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"The Hobo and the Fairy" is a short story by Jack London that explores themes of adventure, social class, and human connection. The narrative revolves around the encounters between a wandering hobo and a mysterious fairy, highlighting the contrast between their worlds. Through their exchange, London delves into the struggles of marginalized individuals and the search for meaning beyond societal constraints. The story captures both the harsh realities of life on the road and the possibility of enchantment through unexpected relationships, embodying London's signature blend of realism and fantasy.

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Submitted by davidb on February 03, 2025


								
Shanklin's life at less than a few dollars. Young Ross Shanklin had toiled terribly in jail; he had escaped, more than once; and he had been caught and sent back to toil in other and various jails. He had been triced up and lashed till he fainted had been revived and lashed again. He had been in the dungeon ninety days at a time. He had experienced the torment of the straightjacket. He knew what the humming bird was. He had been farmed out as a chattel by the state to the contractors. He had been trailed through swamps by bloodhounds. Twice he had been shot. For six years on end he had cut a cord and a half of wood each day in a convict lumber camp. Sick or well, he had cut that cord and a half or paid for it under a whip-lash knotted and pickled. And Ross Shanklin had not sweetened under the treatment. He had sneered, and raved, and defied. He had seen convicts, after the guards had manhandled them, crippled in body for life, or left to maunder in mind to the end of their days. He had seen convicts, even his own cell mate, goaded to murder by their keepers, go to the gallows reviling God. He had been in a break in which eleven of his kind were shot down. He had been through a mutiny, where, in the prison yard, with gatling guns trained upon them, three hundred convicts had been disciplined with pick handles wielded by brawny guards. He had known every infamy of human cruelty, and through it all he had never been broken. He had resented and fought to the last, until, embittered and bestial, the day came when he was discharged. Five dollars were given him in payment for the years of his labor and the flower of his manhood. And he had worked little in the years that followed. Work he hated and despised. He tramped, begged and stole, lied or threatened as the case might warrant, and drank to besottedness whenever he got the chance. The little girl was looking at him when he awoke. Like a wild animal, all of him was awake the instant he opened his eyes. The first he saw was the parasol, strangely obtruded between him and the sky. He did not start nor move, though his whole body seemed slightly to tense. His eyes followed down the parasol handle to the tight-clutched little fingers, and along the arm to the child's face. Straight and unblinking he looked into her eyes, and she, returning the look, was chilled and frightened by his glittering eyes, cold and harsh, withal bloodshot, and with no hint in them of the warm humanness she had been accustomed to see and feel in human eyes. They were the true prison eyes--the eyes of a man who had learned to talk little, who had forgotten almost how to talk. "Hello," he said finally, making no effort to change his position. "What game are you up to!" His voice was gruff and husky, and at first it had been harsh; but it had softened queerly in a feeble attempt at forgotten kindliness. "How do you do?" she said. "I'm not playing. The sun was on your face, and mamma says one oughtn't to sleep in the sun." The sweet clearness of her child's voice was pleasant to him, and he wondered why he had never noticed it in children's voices before. He sat up slowly and stared at her. He felt that he ought to say something, but speech with him was a reluctant thing. "I hope you slept well," she said gravely. "I sure did," he answered, never taking his eyes from her, amazed at the fairness and delicacy of her. "How long was you holdin' that contraption up over me?" "O-oh," she debated with herself, "a long, long time. I thought you would never wake up." "And I thought you was a fairy when I first seen you." He felt elated at his contribution to the conversation. "No, not a fairy," she smiled. He thrilled in a strange, numb way at the immaculate whiteness of her small even teeth. "I was just the good Samaritan," she added. "I reckon I never heard of that party." He was cudgelling his brains to keep the conversation going. Never having been at close quarters with a child since he was man-grown, he found it difficult. "What a funny man not to know about the good Samaritan. Don't you remember? A certain man went down to Jericho----" "I reckon I've been there," he interrupted. "I knew you were a traveler!" she cried, clapping her hands. "Maybe you saw the exact spot." "What spot?" "Why, where he fell among thieves and was left half dead. And then the good Samaritan went to him, and bound up his wounds, and poured in oil and wine--was that olive oil, do you think?" He shook his head slowly. "I reckon you got me there. Olive oil is something the dagoes cooks with. I never heard of it for busted heads." She considered his statement for a moment. "Well," she announced, "we use olive oil in our cooking, so we must be dagoes. I never knew what they were before. I thought it was slang." "And the Samaritan dumped oil on his head," the tramp muttered reminiscently. "Seems to me I recollect a sky pilot sayin' something about that old gent. D'ye know, I've been looking for him off 'n on all my life, and never scared up hide nor hair of him. They ain't no more Samaritans." "Wasn't I one!" she asked quickly. He looked at her steadily, with a great curiosity and wonder. Her ear, by a movement exposed to the sun, was transparent. It seemed he could almost see through it. He was amazed at the delicacy of her coloring, at the blue of her eyes, at the dazzle of the sun-touched golden hair. And he was astounded by her fragility. It came to him that she was easily broken. His eye went quickly from his huge, gnarled paw to her tiny hand in which it seemed to him he could almost see the blood circulate. He knew the power in his muscles, and he knew the tricks and turns by which men use their bodies to ill-treat men. In fact, he knew little else, and his mind for the time ran in its customary channel. It was his way of measuring the beautiful strangeness of her. He calculated a grip, and not a strong one, that could grind her little fingers to pulp. He thought of fist blows he had given to men's heads, and received on his own head, and felt that the least of them could shatter hers like an egg-shell. He scanned her little shoulders and slim waist, and knew in all certitude that with his two hands he could rend her to pieces. "Wasn't I one?" she insisted again. He came back to himself with a shock--or away from himself, as the case happened. He was loath that the conversation should cease. "What?" he answered. "Oh, yes; you bet you was a Samaritan, even if you didn't have no olive oil." He remembered what his mind had been dwelling on, and asked, "But ain't you afraid?" "Of ... of me?" he added lamely. She laughed merrily. "Mamma says never to be afraid of anything. She says that if you're
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Jack London

John Griffith London was an American novelist, journalist, and social activist. A pioneer in the world of commercial magazine fiction, he was one of the first writers to become a worldwide celebrity and earn a large fortune from writing. more…

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