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"The Chorus Girl" is a poignant short story by Anton Pavlovich Chekhov that explores themes of love, ambition, and the complexities of human relationships. The narrative follows a young chorus girl who hopes for a better life and dreams of love, but finds herself confronting the harsh realities of her circumstances. Chekhov's insightful character portrayals and subtle social commentary reveal the emotional struggles and unfulfilled desires of the protagonist, ultimately offering a nuanced reflection on the fleeting nature of happiness and the often disillusioning pursuit of dreams.

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wife's family, but my first wife died when she was young." "What did she die of?" "Of foolishness. She used to cry and cry and cry for no reason, and so she pined away. She was always drinking some sort of herbs to make her better looking, and I suppose she damaged her inside. And my second wife is a Kurilovka woman too, there is nothing in her. She's a village woman, a peasant woman, and nothing more. I was taken in when they plighted me to her. I thought she was young and fair-skinned, and that they lived in a clean way. Her mother was just like a Flagellant and she drank coffee, and the chief thing, to be sure, they were clean in their ways. So I married her, and next day we sat down to dinner; I bade my mother-in-law give me a spoon, and she gives me a spoon, and I see her wipe it out with her finger. So much for you, thought I; nice sort of cleanliness yours is. I lived a year with them and then I went away. I might have married a girl from the town," he went on after a pause. "They say a wife is a helpmate to her husband. What do I want with a helpmate? I help myself; I'd rather she talked to me, and not clack, clack, clack, but circumstantially, feelingly. What is life without good conversation?" Stepan suddenly paused, and at once there was the sound of his dreary, monotonous "oo-loo-loo-loo." This meant that he had seen me. Masha used often to go to the mill, and evidently found pleasure in her conversations with Stepan. Stepan abused the peasants with such sincerity and conviction, and she was attracted to him. Every time she came back from the mill the feeble-minded peasant, who looked after the garden, shouted at her: "Wench Palashka! Hulla, wench Palashka!" and he would bark like a dog: "Ga! Ga!" And she would stop and look at him attentively, as though in that idiot's barking she found an answer to her thoughts, and probably he attracted her in the same way as Stepan's abuse. At home some piece of news would await her, such, for instance, as that the geese from the village had ruined our cabbage in the garden, or that Larion had stolen the reins; and shrugging her shoulders, she would say with a laugh: "What do you expect of these people?" She was indignant, and there was rancour in her heart, and meanwhile I was growing used to the peasants, and I felt more and more drawn to them. For the most part they were nervous, irritable, downtrodden people; they were people whose imagination had been stifled, ignorant, with a poor, dingy outlook on life, whose thoughts were ever the same-of the grey earth, of grey days, of black bread, people who cheated, but like birds hiding nothing but their head behind the tree-people who could not count. They would not come to mow for us for twenty roubles, but they came for half a pail of vodka, though for twenty roubles they could have bought four pails. There really was filth and drunkenness and foolishness and deceit, but with all that one yet felt that the life of the peasants rested on a firm, sound foundation. However uncouth a wild animal the peasant following the plough seemed, and however he might stupefy himself with vodka, still, looking at him more closely, one felt that there was in him what was needed, something very important, which was lacking in Masha and in the doctor, for instance, and that was that he believed the chief thing on earth was truth and justice, and that his salvation, and that of the whole people, was only to be found in truth and justice, and so more than anything in the world he loved just dealing. I told my wife she saw the spots on the glass, but not the glass itself; she said nothing in reply, or hummed like Stepan "oo-loo- loo-loo." When this good-hearted and clever woman turned pale with indignation, and with a quiver in her voice spoke to the doctor of the drunkenness and dishonesty, it perplexed me, and I was struck by the shortness of her memory. How could she forget that her father the engineer drank too, and drank heavily, and that the money with which Dubetchnya had been bought had been acquired by a whole series of shameless, impudent dishonesties? How could she forget it? XIV My sister, too, was leading a life of her own which she carefully hid from me. She was often whispering with Masha. When I went up to her she seemed to shrink into herself, and there was a guilty, imploring look in her eyes; evidently there was something going on in her heart of which she was afraid or ashamed. So as to avoid meeting me in the garden, or being left alone with me, she always kept close to Masha, and I rarely had an opportunity of talking to her except at dinner. One evening I was walking quietly through the garden on my way back from the building. It was beginning to get dark. Without noticing me, or hearing my step, my sister was walking near a spreading old apple-tree, absolutely noiselessly as though she were a phantom. She was dressed in black, and was walking rapidly backwards and forwards on the same track, looking at the ground. An apple fell from the tree; she started at the sound, stood still and pressed her hands to her temples. At that moment I went up to her. In a rush of tender affection which suddenly flooded my heart, with tears in my eyes, suddenly remembering my mother and our childhood, I put my arm round her shoulders and kissed her. "What is the matter?" I asked her. "You are unhappy; I have seen it for a long time. Tell me what's wrong?" "I am frightened," she said, trembling. "What is it?" I insisted. "For God's sake, be open!" "I will, I will be open; I will tell you the whole truth. To hide it from you is so hard, so agonizing. Misail, I love . . ." she went on in a whisper, "I love him . . . I love him. . . . I am happy, but why am I so frightened?" There was the sound of footsteps; between the trees appeared Dr. Blagovo in his silk shirt with his high top boots. Evidently they had arranged to meet near the apple-tree. Seeing him, she rushed impulsively towards him with a cry of pain as though he were being taken from her. "Vladimir! Vladimir!" She clung to him and looked greedily into his face, and only then I noticed how pale and thin she had become of late. It was particularly noticeable from her lace collar which I had known for so long, and which now hung more loosely than ever before about her thin, long neck. The doctor was disconcerted, but at once recovered himself, and, stroking her hair, said: "There, there. . . . Why so nervous? You see, I'm here." We were silent, looking with embarrassment at each other, then we walked on, the three of us together, and I heard the doctor say to me: "Civilized life has not yet begun among us. Old men console themselves by making out that if there is nothing now, there was something in the
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Anton Pavlovich Chekhov

Anton Pavlovich Chekhov (1860–1904) was a Russian playwright and short story writer, widely regarded as one of the greatest masters of the contemporary short story and a pioneer of modern drama. His works often explore themes of human complexity, existential struggle, and the nuances of everyday life, characterized by their subtlety, humor, and profound perception of human nature. Chekhov's notable plays include "The Seagull," "Uncle Vanya," and "The Cherry Orchard," while his short stories, such as "The Lady with the Dog" and "The Bet," showcase his ability to capture fleeting moments of insight and emotional depth. His literary innovations have had a lasting influence on both literature and theater. more…

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