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"The Cub Reporter" by Rex Ellingwood Beach is a compelling novel that explores the challenges and adventures faced by a young aspiring journalist. The story follows the protagonist’s journey as he navigates the competitive world of newspaper reporting, uncovering stories that delve into both the mundane and the extraordinary aspects of society. Through his experiences, the reader gains insight into the ethics of journalism, the pursuit of truth, and the impact of media on public perception. With a blend of action, drama, and character development, Beach captures the excitement and trials of pursuing a career in journalism during a dynamic time in history.


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Submitted by davidb on February 12, 2025


								
second time that evening he left the office with his jaws set stubbornly. Paul Anderson walked straight to his boarding-house and bearded his landlady. "I've got a job," said he. "I'm very glad," the lady told him, honestly enough. "I feared you were going to move out." "Yes!" he repeated. "I've got a job that carries the highest salary on the paper. You remember the yellow-haired girl who killed herself awhile ago?" he asked. "Indeed I do. Everybody knows about that case." "Well, it got too tough for the police and the other reporters, so they turned it over to me. It's a bully assignment, and my pay starts when I solve the mystery. Now I'm starved; I wish you'd rustle me some grub." "But, Mr. Anderson, you're bill for this week? You know I get paid in--" "Tut, tut! You know how newspapers are. They don't pay in advance, and I can't pay you until they pay me. You'll probably have to wait until Saturday, for I'm a little out of practice on detective stuff. But I'll have this thing cleared up by then. You don't appreciate--you can't appreciate--what a corking assignment it is." Anderson had a peculiarly engaging smile, and five minutes later he was wrecking the pantry of all the edibles his fellow-boarders had overlooked, the while his landlady told him her life's history, wept over the memory of her departed husband, and confessed that she hoped to get out of the boarding-house business some time. A good night's sleep and a hearty breakfast put the young man in fine fettle, and about ten o'clock he repaired to a certain rooming-house on Main Street, the number of which he obtained from the clipping in his pocket. A girl answered his ring, but at sight of him she shut the door hurriedly, explaining through the crack: "Mrs. MacDougal is out and you can't come in." "But I want to talk to you." "I'm not allowed to talk to reporters," she declared. "Mrs. MacDougal won't let me." A slight Scotch accent gave Anderson his cue. "MacDougal is a good Scotch name. I'm Scotch myself, and so are you." He smiled his boarding-house smile, and the girl's eyes twinkled back at him. "Didn't she tell you I was coming?" "Why, no, sir. Aren't you a reporter?" "I've been told that I'm not. I came to look at a room." "What room?" the girl asked, quickly. "We haven't any vacant rooms." "That's queer," Anderson frowned. "I can't be mistaken. I'm sure Mrs. MacDougal said there was one." The door opened slowly. "Maybe she meant the one on the second floor." "Precisely." An instant later he was following his guide up-stairs. Anderson recognized the room at a glance, from its description, but the girl did not mention the tragedy which had occurred therein, so he proceeded to talk terms with her, prolonging his stay as long as possible, meanwhile using his eyes to the best advantage. He invented an elaborate ancestry which he traced backward through the pages of Scottish Chiefs, the only book of the sort he had ever read, and by the time he was ready to leave the girl had thawed out considerably. "I'll take the room," he told her, "and I'm well pleased to get it. I don't see how such a good one stands vacant in this location." There was an instant's pause, then his companion confessed: "There's a reason. You'll find it out sooner or later, so I may as well tell you. That's where the yellow-haired girl you hear so much about killed herself. I hope it won't make any difference to you, Mr.--" "Gregor. Certainly not. I read about the case. Canadian, wasn't she?" "Oh yes! There's no doubt of it. She paid her rent with a Canadian bill, and, besides, I noticed her accent. I didn't tell the reporters, however, they're such a fresh lot." Paul's visit, it appeared, had served to establish one thing, at least, a thing which the trained investigators had not discovered. Canadian money in Buffalo was too common to excite comment, therefore none of them had seen fit to follow out that clue of the two-dollar bill. "The papers had it that she was some wealthy girl," the former speaker ran on, "but I know better." "Indeed? How do you know?" "Her hands! They were good hands, and she used them as if she knew what they were made for." "Anything else?" "No. She seemed very sad and didn't say much. Of course I only saw her once." Anderson questioned the girl at some further length, but discovered nothing of moment, so he left, declaring that he would probably move into the room on the following day. Prom the rooming-house he went directly to the Morgue, and for a second time examined the body, confining his attention particularly to the hands. The right one showed nothing upon which to found a theory, save that it was, indeed, a capable hand with smooth skin and well-tended nails; but on examining the left Paul noted a marked peculiarity. Near the ends of the thumb and the first finger the skin was roughened, abrased; there were numerous tiny black spots beneath the skin, which, upon careful scrutiny, he discovered to be microscopic blood-blisters. For a long time he puzzled over this phenomenon which had escaped all previous observers, but to save him he could invent no explanation for it. He repaired finally to the office of the attendant and asked for the girl's clothes, receiving permission to examine a small bundle. "Where's the rest?" he demanded. "That's all she had," said the man. "No baggage at all?" "Not a thing but what she stood up in. The coroner has her jewelry and things of that sort." Anderson searched the contents of the bundle with the utmost care, but found no mark of any sort. The garments, although inexpensive, were beautifully neat and clean, and they displayed the most marvelous examples of needlework he had ever seen. Among the effects was a plush muff, out of which, as he picked it up, fell a pair of little knitted mittens--or was there a pair? Finding but the one, he shook the muff again, then looked through the other things. "Where's the other mitten?" he inquired. "There 'ain't been but the one," the attendant told him. "Are you sure?" "See here, do you think I'm trying to hold out a yarn mitten on you? I say there 'ain't been but the one. I was here when she came, and I know." Discouraged by the paucity of clues which this place offered, Anderson went next to the coroner's office. The City Hall newspaper squad had desks in this place, but Paul paid no attention to them or to their occupants. He went straight to the wicket and asked for the effects of the dead girl. It appeared that Burns had told his practical joke broadcast, for
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Rex Beach

Rex Ellingwood Beach (1877–1949) was an American novelist and journalist, best known for his adventure stories and works of fiction that often featured themes of exploration and survival. His writing reflected his own experiences, including travels to remote regions. Beach's notable works include "The Spoilers" and "The Silver Horde," which gained popularity in the early 20th century and contributed to the development of the adventure genre in American literature. He was also known for his engaging storytelling and vivid characterizations, earning him a place among early 20th-century authors. more…

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