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"Robert Turner's Revenge" is a lesser-known work by Lucy Maud Montgomery, best known for her classic novel "Anne of Green Gables." This story delves into themes of love, revenge, and redemption, following the character of Robert Turner as he navigates the complexities of his relationships and seeks to overcome past grievances. With Montgomery's signature blend of rich character development and evocative prose, the narrative explores the consequences of choices made in the heat of emotion and the possibility of forgiveness. It captures the essence of human experiences and the enduring struggle between hurt and healing.


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Submitted by davidb on February 10, 2025


								
soft ringlets like a girl's. What girl's? Something far back in Robert Turner's dreamlike boyhood seemed to call to him like a note of a forgotten melody, sweet yet stirring like a pain. The more he looked at the boy the stronger the impression of a resemblance grew in every feature but the mouth. That was alien to his recollection of the face, yet there was something about it, when taken by itself, that seemed oddly familiar also--yes, and unpleasantly familiar, although the mouth was a good one--finely cut and possessing more firmness than was found in all the other features put together. "It's a good place for reading, sonny, isn't it?" he inquired, more genially than he had spoken to a child for years. In fact, having no children of his own, he so seldom spoke to a child that his voice and manner when he did so were generally awkward and rusty. The boy nodded a quick little nod. Somehow, Turner had expected that nod and the glimmer of a smile that accompanied it. "What book are you reading?" he asked. The boy held it out; it was an old Robinson Crusoe, that classic of boyhood. "It's splendid," he said. "Billy Martin lent it to me and I have to finish it today because Ned Josephs is to have it next and he's in a hurry for it." "It's a good while since I read Robinson Crusoe," said Turner reflectively. "But when I did it was on this very shore a little further along below the Miller place. There was a Martin and a Josephs in the partnership then too--the fathers, I dare say, of Billy and Ned. What is your name, my boy?" "Paul Jameson, sir." The name was a shock to Turner. This boy a Jameson--Neil Jameson's son? Why, yes, he had Neil's mouth. Strange he had nothing else in common with the black-browed, black-haired Jamesons. What business had a Jameson with those blue eyes and silvery-golden curls? It was flagrant forgery on Nature's part to fashion such things and label them Jameson by a mouth. Hated Neil Jameson's son! Robert Turner's face grew so grey and hard that the boy involuntarily glanced upward to see if a cloud had crossed the sun. "Your father was Neil Jameson, I suppose?" Turner said abruptly. Paul nodded. "Yes, but he is dead. He has been dead for eight years. I don't remember him." "Have you any brothers or sisters?" "I have a little sister a year younger than I am. The other four are dead. They died long ago. I'm the only boy Mother had. Oh, I do so wish I was bigger and older! If I was I could do something to save the place--I'm sure I could. It is breaking Mother's heart to have to leave it." "So she has to leave it, has she?" said Turner grimly, with the old hatred stirring in his heart. "Yes. There is a mortgage on it and we're to be sold out very soon--so the lawyers told us. Mother has tried so hard to make the farm pay but she couldn't. I could if I was bigger--I know I could. If they would only wait a few years! But there is no use hoping for that. Mother cries all the time about it. She has lived at the Cove farm for over thirty years and she says she can't live away from it now. Elsie--that's my sister--and I do all we can to cheer her up, but we can't do much. Oh, if I was only a man!" The lad shut his lips together--how much his mouth was like his father's--and looked out seaward with troubled blue eyes. Turner smiled another grim smile. Oh, Neil Jameson, your old score was being paid now! Yet something embittered the sweetness of revenge. That boy's face--he could not hate it as he had accustomed himself to hate the memory of Neil Jameson and all connected with him. "What was your mother's name before she married your father?" he demanded abruptly. "Lisbeth Miller," answered the boy, still frowning seaward over his secret thoughts. Turner started again. Lisbeth Miller! He might have known it. What woman in all the world save Lisbeth Miller could have given her son those eyes and curls? So Lisbeth had married Neil Jameson--little Lisbeth Miller, his schoolboy sweetheart. He had forgotten her--or thought he had; certainly he had not thought of her for years. But the memory of her came back now with a rush. Little Lisbeth--pretty little Lisbeth--merry little Lisbeth! How clearly he remembered her! The old Miller place had adjoined his uncle's farm. Lisbeth and he had played together from babyhood. How he had worshipped her! When they were six years old they had solemnly promised to marry each other when they grew up, and Lisbeth had let him kiss her as earnest of their compact, made under a bloom-white apple tree in the Miller orchard. Yet she would always blush furiously and deny it ever afterwards; it made her angry to be reminded of it. He saw himself going to school, carrying her books for her, the envied of all the boys. He remembered how he had fought Tony Josephs because Tony had the presumption to bring her spice apples: he had thrashed him too, so soundly that from that time forth none of the schoolboys presumed to rival him in Lisbeth's affections--roguish little Lisbeth! who grew prettier and saucier every year. He recalled the keen competition of the old days when to be "head of the class" seemed the highest honour within mortal reach, and was striven after with might and main. He had seldom attained to it because he would never "go up past" Lisbeth. If she missed a word, he, Robert, missed it too, no matter how well he knew it. It was sweet to be thought a dunce for her dear sake. It was all the reward he asked to see her holding her place at the head of the class, her cheeks flushed pink and her eyes starry with her pride of position. And how sweetly she would lecture him on the way home from school about learning his spellings better, and wind up her sermon with the frank avowal, uttered with deliciously downcast lids, that she liked him better than any of the other boys after all, even if he couldn't spell as well as they could. Nothing of success that he had won since had ever thrilled him as that admission of little Lisbeth's! She had been such a sympathetic little sweetheart too, never weary of listening to his dreams and ambitions, his plans for the future. She had always assured him that she knew he would succeed. Well, he had succeeded--and now one of the uses he was going to make of his success was to turn Lisbeth and her children out of their home by way of squaring matters with a dead man! Lisbeth had been away from home on a long visit to an aunt when he had left Chiswick. She was growing up and the childish intimacy was fading. Perhaps, under other circumstances, it might have ripened into fruit, but he had gone away and forgotten her; the world had claimed him; he had lost all active remembrance of Lisbeth and, before this late return to Chiswick, he had not even known if she were living. And
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Lucy Maud Montgomery

Lucy Maud Montgomery was a Canadian author best known for her beloved "Anne of Green Gables" series, which features the adventurous and imaginative Anne Shirley. Born on November 30, 1874, in Clifton (now New London), Prince Edward Island, Montgomery's writing is characterized by its rich descriptions of the landscapes of her home province and its exploration of themes such as identity, belonging, and the complexities of human relationships. Her works have inspired countless adaptations and continue to resonate with readers worldwide. Montgomery's literary legacy endures, as she remains a significant figure in children's literature and Canadian culture. She passed away on April 24, 1942. more…

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