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"The Geological Spieler" by Henry Lawson is a collection of poems and stories that reflect the rugged Australian landscape and the experiences of its people. Lawson, recognized for his unique voice in Australian literature, weaves themes of identity, struggle, and resilience into his writing, often drawing on the natural environment and the hardships of life in the outback. The work captures both the beauty and challenges of the Australian experience, highlighting Lawson's deep connection to the land and his keen observance of its cultural narratives.


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Submitted by davidb on February 23, 2025


								
light a fire when the weather was cold, and Steelman would lie on the grass and read and smoke and lay plans for the future and improve Smith's mind until they reckoned it was about dinner-time. And in the evening they would come home with the black bag full of stones and bits of rock, and Steelman would lecture on those minerals after tea. On about the fourth morning Steelman had a yarn with one of the men going to work. He was a lanky young fellow with a sandy complexion, and seemingly harmless grin. In Australia he might have been regarded as a “cove” rather than a “chap,” but there was nothing of the “bloke” about him. Presently the cove said: “What do you think of the boss, Mr Stoneleigh? He seems to have taken a great fancy for you, and he's fair gone on geology.” “I think he is a very decent fellow indeed, a very intelligent young man. He seems very well read and well informed.” “You wouldn't think he was a University man,” said the cove. “No, indeed! Is he?” “Yes. I thought you knew!” Steelman knitted his brows. He seemed slightly disturbed for the moment. He walked on a few paces in silence and thought hard. “What might have been his special line?” he asked the cove. “Why, something the same as yours. I thought you knew. He was reckoned the best--what do you call it?--the best minrologist in the country. He had a first-class billet in the Mines Department, but he lost it--you know--the booze.” “I think we will be making a move, Smith,” said Steelman, later on, when they were private. “There's a little too much intellect in this camp to suit me. But we haven't done so bad, anyway. We've had three days' good board and lodging with entertainments and refreshments thrown in.” Then he said to himself: “We'll stay for another day anyway. If those beggars are having a lark with us, we're getting the worth of it anyway, and I'm not thin-skinned. They're the mugs and not us, anyhow it goes, and I can take them down before I leave.” But on the way home he had a talk with another man whom we might set down as a “chap.” “I wouldn't have thought the boss was a college man,” said Steelman to the chap. “A what?” “A University man--University education.” “Why! Who's been telling you that?” “One of your mates.” “Oh, he's been getting at you. Why, it's all the boss can do to write his own name. Now that lanky sandy cove with the birth-mark grin--it's him that's had the college education.” “I think we'll make a start to-morrow,” said Steelman to Smith in the privacy of their where. “There's too much humour and levity in this camp to suit a serious scientific gentleman like myself.”
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Henry Lawson

Henry Lawson (1867–1922) was a prominent Australian writer and poet, celebrated for his vivid depictions of the Australian landscape and the lives of its people, particularly the working class. His works often explored themes of identity, loneliness, and social justice, reflecting the challenges and hardships of rural life during Australia's late 19th and early 20th centuries. Lawson's storytelling style combined realism with a deep sense of empathy, making him a key figure in Australian literature alongside contemporaries like Banjo Paterson. His most notable works include "The Drovers Wife," "The Loaded Dog," and numerous poems that capture the essence of Australian life. more…

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