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"The Drover's Wife" is a short story by Australian writer Henry Lawson, first published in 1892. The narrative focuses on the life of a resilient woman living in the Australian outback, left alone to care for her children while her husband is away droving cattle. The story vividly depicts her struggles against the harsh environment, isolation, and the constant threats posed by nature, including a lurking snake. Through this portrayal, Lawson explores themes of survival, endurance, and the often-overlooked strength of women in a patriarchal society. The tale captures the essence of Australian identity and the challenges of rural life in the 19th century.


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Submitted by davidb on February 23, 2025


								
bringing a drunken doctor, by force, to attend to her. She was alone on this occasion, and very weak. She had been ill with a fever. She prayed to God to send her assistance. God sent Black Mary--the “whitest” gin in all the land. Or, at least, God sent King Jimmy first, and he sent Black Mary. He put his black face round the door post, took in the situation at a glance, and said cheerfully: “All right, missus--I bring my old woman, she down alonga creek.” One of the children died while she was here alone. She rode nineteen miles for assistance, carrying the dead child. It must be near one or two o'clock. The fire is burning low. Alligator lies with his head resting on his paws, and watches the wall. He is not a very beautiful dog, and the light shows numerous old wounds where the hair will not grow. He is afraid of nothing on the face of the earth or under it. He will tackle a bullock as readily as he will tackle a flea. He hates all other dogs--except kangaroo-dogs--and has a marked dislike to friends or relations of the family. They seldom call, however. He sometimes makes friends with strangers. He hates snakes and has killed many, but he will be bitten some day and die; most snake-dogs end that way. Now and then the bushwoman lays down her work and watches, and listens, and thinks. She thinks of things in her own life, for there is little else to think about. The rain will make the grass grow, and this reminds her how she fought a bush-fire once while her husband was away. The grass was long, and very dry, and the fire threatened to burn her out. She put on an old pair of her husband's trousers and beat out the flames with a green bough, till great drops of sooty perspiration stood out on her forehead and ran in streaks down her blackened arms. The sight of his mother in trousers greatly amused Tommy, who worked like a little hero by her side, but the terrified baby howled lustily for his “mummy.” The fire would have mastered her but for four excited bushmen who arrived in the nick of time. It was a mixed-up affair all round; when she went to take up the baby he screamed and struggled convulsively, thinking it was a “blackman;” and Alligator, trusting more to the child's sense than his own instinct, charged furiously, and (being old and slightly deaf) did not in his excitement at first recognize his mistress's voice, but continued to hang on to the moleskins until choked off by Tommy with a saddle-strap. The dog's sorrow for his blunder, and his anxiety to let it be known that it was all a mistake, was as evident as his ragged tail and a twelve-inch grin could make it. It was a glorious time for the boys; a day to look back to, and talk about, and laugh over for many years. She thinks how she fought a flood during her husband's absence. She stood for hours in the drenching downpour, and dug an overflow gutter to save the dam across the creek. But she could not save it. There are things that a bushwoman can not do. Next morning the dam was broken, and her heart was nearly broken too, for she thought how her husband would feel when he came home and saw the result of years of labour swept away. She cried then. She also fought the pleuro-pneumonia--dosed and bled the few remaining cattle, and wept again when her two best cows died. Again, she fought a mad bullock that besieged the house for a day. She made bullets and fired at him through cracks in the slabs with an old shot-gun. He was dead in the morning. She skinned him and got seventeen-and-sixpence for the hide. She also fights the crows and eagles that have designs on her chickens. Her plan of campaign is very original. The children cry “Crows, mother!” and she rushes out and aims a broomstick at the birds as though it were a gun, and says “Bung!” The crows leave in a hurry; they are cunning, but a woman's cunning is greater. Occasionally a bushman in the horrors, or a villainous-looking sundowner, comes and nearly scares the life out of her. She generally tells the suspicious-looking stranger that her husband and two sons are at work below the dam, or over at the yard, for he always cunningly inquires for the boss. Only last week a gallows-faced swagman--having satisfied himself that there were no men on the place--threw his swag down on the veranda, and demanded tucker. She gave him something to eat; then he expressed his intention of staying for the night. It was sundown then. She got a batten from the sofa, loosened the dog, and confronted the stranger, holding the batten in one hand and the dog's collar with the other. “Now you go!” she said. He looked at her and at the dog, said “All right, mum,” in a cringing tone, and left. She was a determined-looking woman, and Alligator's yellow eyes glared unpleasantly--besides, the dog's chawing-up apparatus greatly resembled that of the reptile he was named after. She has few pleasures to think of as she sits here alone by the fire, on guard against a snake. All days are much the same to her; but on Sunday afternoon she dresses herself, tidies the children, smartens up baby, and goes for a lonely walk along the bush-track, pushing an old perambulator in front of her. She does this every Sunday. She takes as much care to make herself and the children look smart as she would if she were going to do the block in the city. There is nothing to see, however, and not a soul to meet. You might walk for twenty miles along this track without being able to fix a point in your mind, unless you are a bushman. This is because of the everlasting, maddening sameness of the stunted trees--that monotony which makes a man long to break away and travel as far as trains can go, and sail as far as ship can sail--and farther. But this bushwoman is used to the loneliness of it. As a girl-wife she hated it, but now she would feel strange away from it. She is glad when her husband returns, but she does not gush or make a fuss about it. She gets him something good to eat, and tidies up the children. She seems contented with her lot. She loves her children, but has no time to show it. She seems harsh to them. Her surroundings are not favourable to the development of the “womanly” or sentimental side of nature. It must be near morning now; but the clock is in the dwellinghouse. Her candle is nearly done; she forgot that she was out of candles. Some more wood must be got to keep the fire up, and so she shuts the dog inside and hurries round to the woodheap. The rain has cleared off. She seizes a stick, pulls it out, and--crash! the whole pile collapses. Yesterday she bargained with a stray blackfellow to bring her some wood, and while he was at work she went in search of a missing cow. She was absent an hour or so, and the native black made good use of his time. On her return she was so astonished to see a good heap of wood by the chimney, that she gave him an extra fig of tobacco, and praised him for not being lazy. He thanked her, and left with head erect and chest well
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Henry Lawson

Henry Lawson (1867–1922) was a prominent Australian writer and poet, celebrated for his vivid depictions of the Australian landscape and the lives of its people, particularly the working class. His works often explored themes of identity, loneliness, and social justice, reflecting the challenges and hardships of rural life during Australia's late 19th and early 20th centuries. Lawson's storytelling style combined realism with a deep sense of empathy, making him a key figure in Australian literature alongside contemporaries like Banjo Paterson. His most notable works include "The Drovers Wife," "The Loaded Dog," and numerous poems that capture the essence of Australian life. more…

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