The Door Page #2

"The Door" is a short story by Guy de Maupassant that explores themes of psychological tension, fear, and the complexities of human relationships. The narrative centers around a man who becomes increasingly obsessed with a mysterious door in his home that he believes holds secrets and dangers. As the story unfolds, Maupassant masterfully captures the protagonist's descent into paranoia, illuminating the struggle between curiosity and fear. The door symbolizes the unknown, representing the boundaries of the mind and the human experience. Through his keen observations and rich prose, Maupassant delves into the darker aspects of human nature and the impact of isolation.

• Short story

								


“I lowered my eyes. She was indeed wearing worn-out shoes, and I noticed that her stockings were not pulled up tight.

“She had blushed and hidden her foot under her dress. The friend was looking out in the distance with an indifferent and unconcerned look.

“The husband offered me a cigar, which I accepted. For a few days it was impossible for me to be alone with her for two minutes; he was with us everywhere. He was delightful to me, however.

“One morning he came to get me to take a walk before breakfast, and the conversation happened to turn on marriage. I spoke a little about solitude and about how charming life can be made by the affection of a woman. Suddenly he interrupted me, saying: 'My friend, don't talk about things you know nothing about. A woman who has no other reason for loving you will not love you long. All the little coquetries which make them so exquisite when they do not definitely belong to us cease as soon as they become ours. And then—the respectable women—that is to say our wives—are—are not—in fact do not understand their profession of wife. Do you understand?'

“He said no more, and I could not guess his thoughts.

“Two days after this conversation he called me to his room quite early, in order to show me a collection of engravings. I sat in an easy chair opposite the big door which separated his apartment from his wife's, and behind this door I heard some one walking and moving, and I was thinking very little of the engravings, although I kept exclaiming: 'Oh, charming! delightful! exquisite!'

“He suddenly said: 'Oh, I have a beautiful specimen in the next room. I'll go and get it.'

“He ran to the door quickly, and both sides opened as though for a theatrical effect.

“In a large room, all in disorder, in the midst of skirts, collars, waists lying around on the floor, stood a tall, dried-up creature. The lower part of her body was covered with an old, worn-out silk petticoat, which was hanging limply on her shapeless form, and she was standing in front of a mirror brushing some short, sparse blond hairs. Her arms formed two acute angles, and as she turned around in astonishment I saw under a common cotton chemise a regular cemetery of ribs, which were hidden from the public gaze by well-arranged pads.

“The husband uttered a natural exclamation and came back, closing the doors, and said: 'Gracious! how stupid I am! Oh, how thoughtless! My wife will never forgive me for that!'

“I already felt like thanking him. I left three days later, after cordially shaking hands with the two men and kissing the lady's fingers. She bade me a cold good-by.”

Karl Massouligny was silent. Some one asked: “But what was the friend?”

“I don't know—however—however he looked greatly distressed to see me leaving so soon.”
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