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"The Cub Reporter" by Rex Ellingwood Beach is a compelling novel that explores the challenges and adventures faced by a young aspiring journalist. The story follows the protagonist’s journey as he navigates the competitive world of newspaper reporting, uncovering stories that delve into both the mundane and the extraordinary aspects of society. Through his experiences, the reader gains insight into the ethics of journalism, the pursuit of truth, and the impact of media on public perception. With a blend of action, drama, and character development, Beach captures the excitement and trials of pursuing a career in journalism during a dynamic time in history.


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Submitted by davidb on February 12, 2025


								
sake and the sake of The Intelligencer. Yes, yes, I'm sure you will, because you're a good newspaper man--you told me so yourself." His appreciation of the jest threatened to strangle him. "Mr. Burns," began the other, "I--I'm up against it. I guess you don't know it, but I'm hungry. I haven't eaten for three days." At this the editor became positively apoplectic. "Oh yes--yes, I do!" He nodded vigorously. "You show it in your face. That's why I went out of my way to help you. He! He! He! Now you run along and get me the girl's name and address while I finish this proof. Then come back and have supper with me at the Press Club." Again he chortled and snickered, whereupon something sullen and fierce awoke in young Anderson. He knew of a way to get food and a bed and a place to work even if it would only last thirty days, for he judged Burns was the kind of man who would yell for the police in case of an assault. Paul would have welcomed the prospect of prison fare, but he reasoned that it would be an incomplete satisfaction merely to mash the pudgy face of Mr. Burns and hear him clamor. What he wanted at this moment was a job; Burns's beating could hold over. This suicide case had baffled the pick of Buffalo's trained reporters; it had foiled the best efforts of her police; nevertheless, this fat-paunched fellow had baited a starving man by offering him the assignment. It was impossible; it was a cruel joke, and yet--there might be a chance of success. Even while he was debating the point he heard himself say: "Very well, Mr. Burns. If you want her name I'll get it for you." He crammed his hat down over his ears and walked out, leaving the astonished editor gazing after him with open mouth. Anderson's first impulse had been merely to get out of Burns's office, out of sight of that grinning satyr, and never to come back, but before he had reached the street he had decided that it was as well to starve striving as with folded hands. After all, the dead girl had a name. Instead of leaving the building, he went to the files of the paper and, turning back, uncovered the original story, which he cut out with his pen-knife, folded up, and placed in his pocket. This done, he sought the lobby of a near-by hotel, found a seat near a radiator, and proceeded to read the clipping carefully. It was a meager story, but it contained facts and was free from the confusion and distortions of the later accounts, which was precisely what he wished to guard against. Late one afternoon, so the story went, the girl had rented a room in a Main Street boarding-house, had eaten supper and retired. At eleven o'clock the next day, when she did not respond to a knock on her door, the room had been broken into and she had been found dead, with an empty morphine-bottle on the bureau. That was all. There were absolutely no clues to the girl's identity, for the closest scrutiny failed to discover a mark on her clothing or any personal articles which could be traced. She had possessed no luggage, save a little hand-satchel or shopping-bag containing a few coins. One fact alone stood out in the whole affair. She had paid for her room with a two-dollar Canadian bill, but this faint clue had been followed with no result. No one knew the girl; she had walked out of nowhere and had disappeared into impenetrable mystery. Those were the facts in the case, and they were sufficiently limited to baffle the best efforts of Buffalo's trained detective force. It would seem that there can be no human creature so obscure as to have neither relatives, friends, nor acquaintances, and yet this appeared to be the case, for a full description of this girl had been blazoned in the papers of every large city, had been exposed in countless country post-offices, and conveyed to the police of every city of the States and Canada. It was as if the mysterious occupant of the Morgue had been born of the winter wind on that fateful evening two weeks before. The country had been dragged by a net of publicity, that marvelous, fine-meshed fabric from which no living man is small or shrewd enough to escape, and still the sad, white face at the Morgue continued to smile out from its halo of gold as if in gentle mockery. For a long time Paul Anderson sat staring into the realms of speculation, his lips white with hunger, his cheeks hollow and feverish from the battle he had waged. His power of exclusion was strong, therefore he lost himself to his surroundings. Finally, however, he roused himself from his abstraction and realized the irony of this situation. He, the weakest, the most inexperienced of all the men who had tried, had been set to solve this mystery, and starvation was to be the fruit of his failure. He saw that it had begun to snow outside. In the lobby it was warm and bright and vivid with jostling life; the music of a stringed orchestra somewhere back of him was calling well-dressed men and women in to dinner. All of them seemed happy, hopeful, purposeful. He noted, furthermore, that three days without food makes a man cold, even in a warm place, and light-headed, too. The north wind had bitten him cruelly as he crossed the street, and now as he peered out of the plate-glass windows the night seemed to hold other lurking horrors besides. His want was like a burden, and he shuddered weakly, hesitating to venture out where the wind could harry him. It was a great temptation to remain here where there was warmth and laughter and life; nevertheless, he rose and slunk shivering out into the darkness, then laid a course toward the Morgue. While Anderson trod the snowy streets a slack-jowled editor sat at supper with some friends at the Press Club, eating and drinking heartily, as is the custom of newspaper men let down for a moment from the strain of their work. He had told a story, and his caustic way of telling it had amused his hearers, for each and every one of them remembered the shabby applicant for work, and all of them had wasted baffling hours on the mystery of this girl with the golden hair. "I guess I put a crimp in him," giggled Mr. Burns. "I gave him a chance to show those talents he recommends so highly." "The Morgue, on a night like this, is a pretty dismal place for a hungry man," said one of the others. "It's none too cheerful in the daytime." The others agreed, and Burns wabbled anew in his chair in appreciation of his humor. Young Anderson had never seen a morgue, and to-night, owing to his condition, his dread of it was child-like. It seemed as if this particular charnel-house harbored some grisly thing which stood between him and food and warmth and hope; the nearer he drew to it the greater grew his dread. A discourteous man, shrunken as if from the chill of the place, was hunched up in front of a glowing stove. He greeted Anderson sourly: "Out into that courtyard; turn to the left--second door," he directed.
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Rex Beach

Rex Ellingwood Beach (1877–1949) was an American novelist and journalist, best known for his adventure stories and works of fiction that often featured themes of exploration and survival. His writing reflected his own experiences, including travels to remote regions. Beach's notable works include "The Spoilers" and "The Silver Horde," which gained popularity in the early 20th century and contributed to the development of the adventure genre in American literature. He was also known for his engaging storytelling and vivid characterizations, earning him a place among early 20th-century authors. more…

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