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"The Dream" is a novella by Russian author Ivan Turgenev, exploring the themes of love, loss, and the complexity of human emotions. The story follows a man who experiences a vivid dream that deeply reflects his inner desires and regrets. Through this dream, Turgenev delves into the psyche of the protagonist, revealing the tensions between idealism and reality. The work is notable for its lyrical prose and poignant insights into the nature of dreams and their impact on our waking lives. Turgenev's exploration of the characters' emotional landscapes makes "The Dream" a significant contribution to the existential literature of the 19th century.

Year:
1876
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Submitted by davidb on January 29, 2025


								
had presented himself to me. "Am not I dreaming?" I thought to myself.... "No.... It is daylight now, a crowd is roaring round me, the sun is shining brightly in the blue sky, and I have before me, not a phantom, but a living man." I stepped up to an empty table, ordered myself a tankard of beer and a newspaper, and seated myself at a short distance from this mysterious being. V Placing the sheets of the newspaper on a level with my face, I continued to devour the stranger with my eyes.--He hardly stirred, and only raised his drooping head a little from time to time. He was evidently waiting for some one. I gazed and gazed.... Sometimes it seemed to me that I had invented the whole thing, that in reality there was no resemblance whatever, that I had yielded to the semi-involuntary deception of the imagination ... but "he" would suddenly turn a little on his chair, raise his hand slightly, and again I almost cried aloud, again I beheld before me my "nocturnal" father! At last he noticed my importunate attention, and, first with surprise, then with vexation, he glanced in my direction, started to rise, and knocked down a small cane which he had leaned against the table. I instantly sprang to my feet, picked it up and handed it to him. My heart was beating violently. He smiled in a constrained way, thanked me, and putting his face close to my face, he elevated his eyebrows and parted his lips a little, as though something had struck him. "You are very polite, young man," he suddenly began, in a dry, sharp, snuffling voice.--"That is a rarity nowadays. Allow me to congratulate you. You have been well brought up." I do not remember precisely what answer I made to him; but the conversation between us was started. I learned that he was a fellow-countryman of mine, that he had recently returned from America, where he had lived many years, and whither he was intending to return shortly. He said his name was Baron.... I did not catch the name well. He, like my "nocturnal" father, wound up each of his remarks with an indistinct, inward growl. He wanted to know my name.... On hearing it he again showed signs of surprise. Then he asked me if I had been living long in that town, and with whom? I answered him that I lived with my mother. "And your father?" "My father died long ago." He inquired my mother's Christian name, and immediately burst into an awkward laugh--and then excused himself, saying that he had that American habit, and that altogether he was a good deal of an eccentric. Then he asked where we lived. I told him. VI The agitation which had seized upon me at the beginning of our conversation had gradually subsided; I thought our intimacy rather strange--that was all. I did not like the smile with which the baron questioned me; neither did I like the expression of his eyes when he fairly stabbed them into me.... There was about them something rapacious and condescending ... something which inspired dread. I had not seen those eyes in my dream. The baron had a strange face! It was pallid, fatigued, and, at the same time, youthful in appearance, but with a disagreeable youthfulness! Neither had my "nocturnal" father that deep scar, which intersected his whole forehead in a slanting direction, and which I did not notice until I moved closer to him. Before I had had time to impart to the baron the name of the street and the number of the house where we lived, a tall negro, wrapped up in a cloak to his very eyes, approached him from behind and tapped him softly on the shoulder. The baron turned round, said: "Aha! At last!" and nodding lightly to me, entered the coffee-house with the negro. I remained under the awning. I wished to wait until the baron should come out again, not so much for the sake of entering again into conversation with him (I really did not know what topic I could start with), as for the purpose of again verifying my first impression.--But half an hour passed; an hour passed.... The baron did not make his appearance. I entered the coffee-house, I made the circuit of all the rooms--but nowhere did I see either the baron or the negro.... Both of them must have taken their departure through the back door. My head had begun to ache a little, and with the object of refreshing myself I set out along the seashore to the extensive park outside the town, which had been laid out ten years previously. After having strolled for a couple of hours in the shade of the huge oaks and plaintain-trees, I returned home. VII Our maid-servant flew to meet me, all tremulous with agitation, as soon as I made my appearance in the anteroom. I immediately divined, from the expression of her face, that something unpleasant had occurred in our house during my absence.--And, in fact, I learned that half an hour before a frightful shriek had rung out from my mother's bedroom. When the maid rushed in she found her on the floor in a swoon which lasted for several minutes. My mother had recovered consciousness at last, but had been obliged to go to bed, and wore a strange, frightened aspect; she had not uttered a word, she had not replied to questions--she had done nothing but glance around her and tremble. The servant had sent the gardener for a doctor. The doctor had come and had prescribed a soothing potion, but my mother had refused to say anything to him either. The gardener asserted that a few moments after the shriek had rung out from my mother's room he had seen a strange man run hastily across the flower-plots of the garden to the street gate. (We lived in a one-story house, whose windows looked out upon a fairly large garden.) The gardener had not been able to get a good look at the man's face; but the latter was gaunt, and wore a straw hat and a long-skirted coat.... "The baron's costume!" immediately flashed into my head.--The gardener had been unable to overtake him; moreover, he had been summoned, without delay, to the house and despatched for the doctor. I went to my mother's room; she was lying in bed, whiter than the pillow on which her head rested.... At sight of me she smiled faintly, and put out her hand to me. I sat down by her side, and began to question her; at first she persistently parried my questions; but at last she confessed that she had seen something which had frightened her greatly. "Did some one enter here?" I asked. "No," she answered hastily, "no one entered, but it seemed to me ... I thought I saw ... a vision...." She ceased speaking and covered her eyes with her hand. I was on the point of communicating to her what I had heard from the gardener--and my meeting with the baron also, by the way ... but, for some reason or other, the words died on my lips. Nevertheless I did bring myself to remark to my mother that visions do not manifest themselves in the daylight....
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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