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"The Desborough Connections" by Bret Harte is a captivating short story that explores themes of social class, morality, and the complexities of human relationships. Set in the American West, the narrative revolves around the titular Desborough family, whose connections and enigmatic past intrigue locals and visitors alike. Through a blend of wit, irony, and vivid characterization, Harte delves into the intricacies of love, loyalty, and the consequences of choices made by the characters. The story reflects the author's hallmark style, showcasing his ability to capture the essence of frontier life while critiquing societal norms.


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navvies, who come from the north as he does, call him 'Debbers.'" They were obliged to descend into the cottage, which was so low that it seemed to have sunk into the earth until its drooping eaves of thatch mingled with the straw heap beside it. Debs was not at home. But his granddaughter was there, who, after a preliminary "bob," continued the stirring of the pot before the fire in tentative silence. "I am sorry to find that your grandfather has gone to work again in spite of the doctor's orders," said Miss Amelyn. The girl continued to stir the pot, and then said without looking up, but as if also continuing a train of aggressive thoughts with her occupation: "Eay, but 'e's so set oop in 'issen 'ee doan't take orders from nobbut--leastways doctor. Moinds 'em now moor nor a floy. Says 'ee knaws there nowt wrong wi' 'is 'eart. Mout be roight--how'siver, sarten sewer, 'is 'EAD'S a' in a muddle! Toims 'ee goes off stamrin' and starin' at nowt, as if 'ee a'nt a n'aporth o' sense. How'siver I be doing my duty by 'em--and 'ere's 'is porritch when a' cooms--'gin a' be sick or maad." What the American understood of the girl's speech and manner struck her as having very little sympathy with either her aged relative or her present visitor. And there was a certain dogged selfish independence about her that Miss Desborough half liked and half resented. However, Miss Amelyn did not seem to notice it, and, after leaving a bottle of port for the grandfather, she took her leave and led Sadie away. As they passed into the village a carriage, returning to the Priory, filled with their fellow guests, dashed by, but was instantly pulled up at a word from Lord Algernon, who leaped from the vehicle, hat in hand, and implored the fair truant and her companion to join them. "We're just making a tour around Windover Hill, and back to luncheon," he said, with a rising color. "We missed you awfully! If we had known you were so keen on 'good works,' and so early at it, by Jove! we'd have got up a 'slummin' party,' and all joined!" "And you haven't seen half," said Lord Beverdale from the box. "Miss Amelyn's too partial to the village. There's an old drunken retired poacher somewhere in a hut in Crawley Woods, whom it's death to approach, except with a large party. There's malignant diphtheria over at the South Farm, eight down with measles at the keeper's, and an old woman who has been bedridden for years." But Miss Desborough was adamant, though sparkling. She thanked him, but said she had just seen an old woman "who had been lying in bed for twenty years, and hadn't spoken the truth once!" She proposed "going outside of Lord Beverdale's own preserves of grain-fed poor," and starting up her own game. She would return in time for luncheon--if she could; if not, she "should annex the gruel of the first kind incapable she met." Yet, actually, she was far from displeased at being accidentally discovered by these people while following out her capricious whim of the morning. One or two elder ladies, who had fought shy of her frocks and her frankness the evening before, were quite touched now by this butterfly who was willing to forego the sunlight of society, and soil her pretty wings on the haunts of the impoverished, with only a single companion,--of her own sex!--and smiled approvingly. And in her present state of mind, remembering her companion's timid attitude towards Lord Beverdale's opinions, she was not above administering this slight snub to him in her presence. When they had driven away, with many regrets, Miss Amelyn was deeply concerned. "I am afraid," she said, with timid conscientiousness, "I have kept you from going with them. And you must be bored with what you have seen, I know. I don't believe you really care one bit for it--and you are only doing it to please me." "Trot out the rest of your show," said Sadie promptly, "and we'll wind up by lunching with the rector." "He'd be too delighted," said Miss Amelyn, with disaster written all over her girlish, truthful face, "but--but--you know--it really wouldn't be quite right to Lord Beverdale. You're his principal guest--you know, and--they'd think I had taken you off." "Well," said Miss Desborough impetuously, "what's the matter with that inn--the Red Lion? We can get a sandwich there, I guess. I'm not VERY hungry." Miss Amelyn looked horrified for a moment, and then laughed; but immediately became concerned again. "No! listen to me, REALLY now! Let me finish my round alone! You'll have ample time if you go NOW to reach the Priory for luncheon. Do, please! It would be ever so much better for everybody. I feel quite guilty as it is, and I suppose I am already in Lord Beverdale's black books." The trouble in the young girl's face was unmistakable, and as it suited Miss Desborough's purpose just as well to show her independence by returning, as she had set out, alone, she consented to go. Miss Amelyn showed her a short cut across the park, and they separated--to meet at dinner. In this brief fellowship, the American girl had kept a certain supremacy and half-fascination over the English girl, even while she was conscious of an invincible character in Miss Amelyn entirely different from and superior to her own. Certainly there was a difference in the two peoples. Why else this inherited conscientious reverence for Lord Beverdale's position, shown by Miss Amelyn, which she, an American alive to its practical benefits, could not understand? Would Miss Amelyn and Lord Algernon have made a better match? The thought irritated her, even while she knew that she herself possessed the young man's affections, the power to marry him, and, as she believed, kept her own independence in the matter. As she entered the iron gates at the lower end of the park, and glanced at the interwoven cipher and crest of the Amelyns still above, she was conscious that the wind was blowing more chill, and that a few clouds had gathered. As she walked on down the long winding avenue, the sky became overcast, and, in one of those strange contrasts of the English climate, the glory of the whole day went out with the sunshine. The woods suddenly became wrinkled and gray, the distant hills sombre, the very English turf beneath her feet grew brown; a mile and a half away, through the opening of the trees, the west part of the Priory looked a crumbling, ivy-eaten ruin. A few drops of rain fell. She hurried on. Suddenly she remembered that the avenue made a long circuit before approaching the house, and that its lower end, where she was walking, was but a fringe of the park. Consequently there must be a short cut across some fields and farm buildings to the back of the park and the Priory. She at once diverged to the right, presently found a low fence, which she clambered over, and again found a footpath which led to a stile. Crossing that, she could see the footpath now led directly to the
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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