over it as Robert did. Other tales followed; Uncle Jesse told how his vessel had been run down by a steamer, how he had been boarded by Malay pirates, how his ship had caught fire, how he had helped a political prisoner escape from a South American republic. He never said a boastful word, but it was impossible to help seeing what a hero the man had been--brave, true, resourceful, unselfish, skilful. He sat there in his poor little room and made those things live again for us. By a lift of the eyebrow, a twist of the lip, a gesture, a word, he painted some whole scene or character so that we saw it as it was. Finally, he lent Robert his life-book. Robert sat up all night reading it and came to the breakfast table in great excitement. "Mary, this is a wonderful book. If I could take it and garb it properly--work it up into a systematic whole and string it on the thread of Uncle Jesse's romance of lost Margaret, it would be the novel of the year. Do you suppose he would let me do it?" "Let you! I think he would be delighted," I answered. And he was. He was as excited as a schoolboy over it. At last his cherished dream was to be realized and his life-book given to the world. "We'll collaborate," said Robert. "You will give the soul and I the body. Oh, we'll write a famous book between us, Uncle Jesse. And we'll get right to work." Uncle Jesse was a happy man that summer. He looked upon the little back room we gave up to Robert for a study as a sacred shrine. Robert talked everything over with Uncle Jesse but would not let him see the manuscript. "You must wait till it is published," he said. "Then you'll get it all at once in its best shape." Robert delved into the treasures of the life-book and used them freely. He dreamed and brooded over lost Margaret until she became a vivid reality to him and lived in his pages. As the book progressed it took possession of him and he worked at it with feverish eagerness. He let me read the manuscript and criticize it; and the concluding chapter of the book, which the critics later on were pleased to call idyllic, was modelled after my suggestions, so that I felt as if I had a share in it too. It was autumn when the book was finished. Robert went back to town, but Mother and I decided to stay at Golden Gate all winter. We loved
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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