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"The Desborough Connections" by Bret Harte is a captivating short story that explores themes of social class, morality, and the complexities of human relationships. Set in the American West, the narrative revolves around the titular Desborough family, whose connections and enigmatic past intrigue locals and visitors alike. Through a blend of wit, irony, and vivid characterization, Harte delves into the intricacies of love, loyalty, and the consequences of choices made by the characters. The story reflects the author's hallmark style, showcasing his ability to capture the essence of frontier life while critiquing societal norms.


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to pick up for yourself and worry over." But here the consul pointed out that the place itself was not "ancestral" as regarded the present earl, and that even the original title of his predecessors had passed away from it. "In fact, it came into the family by one of those 'outsiders' you deprecate. But I dare say you'd find the place quite as comfortable with Lord Beverdale for a host as you would if you had found out he were a cousin," he added. "Better," said the young lady frankly. "I suppose your mother participates in these preferences?" said the consul, with a smile. "No," said Miss Desborough, with the same frankness, "I think maw's rather cut up at not finding a Desborough. She was invited down here, but SHE'S rather independent, you know, so she allowed I could take care of myself, while she went off to stay with the old Dowager Lady Mistowe, who thinks maw a very proper womanly person. I made maw mad by telling her that's just what old Lady Mistowe would say of her cook--for I can't stand these people's patronage. However, I shouldn't wonder if I was invited here as a 'most original person.'" But here Lord Algernon came up to implore her to sing them one of "those plantation songs;" and Miss Desborough, with scarcely a change of voice or manner, allowed herself to be led to the piano. The consul had little chance to speak with her again, but he saw enough that evening to convince him not only that Lord Algernon was very much in love with her, but that the fact had been equally and complacently accepted by the family and guests. That her present visit was only an opportunity for a formal engagement was clear to every woman in the house--not excepting, I fear, even the fair subject of gossip herself. Yet she seemed so unconcerned and self-contained that the consul wondered if she really cared for Lord Algernon. And having thus wondered, he came to the conclusion that it didn't much matter, for the happiness of so practically organized a young lady, if she loved him or not. It is highly probable that Miss Sadie Desborough had not even gone so far as to ask herself that question. She awoke the next morning with a sense of easy victory and calm satisfaction that had, however, none of the transports of affection. Her taste was satisfied by the love of a handsome young fellow,--a typical Englishman,--who, if not exactly original or ideal, was, she felt, of an universally accepted, "hall-marked" standard, the legitimate outcome of a highly ordered, carefully guarded civilization, whose repose was the absence of struggle or ambition; a man whose regular features were not yet differentiated from the rest of his class by any of those disturbing lines which people call character. Everything was made ready for her, without care or preparation; she had not even an ideal to realize or to modify. She could slip without any jar or dislocation into this life which was just saved from self-indulgence and sybaritic luxury by certain conventional rules of activity and the occupation of amusement which, as obligations of her position, even appeared to suggest the novel aspect of a DUTY! She could accept all this without the sense of being an intruder in an unbroken lineage--thanks to the consul's account of the Beverdales' inheritance. She already pictured herself as the mistress of this fair domain, the custodian of its treasures and traditions, and the dispenser of its hospitalities, but--as she conscientiously believed--without pride or vanity, in her position; only an intense and thoughtful appreciation of it. Nor did she dream of ever displaying it ostentatiously before her less fortunate fellow countrywomen; on the contrary, she looked forward to their possible criticism of her casting off all transatlantic ties with an uneasy consciousness that was perhaps her nearest approach to patriotism. Yet, again, she reasoned that, as her father was an Englishman, she was only returning to her old home. As to her mother, she had already comforted herself by noticing certain discrepancies in that lady's temperament, which led her to believe that she herself alone inherited her father's nature--for her mother was, of course, distinctly American! So little conscious was she of any possible snobbishness in this belief, that in her superb naivete she would have argued the point with the consul, and employed a wit and dialect that were purely American. She had slipped out of the Priory early that morning that she might enjoy alone, unattended and unciceroned, the aspect of that vast estate which might be hers for the mere accepting. Perhaps there was some instinct of delicacy in her avoiding Lord Algernon that morning; not wishing, as she herself might have frankly put it, "to take stock" of his inheritance in his presence. As she passed into the garden through the low postern door, she turned to look along the stretching facade of the main building, with the high stained windows of its banqueting-hall and the state chamber where a king had slept. Even in that crisp October air, and with the green of its ivied battlements against the gold of the distant wood, it seemed to lie in the languid repose of an eternal summer. She hurried on down the other terrace into the Italian garden, a quaint survival of past grandeur, passed the great orangery and numerous conservatories, making a crystal hamlet in themselves--seeing everywhere the same luxury. But it was a luxury that she fancied was redeemed from the vulgarity of ostentation by the long custom of years and generations, so unlike the millionaire palaces of her own land; and, in her enthusiasm, she even fancied it was further sanctified by the grim monastic founders who had once been content with bread and pulse in the crumbling and dismantled refectory. In the plenitude of her feelings she felt a slight recognition of some beneficent being who had rolled this golden apple at her feet, and felt as if she really should like to "do good" in her sphere. It so chanced that, passing through a small gate in the park, she saw walking, a little ahead of her, a young girl whom she at once recognized as a Miss Amelyn, one of the guests of the evening before. Miss Desborough remembered that she played the accompaniment of one or two songs upon the piano, and had even executed a long solo during the general conversation, without attention from the others, and apparently with little irritation to herself, subsiding afterwards into an armchair, quite on the fringe of other people's conversation. She had been called "my dear" by one or two dowagers, and by her Christian name by the earl, and had a way of impalpably melting out of sight at times. These trifles led Miss Desborough to conclude that she was some kind of dependent or poor relation. Here was an opportunity to begin her work of
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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