The Count of Monte Cristo Page #24

The Count of Monte Cristo is an adventure novel by French author Alexandre Dumas completed in 1844. It is one of the author's most popular works, along with The Three Musketeers.

• Action and Adventure
• History

								


“The deuce you say!” replied the marquis, “let us lose no time, then!”

And, sitting down, he wrote a letter to his broker, ordering him to sell out at the market price.

“Now, then,” said Villefort, placing the letter in his pocketbook, “I must have another!”

“To whom?”

“To the king.”

“To the king?”

“Yes.”

“I dare not write to his majesty.”

“I do not ask you to write to his majesty, but ask M. de Salvieux to do so. I want a letter that will enable me to reach the king’s presence without all the formalities of demanding an audience; that would occasion a loss of precious time.”

“But address yourself to the keeper of the seals; he has the right of entry at the Tuileries, and can procure you audience at any hour of the day or night.”

“Doubtless; but there is no occasion to divide the honors of my discovery with him. The keeper would leave me in the background, and take all the glory to himself. I tell you, marquis, my fortune is made if I only reach the Tuileries the first, for the king will not forget the service I do him.”

“In that case go and get ready. I will call Salvieux and make him write the letter.”

“Be as quick as possible, I must be on the road in a quarter of an hour.”

“Tell your coachman to stop at the door.”

“You will present my excuses to the marquise and Mademoiselle Renée, whom I leave on such a day with great regret.”

“You will find them both here, and can make your farewells in person.”

“A thousand thanks—and now for the letter.”

The marquis rang, a servant entered.

“Say to the Comte de Salvieux that I would like to see him.”

“Now, then, go,” said the marquis.

“I shall be gone only a few moments.”

Villefort hastily quitted the apartment, but reflecting that the sight of the deputy procureur running through the streets would be enough to throw the whole city into confusion, he resumed his ordinary pace. At his door he perceived a figure in the shadow that seemed to wait for him. It was Mercédès, who, hearing no news of her lover, had come unobserved to inquire after him.

As Villefort drew near, she advanced and stood before him. Dantès had spoken of Mercédès, and Villefort instantly recognized her. Her beauty and high bearing surprised him, and when she inquired what had become of her lover, it seemed to him that she was the judge, and he the accused.

“The young man you speak of,” said Villefort abruptly, “is a great criminal, and I can do nothing for him, mademoiselle.” Mercédès burst into tears, and, as Villefort strove to pass her, again addressed him.

“But, at least, tell me where he is, that I may know whether he is alive or dead,” said she.

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“I do not know; he is no longer in my hands,” replied Villefort.

And desirous of putting an end to the interview, he pushed by her, and closed the door, as if to exclude the pain he felt. But remorse is not thus banished; like Virgil’s wounded hero, he carried the arrow in his wound, and, arrived at the salon, Villefort uttered a sigh that was almost a sob, and sank into a chair.

Then the first pangs of an unending torture seized upon his heart. The man he sacrificed to his ambition, that innocent victim immolated on the altar of his father’s faults, appeared to him pale and threatening, leading his affianced bride by the hand, and bringing with him remorse, not such as the ancients figured, furious and terrible, but that slow and consuming agony whose pangs are intensified from hour to hour up to the very moment of death. Then he had a moment’s hesitation. He had frequently called for capital punishment on criminals, and owing to his irresistible eloquence they had been condemned, and yet the slightest shadow of remorse had never clouded Villefort’s brow, because they were guilty; at least, he believed so; but here was an innocent man whose happiness he had destroyed. In this case he was not the judge, but the executioner.

As he thus reflected, he felt the sensation we have described, and which had hitherto been unknown to him, arise in his bosom, and fill him with vague apprehensions. It is thus that a wounded man trembles instinctively at the approach of the finger to his wound until it be healed, but Villefort’s was one of those that never close, or if they do, only close to reopen more agonizing than ever. If at this moment the sweet voice of Renée had sounded in his ears pleading for mercy, or the fair Mercédès had entered and said, “In the name of God, I conjure you to restore me my affianced husband,” his cold and trembling hands would have signed his release; but no voice broke the stillness of the chamber, and the door was opened only by Villefort’s valet, who came to tell him that the travelling carriage was in readiness.

Villefort rose, or rather sprang, from his chair, hastily opened one of the drawers of his desk, emptied all the gold it contained into his pocket, stood motionless an instant, his hand pressed to his head, muttered a few inarticulate sounds, and then, perceiving that his servant had placed his cloak on his shoulders, he sprang into the carriage, ordering the postilions to drive to M. de Saint-Méran’s. The hapless Dantès was doomed.

As the marquis had promised, Villefort found the marquise and Renée in waiting. He started when he saw Renée, for he fancied she was again about to plead for Dantès. Alas, her emotions were wholly personal: she was thinking only of Villefort’s departure.

She loved Villefort, and he left her at the moment he was about to become her husband. Villefort knew not when he should return, and Renée, far from pleading for Dantès, hated the man whose crime separated her from her lover.

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Meanwhile what of Mercédès? She had met Fernand at the corner of the Rue de la Loge; she had returned to the Catalans, and had despairingly cast herself on her couch. Fernand, kneeling by her side, took her hand, and covered it with kisses that Mercédès did not even feel. She passed the night thus. The lamp went out for want of oil, but she paid no heed to the darkness, and dawn came, but she knew not that it was day. Grief had made her blind to all but one object—that was Edmond.

“Ah, you are there,” said she, at length, turning towards Fernand.

“I have not quitted you since yesterday,” returned Fernand sorrowfully.

M. Morrel had not readily given up the fight. He had learned that Dantès had been taken to prison, and he had gone to all his friends, and the influential persons of the city; but the report was already in circulation that Dantès was arrested as a Bonapartist agent; and as the most sanguine looked upon any attempt of Napoleon to remount the throne as impossible, he met with nothing but refusal, and had returned home in despair, declaring that the matter was serious and that nothing more could be done.

Caderousse was equally restless and uneasy, but instead of seeking, like M. Morrel, to aid Dantès, he had shut himself up with two bottles of black currant brandy, in the hope of drowning reflection. But he did not succeed, and became too intoxicated to fetch any more drink, and yet not so intoxicated as to forget what had happened. With his elbows on the table he sat between the two empty bottles, while spectres danced in the light of the unsnuffed candle—spectres such as Hoffmann strews over his punch-drenched pages, like black, fantastic dust.
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