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"The Door of Unrest" is a short story by O. Henry that explores themes of love, longing, and the human condition through the lens of urban life. The narrative revolves around a man who, feeling trapped in his monotonous routine, becomes captivated by a mysterious woman he observes through an apartment window. This encounter leads him to reflect on his own desires and the nature of relationships. With O. Henry's signature wit and twist ending, the story poignantly captures the complexities of yearning and the search for connection in a bustling city.


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Submitted by davidb on February 23, 2025


								
the shoemaker of Jerusalem.” I got him to the sidewalk, and in the augmented light I saw that his face was seared and lined and warped by a sadness almost incredibly the product of a single lifetime. And then high up in the firmamental darkness we heard the clamant cries of some great, passing birds. My Wandering Jew lifted his hand, with side-tilted head. “The Seven Whistlers!” he said, as one introduces well-known friends. “Wild geese,” said I; “but I confess that their number is beyond me.” “They follow me everywhere,” he said. “’Twas so commanded. What ye hear is the souls of the seven Jews that helped with the Crucifixion. Sometimes they’re plovers and sometimes geese, but ye’ll find them always flyin’ where I go.” I stood, uncertain how to take my leave. I looked down the street, shuffled my feet, looked back again—and felt my hair rise. The old man had disappeared. And then my capillaries relaxed, for I dimly saw him footing it away through the darkness. But he walked so swiftly and silently and contrary to the gait promised by his age that my composure was not all restored, though I knew not why. That night I was foolish enough to take down some dust-covered volumes from my modest shelves. I searched “Hermippus Redivvus” and “Salathiel” and the “Pepys Collection” in vain. And then in a book called “The Citizen of the World,” and in one two centuries old, I came upon what I desired. Michob Ader had indeed come to Paris in the year 1643, and related to the Turkish Spy an extraordinary story. He claimed to be the Wandering Jew, and that— But here I fell asleep, for my editorial duties had not been light that day. Judge Hoover was the Bugle’s candidate for congress. Having to confer with him, I sought his home early the next morning; and we walked together down town through a little street with which I was unfamiliar. “Did you ever hear of Michob Ader?” I asked him, smiling. “Why, yes,” said the judge. “And that reminds me of my shoes he has for mending. Here is his shop now.” Judge Hoover stepped into a dingy, small shop. I looked up at the sign, and saw “Mike O’Bader, Boot and Shoe Maker,” on it. Some wild geese passed above, honking clearly. I scratched my ear and frowned, and then trailed into the shop. There sat my Wandering Jew on his shoemaker’s bench, trimming a half-sole. He was drabbled with dew, grass-stained, unkempt, and miserable; and on his face was still the unexplained wretchedness, the problematic sorrow, the esoteric woe, that had been written there by nothing less, it seemed, than the stylus of the centuries. Judge Hoover inquired kindly concerning his shoes. The old shoemaker looked up, and spoke sanely enough. He had been ill, he said, for a few days. The next day the shoes would be ready. He looked at me, and I could see that I had no place in his memory. So out we went, and on our way. “Old Mike,” remarked the candidate, “has been on one of his sprees. He gets crazy drunk regularly once a month. But he’s a good shoemaker.” “What is his history?” I inquired. “Whiskey,” epitomized Judge Hoover. “That explains him.” I was silent, but I did not accept the explanation. And so, when I had the chance, I asked old man Sellers, who browsed daily on my exchanges. “Mike O’Bader,” said he, “was makin’ shoes in Montopolis when I come here goin’ on fifteen year ago. I guess whiskey’s his trouble. Once a month he gets off the track, and stays so a week. He’s got a rigmarole somethin’ about his bein’ a Jew pedler that he tells ev’rybody. Nobody won’t listen to him any more. When he’s sober he ain’t sich a fool—he’s got a sight of books in the back room of his shop that he reads. I guess you can lay all his trouble to whiskey.” But again I would not. Not yet was my Wandering Jew rightly construed for me. I trust that women may not be allowed a title to all the curiosity in the world. So when Montopolis’s oldest inhabitant (some ninety score years younger than Michob Ader) dropped in to acquire promulgation in print, I siphoned his perpetual trickle of reminiscence in the direction of the uninterpreted maker of shoes. Uncle Abner was the Complete History of Montopolis, bound in butternut. “O’Bader,” he quavered, “come here in ’69. He was the first shoemaker in the place. Folks generally considers him crazy at times now. But he don’t harm nobody. I s’pose drinkin’ upset his mind—yes, drinkin’ very likely done it. It’s a powerful bad thing, drinkin’. I’m an old, old man, sir, and I never see no good in drinkin’.” I felt disappointment. I was willing to admit drink in the case of my shoemaker, but I preferred it as a recourse instead of a cause. Why had he pitched upon his perpetual, strange note of the Wandering Jew? Why his unutterable grief during his aberration? I could not yet accept whiskey as an explanation. “Did Mike O’Bader ever have a great loss or trouble of any kind?” I asked. “Lemme see! About thirty year ago there was somethin’ of the kind, I recollect. Montopolis, sir, in them days used to be a mighty strict place. “Well, Mike O’Bader had a daughter then—a right pretty girl. She was too gay a sort for Montopolis, so one day she slips off to another town and runs away with a circus. It was two years before she comes back, all fixed up in fine clothes and rings and jewellery, to see Mike. He wouldn’t have nothin’ to do with her, so she stays around town awhile, anyway. I reckon the men folks wouldn’t have raised no objections, but the women egged ’em on to order her to leave town. But she had plenty of spunk, and told ’em to mind their own business. “So one night they decided to run her away. A crowd of men and women drove her out of her house, and chased her with sticks and stones. She run to her father’s door, callin’ for help. Mike opens it, and when he sees who it is he hits her with his fist and knocks her down and shuts the door. “And then the crowd kept on chunkin’ her till she run clear out of town. And the next day they finds her drowned dead in Hunter’s mill pond. I mind it all now. That was thirty year ago.” I leaned back in my non-rotary revolving chair and nodded gently, like a mandarin, at my paste-pot. “When old Mike has a spell,” went on Uncle Abner, tepidly garrulous, “he thinks he’s the Wanderin’ Jew.” “He is,” said I, nodding away. And Uncle Abner cackled insinuatingly at the editor’s remark, for he was expecting at least a “stickful” in the “Personal Notes” of the Bugle.
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O. Henry

O. Henry, the pen name of William Sydney Porter, was an American short story writer born on September 11, 1862, in Greensboro, North Carolina. He is best known for his clever, twist-ending narratives that often explore themes of urban life and human nature. His stories are characterized by witty dialogue, rich character development, and a keen observation of everyday life, illustrating the irony and complexity of human emotions. O. Henry's work has had a lasting impact on the short story genre, and he remains a beloved figure in American literature, with classic tales like "The Gift of the Magi" and "The Ransom of Red Chief" highlighting his unique storytelling style. He passed away on June 5, 1910. more…

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