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"The Duelist" by Ivan Sergeevich Turgenev is a poignant short story that explores themes of honor, pride, and the complexities of human relationships. Set in 19th-century Russia, it follows the life of the protagonist, a young officer who becomes embroiled in a series of duels that reflect his internal struggles and societal pressures. Through his experiences, Turgenev examines the absurdity of the code of honor and the impact of confrontation on personal identity and authenticity. The narrative showcases Turgenev's eloquent prose and deep psychological insight, making it a significant work in the realm of Russian literature.

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Submitted by davidb on January 27, 2025


								
Fyodor Fedoritch pressed the tips of her fingers respectfully. 'He must be a very queer person!' observed Masha, and again she propped her elbows on the frame. 'Queer?' 'Of course; he interests me just because he is queer!' Masha added slily. 'Lutchkov is a noble, a remarkable man,' Kister rejoined solemnly. 'They don't know him in our regiment, they don't appreciate him, they only see his external side. He's embittered, of course, and strange and impatient, but his heart is good.' Masha listened greedily to Fyodor Fedoritch. 'I will bring him to see you, I'll tell him there's no need to be afraid of you, that it's absurd for him to be so shy... I'll tell him... Oh! yes, I know what to say... Only you mustn't suppose, though, that I would...' (Kister was embarrassed, Masha too was embarrassed.)... 'Besides, after all, of course you only... like him....' 'Of course, just as I like lots of people.' Kister looked mischievously at her. 'All right, all right,' he said with a satisfied air; 'I'll bring him to you....' 'Oh, no....' 'All right, I tell you it will be all right.... I'll arrange everything.' 'You are so...' Masha began with a smile, and she shook her finger at him. Mr. Perekatov yawned and opened his eyes. 'Why, I almost think I've been asleep,' he muttered with surprise. This doubt and this surprise were repeated daily. Masha and Kister began discussing Schiller. Fyodor Fedoritch was not however quite at ease; he felt something like a stir of envy within him... and was generously indignant with himself. Nenila Makarievna came down into the drawing-room. Tea was brought in. Mr. Perekatov made his dog jump several times over a stick, and then explained he had taught it everything himself, while the dog wagged its tail deferentially, licked itself and blinked. When at last the great heat began to lessen, and an evening breeze blew up, the whole family went out for a walk in the birch copse. Fyodor Fedoritch was continually glancing at Masha, as though giving her to understand that he would carry out her behests; Masha felt at once vexed with herself, and happy and uncomfortable. Kister suddenly, apropos of nothing, plunged into a rather high-flown discourse upon love in the abstract, and upon friendship... but catching Nenila Makarievna's bright and vigilant eye he, as abruptly, changed the subject. The sunset was brilliant and glowing. A broad, level meadow lay outstretched before the birch copse. Masha took it into her head to start a game of 'catch-catch.' Maid-servants and footmen came out; Mr. Perekatov stood with his wife, Kister with Masha. The maids ran with deferential little shrieks; Mr. Perekatov's valet had the temerity to separate Nenila Makarievna from her spouse; one of the servant-girls respectfully paired off with her master; Fyodor Fedoritch was not parted from Masha. Every time as he regained his place, he said two or three words to her; Masha, all flushed with running, listened to him with a smile, passing her hand over her hair. After supper, Kister took leave. It was a still, starlight night. Kister took off his cap. He was excited; there was a lump in his throat. 'Yes,' he said at last, almost aloud; 'she loves him: I will bring them together; I will justify her confidence in me.' Though there was as yet nothing to prove a definite passion for Lutchkov on Masha's part, though, according to her own account, he only excited her curiosity, Kister had by this time made up a complete romance, and worked out his own duty in the matter. He resolved to sacrifice his feelings--the more readily as 'so far I have no other sentiment for her but sincere devotion,' thought he. Kister really was capable of sacrificing himself to friendship, to a recognised duty. He had read a great deal, and so fancied himself a person of experience and even of penetration; he had no doubt of the truth of his suppositions; he did not suspect that life is endlessly varied, and never repeats itself. Little by little, Fyodor Fedoritch worked himself into a state of ecstasy. He began musing with emotion on his mission. To be the mediator between a shy, loving girl and a man possibly embittered only because he had never once in his life loved and been loved; to bring them together; to reveal their own feelings to them, and then to withdraw, letting no one know the greatness of his sacrifice, what a splendid feat! In spite of the coolness of the night, the simple-hearted dreamer's face burned.... Next day he went round to Lutchkov early in the morning. Avdey Ivanovitch was, as usual, lying on the sofa, smoking a pipe. Kister greeted him. 'I was at the Perekatovs yesterday,' he said with some solemnity. 'Ah!' Lutchkov responded indifferently, and he yawned. 'Yes. They are splendid people.' 'Really?' 'We talked about you.' 'Much obliged; with which of them was that?' 'With the old people... and the daughter too.' 'Ah! that... little fat thing?' 'She's a splendid girl, Lutchkov.' 'To be sure, they're all splendid.' 'No, Lutchkov, you don't know her. I have never met such a clever, sweet and sensitive girl.' Lutchkov began humming through his nose: 'In the Hamburg Gazette, You've read, I dare say, How the year before last, Munich gained the day....' 'But I assure you....' 'You 're in love with her, Fedya,' Lutchkov remarked sarcastically. 'Not at all. I never even thought of it.' 'Fedya, you're in love with her!' 'What nonsense! As if one couldn't...' 'You're in love with her, friend of my heart, beetle on my hearth,' Avdey Ivanovitch chanted drawling. 'Ah, Avdey, you really ought to be ashamed!' Kister said with vexation. With any one else Lutchkov would thereupon have kept on more than before; Kister he did not tease. 'Well, well, sprechen Sie deutsch, Ivan Andreitch,' he muttered in an undertone, 'don't be angry.' 'Listen, Avdey,' Kister began warmly, and he sat down beside him. 'You know I care for you.' (Lutchkov made a wry face.) 'But there's one thing, I'll own, I don't like about you... it's just that you won't make friends with any one, that you will stick at home, and refuse all intercourse with nice people. Why, there are nice people in the world, hang it all! Suppose you have been deceived in life, have been embittered, what of it; there's no need to rush into people's arms, of course, but why turn your back on everybody? Why, you'll cast me off some day, at that rate, I suppose.' Lutchkov went on smoking coolly. 'That's how it is no one knows you... except me; goodness knows what some people think of you... Avdey!' added Kister after a brief silence; 'do you disbelieve in virtue, Avdey?' 'Disbelieve... no, I believe in it,'... muttered Lutchkov. Kister pressed his hand feelingly. 'I want,' he went on in a voice full of emotion, 'to reconcile you with life. You will grow happier, blossom out... yes, blossom out. How I shall rejoice then! Only you must let me dispose of you now and then, of
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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