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"Saint Anthony" is a novella by Guy de Maupassant that explores themes of love, longing, and the human condition through the story of a man named Anthony. Set in the picturesque countryside, the narrative delves into Anthony's inner struggles as he grapples with his desires and the complexities of relationships. Maupassant's poignant prose captures the essence of rural life and the often tumultuous journey of self-discovery, reflecting on the interplay between happiness and sorrow. The work exemplifies Maupassant’s keen observations of human nature and his ability to convey deep emotional truths in a compact form.

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Submitted by davidb on February 02, 2025


								
But the soldier began to suspect something, be mistrustful, and when they laughed too loud he would roll his eyes uneasily, and sometimes they lighted up with anger. One evening when he had eaten his fill he refused to swallow another morsel, and attempted to rise to leave the table. But Saint Anthony stopped him by a turn of the wrist and, placing his two powerful hands on his shoulders, he sat him down again so roughly that the chair smashed under him. A wild burst of laughter broke forth, and Anthony, beaming, picked up his pig, acted as though he were dressing his wounds, and exclaimed: “Since you will not eat, you shall drink, nom de Dieu!” And they went to the wine shop to get some brandy. The soldier rolled his eyes, which had a wicked expression, but he drank, nevertheless; he drank as long as they wanted him, and Saint Anthony held his head to the great delight of his companions. The Norman, red as a tomato, his eyes ablaze, filled up the glasses and clinked, saying: “Here's to you!”. And the Prussian, without speaking a word, poured down one after another glassfuls of cognac. It was a contest, a battle, a revenge! Who would drink the most, nom d'un nom! They could neither of them stand any more when the liter was emptied. But neither was conquered. They were tied, that was all. They would have to begin again the next day. They went out staggering and started for home, walking beside the dung cart which was drawn along slowly by two horses. Snow began to fall and the moonless night was sadly lighted by this dead whiteness on the plain. The men began to feel the cold, and this aggravated their intoxication. Saint Anthony, annoyed at not being the victor, amused himself by shoving his companion so as to make him fall over into the ditch. The other would dodge backwards, and each time he did he uttered some German expression in an angry tone, which made the peasant roar with laughter. Finally the Prussian lost his temper, and just as Anthony was rolling towards him he responded with such a terrific blow with his fist that the Colossus staggered. Then, excited by the brandy, the old man seized the pugilist round the waist, shook him for a few moments as he would have done with a little child, and pitched him at random to the other side of the road. Then, satisfied with this piece of work, he crossed his arms and began to laugh afresh. But the soldier picked himself up in a hurry, his head bare, his helmet having rolled off, and drawing his sword he rushed over to Father Anthony. When he saw him coming the peasant seized his whip by the top of the handle, his big holly wood whip, straight, strong and supple as the sinew of an ox. The Prussian approached, his head down, making a lunge with his sword, sure of killing his adversary. But the old fellow, squarely hitting the blade, the point of which would have pierced his stomach, turned it aside, and with the butt end of the whip struck the soldier a sharp blow on the temple and he fell to the ground. Then he, gazed aghast, stupefied with amazement, at the body, twitching convulsively at first and then lying prone and motionless. He bent over it, turned it on its back, and gazed at it for some time. The man's eyes were closed, and blood trickled from a wound at the side of his forehead. Although it was dark, Father Anthony could distinguish the bloodstain on the white snow. He remained there, at his wit's end, while his cart continued slowly on its way. What was he to do? He would be shot! They would burn his farm, ruin his district! What should he do? What should he do? How could he hide the body, conceal the fact of his death, deceive the Prussians? He heard voices in the distance, amid the utter stillness of the snow. All at once he roused himself, and picking up the helmet he placed it on his victim's head. Then, seizing him round the body, he lifted him up in his arms, and thus running with him, he overtook his team, and threw the body on top of the manure. Once in his own house he would think up some plan. He walked slowly, racking his brain, but without result. He saw, he felt, that he was lost. He entered his courtyard. A light was shining in one of the attic windows; his maid was not asleep. He hastily backed his wagon to the edge of the manure hollow. He thought that by overturning the manure the body lying on top of it would fall into the ditch and be buried beneath it, and he dumped the cart. As he had foreseen, the man was buried beneath the manure. Anthony evened it down with his fork, which he stuck in the ground beside it. He called his stableman, told him to put up the horses, and went to his room. He went to bed, still thinking of what he had best do, but no ideas came to him. His apprehension increased in the quiet of his room. They would shoot him! He was bathed in perspiration from fear, his teeth chattered, he rose shivering, not being able to stay in bed. He went downstairs to the kitchen, took the bottle of brandy from the sideboard and carried it upstairs. He drank two large glasses, one after another, adding a fresh intoxication to the late one, without quieting his mental anguish. He had done a pretty stroke of work, nom de Dieu, idiot! He paced up and down, trying to think of some stratagem, some explanations, some cunning trick, and from time to time he rinsed his mouth with a swallow of “fil en dix” to give him courage. But no ideas came to him, not one. Towards midnight his watch dog, a kind of cross wolf called “Devorant,” began to howl frantically. Father Anthony shuddered to the marrow of his bones, and each time the beast began his long and lugubrious wail the old man's skin turned to goose flesh. He had sunk into a chair, his legs weak, stupefied, done up, waiting anxiously for “Devorant” to set up another howl, and starting convulsively from nervousness caused by terror. The clock downstairs struck five. The dog was still howling. The peasant was almost insane. He rose to go and let the dog loose, so that he should not hear him. He went downstairs, opened the hall door, and stepped out into the darkness. The snow was still falling. The earth was all white, the farm buildings standing out like black patches. He approached the kennel. The dog was dragging at his chain. He unfastened it. “Devorant” gave a bound, then stopped short, his hair bristling, his legs rigid, his muzzle in the air, his nose pointed towards the manure heap. Saint Anthony, trembling from head to foot, faltered: “What's the matter with you, you dirty hound?” and he walked a few steps forward, gazing at the indistinct outlines, the sombre shadow of the courtyard. Then he saw a form, the form of a man sitting on the manure heap! He gazed at it, paralyzed by fear, and breathing hard. But all at once he saw, close by, the handle of the manure fork which was sticking in the ground. He snatched it up and in one of those transports of fear that will make the greatest coward brave he rushed forward to see what it was.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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