Punin and Baburin Page #5
"Punin and Baburin" is a novella by the renowned Russian author Ivan Turgenev, written in 1872. The story revolves around two central characters: the introspective Punin, a middle-aged man who grapples with his philosophical musings on life, love, and society, and the boisterous Baburin, a more practical and straightforward individual. Set against the backdrop of 19th-century Russia, the narrative explores themes of friendship, the clash of differing worldviews, and the complexities of human relationships. Through sharp dialogue and rich character development, Turgenev delves into the nuances of personal ambition and social dynamics, offering a poignant reflection on the human condition.
My grandmother in everything liked cleanliness and order, quite in the spirit of the active generals of those days; cleanliness and order were to be maintained too in our garden. And so from time to time they 'drove' into it poor peasants, who had no families, no land, no beasts of their own, and those among the house serfs who were out of favour or superannuated, and set them to clearing the paths, weeding the borders, breaking up and sifting the earth in the beds, and so on. Well, one day, in the very heat of these operations, my grandmother went into the garden, and took me with her. On all sides, among the trees and about the lawns, we caught glimpses of white, red, and blue smocks; on all sides we heard the scraping and clanging of spades, the dull thud of clods of earth on the slanting sieves. As she passed by the labourers, my grandmother with her eagle eye noticed at once that one of them was working with less energy than the rest, and that he took off his cap, too, with no show of eagerness. This was a youth, still quite young, with a wasted face, and sunken, lustreless eyes. His cotton smock, all torn and patched, scarcely held together over his narrow shoulders. 'Who's that?' my grandmother inquired of Filippitch, who was walking on tiptoe behind her. 'Of whom ... you are pleased ...' Filippitch stammered. 'Oh, fool! I mean the one that looked so sullenly at me. There, standing yonder, not working.' 'Oh, him! Yes ... th ... th ... that's Yermil, son of Pavel Afanasiitch, now deceased.' Pavel Afanasiitch had been, ten years before, head butler in my grandmother's house, and stood particularly high in her favour. But suddenly falling into disgrace, he was as suddenly degraded to being herdsman, and did not long keep even that position. He sank lower still, and struggled on for a while on a monthly pittance of flour in a little hut far away. At last he had died of paralysis, leaving his family in the most utter destitution. 'Aha!' commented my grandmother; 'it's clear the apple's not fallen far from the tree. Well, we shall have to make arrangements about this fellow too. I've no need of people like that, with scowling faces.' My grandmother went back to the house--and made arrangements. Three hours later Yermil, completely 'equipped,' was brought under the window of her room. The unfortunate boy was being transported to a settlement; the other side of the fence, a few steps from him, was a little cart loaded with his poor belongings. Such were the times then. Yermil stood without his cap, with downcast head, barefoot, with his boots tied up with a string behind his back; his face, turned towards the seignorial mansion, expressed not despair nor grief, nor even bewilderment; a stupid smile was frozen on his colourless lips; his eyes, dry and half-closed, looked stubbornly on the ground. My grandmother was apprised of his presence. She got up from the sofa, went, with a faint rustle of her silken skirts, to the window of the study, and, holding her golden-rimmed double eyeglass on the bridge of her nose, looked at the new exile. In her room there happened to be at the moment four other persons, the butler, Baburin, the page who waited on my grandmother in the daytime, and I. My grandmother nodded her head up and down.... 'Madam,' a hoarse almost stifled voice was heard suddenly. I looked round. Baburin's face was red ... dark red; under his overhanging brows could be seen little sharp points of light.... There was no doubt about it; it was he, it was Baburin, who had uttered the word 'Madam.' My grandmother too looked round, and turned her eyeglass from Yermil to Baburin. 'Who is that ... speaking?' she articulated slowly ... through her nose. Baburin moved slightly forward. 'Madam,' he began, 'it is I.... I venture ... I imagine ... I make bold to submit to your honour that you are making a mistake in acting as ... as you are pleased to act at this moment.' 'That is?' my grandmother said, in the same voice, not removing her eyeglass. 'I take the liberty ...' Baburin went on distinctly, uttering every word though with obvious effort--'I am referring to the case of this lad who is being sent away to a settlement ... for no fault of his. Such arrangements, I venture to submit, lead to dissatisfaction, and to other--which God forbid!--consequences, and are nothing else than a transgression of the powers allowed to seignorial proprietors.' 'And where have you studied, pray?' my grandmother asked after a short silence, and she dropped her eyeglass. Baburin was disconcerted. 'What are you pleased to wish?' he muttered. 'I ask you: where have you studied? You use such learned words.' 'I ... my education ...' Baburin was beginning. My grandmother shrugged her shoulders contemptuously. 'It seems,' she interrupted, 'that my arrangements are not to your liking. That is of absolutely no consequence to me--among my subjects I am sovereign, and answerable to no one for them, only I am not accustomed to having people criticising me in my presence, and meddling in what is not their business. I have no need of learned philanthropists of nondescript position; I want servants to do my will without question. So I always lived till you came, and so I shall live after you've gone. You do not suit me; you are discharged. Nikolai Antonov,' my grandmother turned to the steward, 'pay this man off; and let him be gone before dinner-time to-day! D'you hear? Don't put me into a passion. And the other too ... the fool that lives with him--to be sent off too. What's Yermilka waiting for?' she added, looking out of window, 'I have seen him. What more does he want?' My grandmother shook her handkerchief in the direction of the window, as though to drive away an importunate fly. Then she sat down in a low chair, and turning towards us, gave the order grimly: 'Everybody present to leave the room!' We all withdrew--all, except the day page, to whom my grandmother's words did not apply, because he was nobody. My grandmother's decree was carried out to the letter. Before dinner, both Baburin and my friend Punin were driving away from the place. I will not undertake to describe my grief, my genuine, truly childish despair. It was so strong that it stifled even the feeling of awe-stricken admiration inspired by the bold action of the republican Baburin. After the conversation with my grandmother, he went at once to his room and began packing up. He did not vouchsafe me one word, one look, though I was the whole time hanging about him, or rather, in reality, about Punin. The latter was utterly distraught, and he too said nothing; but he was continually glancing at me, and tears stood in his eyes ... always the same tears; they neither fell nor dried up. He did not venture to criticise his 'benefactor'--Paramon Semyonitch could not make a mistake,--but great was his distress and dejection. Punin and I made an effort to read something out of the Rossiad for the last time;
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