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"The Apparition" is a haunting short story by Guy de Maupassant that delves into themes of memory, loss, and the supernatural. The narrative centers on a man who, overwhelmed by grief after the death of a beloved woman, experiences the chilling return of her spirit. As he grapples with his feelings of longing and despair, the story explores the fine line between reality and the phantoms of the past. Maupassant's eloquent prose and psychological depth create an eerie atmosphere that lingers long after the last page is turned.

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Submitted by davidb on February 02, 2025


								
“I seated myself in an armchair and, letting down the lid of the desk, I opened the drawer designated. It was full to the top. I needed but three packages, which I knew how to recognize, and began searching for them. “I was straining my eyes in the effort to read the superscriptions when I seemed to hear, or, rather, feel, something rustle back of me. I paid no attention, believing that a draught from the window was moving some drapery. But in a minute or so another movement, almost imperceptible, sent a strangely disagreeable little shiver over my skin. It was so stupid to be affected, even slightly, that self-respect prevented my turning around. I had just found the second package I needed and was about to lay my hand on the third when a long and painful sigh, uttered just at my shoulder, made me bound like a madman from my seat and land several feet off. As I jumped I had turned round my hand on the hilt of my sword, and, truly, if I had not felt it at my side I should have taken to my heels like a coward. “A tall woman dressed in white, stood gazing at me from the back of the chair where I had been sitting an instant before. “Such a shudder ran through all my limbs that I nearly fell backward. No one who has not experienced it can understand that frightful, unreasoning terror! The mind becomes vague, the heart ceases to beat, the entire body grows as limp as a sponge. “I do not believe in ghosts, nevertheless I collapsed from a hideous dread of the dead, and I suffered, oh! I suffered in a few moments more than in all the rest of my life from the irresistible terror of the supernatural. If she had not spoken I should have died perhaps. But she spoke, she spoke in a sweet, sad voice that set my nerves vibrating. I dare not say that I became master of myself and recovered my reason. No! I was terrified and scarcely knew what I was doing. But a certain innate pride, a remnant of soldierly instinct, made me, almost in spite of myself, maintain a bold front. She said: “'Oh, sir, you can render me a great service.' “I wanted to reply, but it was impossible for me to pronounce a word. Only a vague sound came from my throat. She continued: “'Will you? You can save me, cure me. I suffer frightfully. I suffer, oh! how I suffer!' and she slowly seated herself in my armchair, still looking at me. “'Will you?' she said. “I nodded in assent, my voice still being paralyzed. “Then she held out to me a tortoise-shell comb and murmured: “'Comb my hair, oh! comb my hair; that will cure me; it must be combed. Look at my head—how I suffer; and my hair pulls so!' “Her hair, unbound, very long and very black, it seemed to me, hung over the back of the armchair and touched the floor. “Why did I promise? Why did I take that comb with a shudder, and why did I hold in my hands her long black hair that gave my skin a frightful cold sensation, as though I were handling snakes? I cannot tell. “That sensation has remained in my fingers, and I still tremble in recalling it. “I combed her hair. I handled, I know not how, those icy locks. I twisted, knotted, and unknotted, and braided them. She sighed, bowed her head, seemed happy. Suddenly she said, 'Thank you!' snatched the comb from my hands and fled by the door that I had noticed ajar. “Left alone, I experienced for several seconds the horrible agitation of one who awakens from a nightmare. At length I regained my senses. I ran to the window and with a mighty effort burst open the shutters, letting a flood of light into the room. Immediately I sprang to the door by which that being had departed. I found it closed and immovable! “Then the mad desire to flee overcame me like a panic the panic which soldiers know in battle. I seized the three packets of letters on the open desk, ran from the room, dashed down the stairs four steps at a time, found myself outside, I know not how, and, perceiving my horse a few steps off, leaped into the saddle and galloped away. “I stopped only when I reached Rouen and alighted at my lodgings. Throwing the reins to my orderly, I fled to my room and shut myself in to reflect. For an hour I anxiously asked myself if I were not the victim of a hallucination. Undoubtedly I had had one of those incomprehensible nervous attacks those exaltations of mind that give rise to visions and are the stronghold of the supernatural. And I was about to believe I had seen a vision, had a hallucination, when, as I approached the window, my eyes fell, by chance, upon my breast. My military cape was covered with long black hairs! One by one, with trembling fingers, I plucked them off and threw them away. “I then called my orderly. I was too disturbed, too upset to go and see my friend that day, and I also wished to reflect more fully upon what I ought to tell him. I sent him his letters, for which he gave the soldier a receipt. He asked after me most particularly, and, on being told I was ill—had had a sunstroke—appeared exceedingly anxious. Next morning I went to him, determined to tell him the truth. He had gone out the evening before and had not yet returned. I called again during the day; my friend was still absent. After waiting a week longer without news of him, I notified the authorities and a judicial search was instituted. Not the slightest trace of his whereabouts or manner of disappearance was discovered. “A minute inspection of the abandoned chateau revealed nothing of a suspicious character. There was no indication that a woman had been concealed there. “After fruitless researches all further efforts were abandoned, and for fifty-six years I have heard nothing; I know no more than before.”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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