The Goloshes of Fortune Page #6

"The Goloshes of Fortune" is a magical and whimsical tale by Hans Christian Andersen. It tells the story of a pair of magical boots that grant the wearer's deepest desires, taking them on unpredictable adventures. The book explores themes of desire, contentment, and the notion that the grass isn’t always greener on the other side. It's a delightful story reminding us to appreciate what we have, as our hasty wishes may lead to unexpected consequences.

• Children

								

start on the following day on a summer excursion. "Are you really
going away so soon?" asked the clerk. "What a free, happy man you are.
You can roam about where you will, while such as we are tied by the
foot."

"But it is fastened to the bread-tree," replied the poet. "You
need have no anxiety for the morrow; and when you are old there is a
pension for you."

"Ah, yes; but you have the best of it," said the clerk; "it must
be so delightful to sit and write poetry. The whole world makes itself
agreeable to you, and then you are your own master. You should try how
you would like to listen to all the trivial things in a court of
justice." The poet shook his head, so also did the clerk; each
retained his own opinion, and so they parted. "They are strange
people, these poets," thought the clerk. "I should like to try what it
is to have a poetic taste, and to become a poet myself. I am sure I
should not write such mournful verses as they do. This is a splendid
spring day for a poet, the air is so remarkably clear, the clouds
are so beautiful, and the green grass has such a sweet smell. For many
years I have not felt as I do at this moment."

We perceive, by these remarks, that he had already become a
poet. By most poets what he had said would be considered common-place,
or as the Germans call it, "insipid." It is a foolish fancy to look
upon poets as different to other men. There are many who are more
the poets of nature than those who are professed poets. The difference
is this, the poet's intellectual memory is better; he seizes upon an
idea or a sentiment, until he can embody it, clearly and plainly in
words, which the others cannot do. But the transition from a character
of every-day life to one of a more gifted nature is a great
transition; and so the clerk became aware of the change after a
time. "What a delightful perfume," said he; "it reminds me of the
violets at Aunt Lora's. Ah, that was when I was a little boy. Dear me,
how long it seems since I thought of those days! She was a good old
maiden lady! she lived yonder, behind the Exchange. She always had a
sprig or a few blossoms in water, let the winter be ever so severe.
I could smell the violets, even while I was placing warm penny
pieces against the frozen panes to make peep-holes, and a pretty
view it was on which I peeped. Out in the river lay the ships,
icebound, and forsaken by their crews; a screaming crow represented
the only living creature on board. But when the breezes of spring
came, everything started into life. Amidst shouting and cheers the
ships were tarred and rigged, and then they sailed to foreign lands.

"I remain here, and always shall remain, sitting at my post at the
police office, and letting others take passports to distant lands.
Yes, this is my fate," and he sighed deeply. Suddenly he paused. "Good
gracious, what has come over me? I never felt before as I do now; it
must be the air of spring. It is overpowering, and yet it is
delightful."

He felt in his pockets for some of his papers. "These will give me
something else to think of," said he. Casting his eyes on the first
page of one, he read, "'Mistress Sigbirth; an original Tragedy, in
Five Acts.' What is this?--in my own handwriting, too! Have I
written this tragedy?" He read again, "'The Intrigue on the Promenade;
or, the Fast-Day. A Vaudeville.' However did I get all this? Some
one must have put them into my pocket. And here is a letter!" It was
from the manager of a theatre; the pieces were rejected, not at all in
polite terms.

"Hem, hem!" said he, sitting down on a bench; his thoughts were
very elastic, and his heart softened strangely. Involuntarily he
seized one of the nearest flowers; it was a little, simple daisy.
All that botanists can say in many lectures was explained in a
moment by this little flower. It spoke of the glory of its birth; it
told of the strength of the sunlight, which had caused its delicate
leaves to expand, and given to it such sweet perfume. The struggles of
life which arouse sensations in the bosom have their type in the
tiny flowers. Air and light are the lovers of the flowers, but light
is the favored one; towards light it turns, and only when light
vanishes does it fold its leaves together, and sleep in the embraces
of the air."

"It is light that adorns me," said the flower.

"But the air gives you the breath of life," whispered the poet.

Just by him stood a boy, splashing with his stick in a marshy
ditch. The water-drops spurted up among the green twigs, and the clerk
thought of the millions of animalculae which were thrown into the
air with every drop of water, at a height which must be the same to
them as it would be to us if we were hurled beyond the clouds. As
the clerk thought of all these things, and became conscious of the
great change in his own feelings, he smiled, and said to himself, "I
must be asleep and dreaming; and yet, if so, how wonderful for a dream
to be so natural and real, and to know at the same time too that it is
but a dream. I hope I shall be able to remember it all when I wake
tomorrow. My sensations seem most unaccountable. I have a clear
perception of everything as if I were wide awake. I am quite sure if I
recollect all this tomorrow, it will appear utterly ridiculous and
absurd. I have had this happen to me before. It is with the clever
or wonderful things we say or hear in dreams, as with the gold which
comes from under the earth, it is rich and beautiful when we possess
it, but when seen in a true light it is but as stones and withered
leaves."

"Ah!" he sighed mournfully, as he gazed at the birds singing
merrily, or hopping from branch to branch, "they are much better off
than I. Flying is a glorious power. Happy is he who is born with
wings. Yes, if I could change myself into anything I would be a little
lark." At the same moment his coat-tails and sleeves grew together and
formed wings, his clothes changed to feathers, and his goloshes to
claws. He felt what was taking place, and laughed to himself. "Well,
now it is evident I must be dreaming; but I never had such a wild
dream as this." And then he flew up into the green boughs and sang,
but there was no poetry in the song, for his poetic nature had left
him. The goloshes, like all persons who wish to do a thing thoroughly,
could only attend to one thing at a time. He wished to be a poet,
and he became one. Then he wanted to be a little bird, and in this
change he lost the characteristics of the former one. "Well,"
thought he, "this is charming; by day I sit in a police-office,
amongst the dryest law papers, and at night I can dream that I am a
lark, flying about in the gardens of Fredericksburg. Really a complete
comedy could be written about it." Then he flew down into the grass,
turned his head about in every direction, and tapped his beak on the
bending blades of grass, which, in proportion to his size, seemed to
him as long as the palm-leaves in northern Africa.

In another moment all was darkness around him. It seemed as if
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