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"The Inn" is a short story by Guy de Maupassant that explores themes of human nature, desire, and the complexities of relationships in a rustic setting. The narrative unfolds at a remote inn, where a chance encounter between the protagonist and a local innkeeper leads to a poignant examination of love, longing, and societal expectations. Through Maupassant's evocative prose and keen insights into character psychology, the story captures the intricacies of emotion and the impact of fleeting moments in life.

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Submitted by davidb on February 02, 2025


								
the direction of the Wildstrubel. For five hours he mounted, scaling the rocks by means of his climbing irons, cutting into the ice, advancing continually, and occasionally hauling up the dog, who remained below at the foot of some slope that was too steep for him, by means of the rope. It was about six o'clock when he reached one of the summits to which old Gaspard often came after chamois, and he waited till it should be daylight. The sky was growing pale overhead, and a strange light, springing nobody could tell whence, suddenly illuminated the immense ocean of pale mountain summits, which extended for a hundred leagues around him. One might have said that this vague brightness arose from the snow itself and spread abroad in space. By degrees the highest distant summits assumed a delicate, pink flesh color, and the red sun appeared behind the ponderous giants of the Bernese Alps. Ulrich Kunsi set off again, walking like a hunter, bent over, looking for tracks, and saying to his dog: “Seek, old fellow, seek!” He was descending the mountain now, scanning the depths closely, and from time to time shouting, uttering aloud, prolonged cry, which soon died away in that silent vastness. Then he put his ear to the ground to listen. He thought he could distinguish a voice, and he began to run and shouted again, but he heard nothing more and sat down, exhausted and in despair. Toward midday he breakfasted and gave Sam, who was as tired as himself, something to eat also, and then he recommenced his search. When evening came he was still walking, and he had walked more than thirty miles over the mountains. As he was too far away to return home and too tired to drag himself along any further, he dug a hole in the snow and crouched in it with his dog under a blanket which he had brought with him. And the man and the dog lay side by side, trying to keep warm, but frozen to the marrow nevertheless. Ulrich scarcely slept, his mind haunted by visions and his limbs shaking with cold. Day was breaking when he got up. His legs were as stiff as iron bars and his spirits so low that he was ready to cry with anguish, while his heart was beating so that he almost fell over with agitation, when he thought he heard a noise. Suddenly he imagined that he also was going to die of cold in the midst of this vast solitude, and the terror of such a death roused his energies and gave him renewed vigor. He was descending toward the inn, falling down and getting up again, and followed at a distance by Sam, who was limping on three legs, and they did not reach Schwarenbach until four o'clock in the afternoon. The house was empty and the young man made a fire, had something to eat and went to sleep, so worn out that he did not think of anything more. He slept for a long time, for a very long time, an irresistible sleep. But suddenly a voice, a cry, a name, “Ulrich!” aroused him from his profound torpor and made him sit up in bed. Had he been dreaming? Was it one of those strange appeals which cross the dreams of disquieted minds? No, he heard it still, that reverberating cry-which had entered his ears and remained in his flesh-to the tips of his sinewy fingers. Certainly somebody had cried out and called “Ulrich!” There was somebody there near the house, there could be no doubt of that, and he opened the door and shouted, “Is it you, Gaspard?” with all the strength of his lungs. But there was no reply, no murmur, no groan, nothing. It was quite dark and the snow looked wan. The wind had risen, that icy wind that cracks the rocks and leaves nothing alive on those deserted heights, and it came in sudden gusts, which were more parching and more deadly than the burning wind of the desert, and again Ulrich shouted: “Gaspard! Gaspard! Gaspard.” And then he waited again. Everything was silent on the mountain. Then he shook with terror and with a bound he was inside the inn, when he shut and bolted the door, and then he fell into a chair trembling all over, for he felt certain that his comrade had called him at the moment he was expiring. He was sure of that, as sure as one is of being alive or of eating a piece of bread. Old Gaspard Hari had been dying for two days and three nights somewhere, in some hole, in one of those deep, untrodden ravines whose whiteness is more sinister than subterranean darkness. He had been dying for two days and three nights and he had just then died, thinking of his comrade. His soul, almost before it was released, had taken its flight to the inn where Ulrich was sleeping, and it had called him by that terrible and mysterious power which the spirits of the dead have to haunt the living. That voiceless soul had cried to the worn-out soul of the sleeper; it had uttered its last farewell, or its reproach, or its curse on the man who had not searched carefully enough. And Ulrich felt that it was there, quite close to him, behind the wall, behind the door which he had just fastened. It was wandering about, like a night bird which lightly touches a lighted window with his wings, and the terrified young man was ready to scream with horror. He wanted to run away, but did not dare to go out; he did not dare, and he should never dare to do it in the future, for that phantom would remain there day and night, round the inn, as long as the old man's body was not recovered and had not been deposited in the consecrated earth of a churchyard. When it was daylight Kunsi recovered some of his courage at the return of the bright sun. He prepared his meal, gave his dog some food and then remained motionless on a chair, tortured at heart as he thought of the old man lying on the snow, and then, as soon as night once more covered the mountains, new terrors assailed him. He now walked up and down the dark kitchen, which was scarcely lighted by the flame of one candle, and he walked from one end of it to the other with great strides, listening, listening whether the terrible cry of the other night would again break the dreary silence outside. He felt himself alone, unhappy man, as no man had ever been alone before! He was alone in this immense desert of Snow, alone five thousand feet above the inhabited earth, above human habitation, above that stirring, noisy, palpitating life, alone under an icy sky! A mad longing impelled him to run away, no matter where, to get down to Loeche by flinging himself over the precipice; but he did not even dare to open the door, as he felt sure that the other, the dead man, would bar his road, so that he might not be obliged to remain up there alone: Toward midnight, tired with walking, worn out by grief and fear, he at last fell into a doze in his chair, for he was afraid of his bed as one is of a haunted spot. But suddenly the strident cry of the other evening pierced his ears, and it was so shrill that Ulrich stretched out his arms to repulse the ghost, and he fell backward with his chair. Sam, who was awakened by the noise, began to howl as frightened dogs
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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