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"The Brigadier" by Ivan Sergeevich Turgenev is a novella that explores themes of honor, duty, and the complexities of human relationships within a military context. Set against the backdrop of 19th-century Russia, the story follows the experiences of a retired brigadier who grapples with memories of his past service and the impact of those experiences on his current life. Turgenev's nuanced characterizations and keen observations provide insight into the struggles of identity and social status, ultimately revealing the deep emotional currents that shape the lives of his characters.


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Submitted by davidb on January 27, 2025


								
purpose,' Narkiz was beginning to explain to me, but he glanced ahead, and suddenly exclaimed: 'Aha! but our poor folk are here already ... they keep it up, it seems.' I craned my head to look from behind him, and saw on the floating platform, on the very seat of which he had been speaking, two persons sitting with their backs to us; they were placidly fishing. 'Who are they?' I asked. 'Neighbours,' Narkiz responded, with displeasure. 'They've nothing to eat at home, and so here they come to us.' 'Are they allowed to?' 'The old master allowed them.... Nikolai Petrovitch maybe won't give them permission.... The long one is a superannuated deacon--quite a silly creature; and as for the other, that's a little stouter--he's a brigadier.' 'A brigadier?' I repeated, wondering. This 'brigadier's' attire was almost worse than the deacon's. 'I assure you he's a brigadier. And he did have a fine property once. But now he has only a corner given him out of charity, and he lives ... on what God sends him. But, by the way, what are we to do? They've taken the best place.... We shall have to disturb our precious visitors.' 'No, Narkiz, please don't disturb them. We'll sit here a little aside; they won't interfere with us. I should like to make acquaintance with the brigadier.' 'As you like. Only, as far as acquaintance goes ... you needn't expect much satisfaction from it, sir; he's grown very weak in his head, and in conversation he's silly as a little child. As well he may be; he's past his eightieth year.' 'What's his name?' 'Vassily Fomitch. Guskov's his surname.' 'And the deacon?' 'The deacon? ... his nickname's Cucumber. Every one about here calls him so; but what his real name is--God knows! A foolish creature! A regular ne'er-do-well.' 'Do they live together?' 'No; but there--the devil has tied them together, it seems.' V We approached the platform. The brigadier cast one glance upon us ... and promptly fixed his eyes on the float; Cucumber jumped up, pulled back his rod, took off his worn-out clerical hat, passed a trembling hand over his rough yellow hair, made a sweeping bow, and gave vent to a feeble little laugh. His bloated face betrayed him an inveterate drunkard; his staring little eyes blinked humbly. He gave his neighbour a poke in the ribs, as though to let him know that they must clear out.... The brigadier began to move on the seat. 'Sit still, I beg; don't disturb yourselves,' I hastened to say. 'You won't interfere with us in the least. We'll take up our position here; sit still.' Cucumber wrapped his ragged smock round him, twitched his shoulders, his lips, his beard.... Obviously he felt our presence oppressive and he would have been glad to slink away, ... but the brigadier was again lost in the contemplation of his float.... The 'ne'er-do-weel' coughed twice, sat down on the very edge of the seat, put his hat on his knees, and, tucking his bare legs up under him, he discreetly dropped in his line. 'Any bites?' Narkiz inquired haughtily, as in leisurely fashion he unwound his reel. 'We've caught a matter of five loaches,' answered Cucumber in a cracked and husky voice: 'and he took a good-sized perch.' 'Yes, a perch,' repeated the brigadier in a shrill pipe. VI I fell to watching closely--not him, but his reflection in the pond. It was as clearly reflected as in a looking-glass--a little darker, a little more silvery. The wide stretch of pond wafted a refreshing coolness upon us; a cool breath of air seemed to rise, too, from the steep, damp bank; and it was the sweeter, as in the dark blue, flooded with gold, above the tree tops, the stagnant sultry heat hung, a burden that could be felt, over our heads. There was no stir in the water near the dike; in the shade cast by the drooping bushes on the bank, water spiders gleamed, like tiny bright buttons, as they described their everlasting circles; at long intervals there was a faint ripple just perceptible round the floats, when a fish was 'playing' with the worm. Very few fish were taken; during a whole hour we drew up only two loaches and an eel. I could not say why the brigadier aroused my curiosity; his rank could not have any influence on me; ruined noblemen were not even at that time looked upon as a rarity, and his appearance presented nothing remarkable. Under the warm cap, which covered the whole upper part of his head down to his ears and his eyebrows, could be seen a smooth, red, clean-shaven, round face, with a little nose, little lips, and small, clear grey eyes. Simplicity and weakness of character, and a sort of long-standing, helpless sorrow, were visible in that meek, almost childish face; the plump, white little hands with short fingers had something helpless, incapable about them too.... I could not conceive how this forlorn old man could once have been an officer, could have maintained discipline, have given his commands--and that, too, in the stern days of Catherine! I watched him; now and then he puffed out his cheeks and uttered a feeble whistle, like a little child; sometimes he screwed up his eyes painfully, with effort, as all decrepit people will. Once he opened his eyes wide and lifted them.... They stared at me from out of the depths of the water--and strangely touching and even full of meaning their dejected glance seemed to me. VII I tried to begin a conversation with the brigadier ... but Narkiz had not misinformed me; the poor old man certainly had become weak in his intellect. He asked me my surname, and after repeating his inquiry twice, pondered and pondered, and at last brought out: 'Yes, I fancy there was a judge of that name here. Cucumber, wasn't there a judge about here of that name, hey?' 'To be sure there was, Vassily Fomitch, your honour,' responded Cucumber, who treated him altogether as a child. 'There was, certainly. But let me have your hook; your worm must have been eaten off.... Yes, so it is.' 'Did you know the Lomov family?' the brigadier suddenly asked me in a cracked voice. 'What Lomov family is that?' 'Why, Fiodor Ivanitch, Yevstigney Ivanitch, Alexey Ivanitch the Jew, and Fedulia Ivanovna the plunderer, ... and then, too ...' The brigadier suddenly broke off and looked down confused. They were the people he was most intimate with,' Narkiz whispered, bending towards me; 'it was through them, through that same Alexey Ivanitch, that he called a Jew, and through a sister of Alexey Ivanitch's, Agrafena Ivanovna, as you may say, that he lost all his property.' 'What are you saying there about Agrafena Ivanovna?' the brigadier called out suddenly, and his head was raised, his white eyebrows were frowning.... 'You'd better mind! And why Agrafena, pray? Agrippina Ivanovna--that's what you should call her.' 'There--there--there, sir,' Cucumber was beginning to falter. 'Don't you know the verses the poet Milonov wrote about her?' the old man went on, suddenly getting into a state of excitement, which was a complete surprise to me. 'No hymeneal lights were kindled,' he began
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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