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"Old Amable" is a short story by Guy de Maupassant that explores themes of aging, memory, and the passage of time. The narrative centers around the character of Amable, an elderly man reflecting on his past and the relationships he once cherished. Through Maupassant's keen observations and rich prose, the story delves into Amable's introspections, revealing the bittersweet nature of nostalgia and the impact of time on love and happiness. The tale captures the essence of human longing and regret, showcasing Maupassant's mastery in depicting the complexities of life and the human condition.

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Submitted by davidb on February 02, 2025


								
He went straight ahead, thinking about Celeste. In this simple nature, whose ideas were scarcely more than images generated directly by objects, thoughts of love only formulated themselves by calling up before the mind the picture of a big red-haired girl standing in a hollow road and laughing, with her hands on her hips. It was thus he saw her on the day when he first took a fancy for her. He had, however, known her from infancy, but never had he been so struck by her as on that morning. They had stopped to talk for a few minutes and then he went away, and as he walked along he kept repeating: “Faith, she's a fine girl, all the same. 'Tis a pity she made a slip with Victor.” Till evening he kept thinking of her and also on the following morning. When he saw her again he felt something tickling the end of his throat, as if a cock's feather had been driven through his mouth into his chest, and since then, every time he found himself near her, he was astonished at this nervous tickling which always commenced again. In three months he made up his mind to marry her, so much did she please him. He could not have said whence came this power over him, but he explained it in these words: “I am possessed by her,” as if the desire for this girl within him were as dominating as one of the powers of hell. He scarcely bothered himself about her transgression. It was a pity, but, after all, it did her no harm, and he bore no grudge against Victor Lecoq. But if the cure should not succeed, what was he to do? He did not dare to think of it, the anxiety was such a torture to him. He reached the presbytery and seated himself near the little gateway to wait for the priest's return. He was there perhaps half an hour when he heard steps on the road, and although the night was very dark, he presently distinguished the still darker shadow of the cassock. He rose up, his legs giving way under him, not even venturing to speak, not daring to ask a question. The clergyman perceived him and said gaily: “Well, my lad, it's all right.” Cesaire stammered: “All right, 'tisn't possible.” “Yes, my lad, but not without trouble. What an old ass your father is!” The peasant repeated: “'Tisn't possible!” “Why, yes. Come and look me up to-morrow at midday in order to settle about the publication of the banns.” The young man seized the cure's hand. He pressed it, shook it, bruised it as he stammered: “True-true-true, Monsieur le Cure, on the word of an honest man, you'll see me to-morrow-at your sermon.” PART II The wedding took place in the middle of December. It was simple, the bridal pair not being rich. Cesaire, attired in new clothes, was ready since eight o'clock in the morning to go and fetch his betrothed and bring her to the mayor's office, but it was too early. He seated himself before the kitchen table and waited for the members of the family and the friends who were to accompany him. For the last eight days it had been snowing, and the brown earth, the earth already fertilized by the autumn sowing, had become a dead white, sleeping under a great sheet of ice. It was cold in the thatched houses adorned with white caps, and the round apples in the trees of the enclosures seemed to be flowering, covered with white as they had been in the pleasant month of their blossoming. This day the big clouds to the north, the big great snow clouds, had disappeared and the blue sky showed itself above the white earth on which the rising sun cast silvery reflections. Cesaire looked straight before him through the window, thinking of nothing, quite happy. The door opened, two women entered, peasant women in their Sunday clothes, the aunt and the cousin of the bridegroom; then three men, his cousins; then a woman who was a neighbor. They sat down on chairs and remained, motionless and silent, the women on one side of the kitchen, the men on the other, suddenly seized with timidity, with that embarrassed sadness which takes possession of people assembled for a ceremony. One of the cousins soon asked: “Is it not the hour?” Cesaire replied: “I am much afraid it is.” “Come on! Let us start,” said another. Those rose up. Then Cesaire, whom a feeling of uneasiness had taken possession of, climbed up the ladder of the loft to see whether his father was ready. The old man, always as a rule an early riser, had not yet made his appearance. His son found him on his bed of straw, wrapped up in his blanket, with his eyes open and a malicious gleam in them. He bawled into his ear: “Come, daddy, get up. It's time for the wedding.” The deaf man murmured-in a doleful tone: “I can't get up. I have a sort of chill over me that freezes my back. I can't stir.” The young man, dumbfounded, stared at him, guessing that this was a dodge. “Come, daddy; you must make an effort.” “I can't do it.” “Look here! I'll help you.” And he stooped toward the old man, pulled off his blanket, caught him by the arm and lifted him up. But old Amable began to whine, “Ooh! ooh! ooh! What suffering! Ooh! I can't. My back is stiffened up. The cold wind must have rushed in through this cursed roof.” “Well, you'll get no dinner, as I'm having a spread at Polyte's inn. This will teach you what comes of acting mulishly.” And he hurried down the ladder and started out, accompanied by his relatives and guests. The men had turned up the bottoms of their trousers so as not to get them wet in the snow. The women held up their petticoats and showed their lean ankles with gray woollen stockings and their bony shanks resembling broomsticks. And they all moved forward with a swinging gait, one behind the other, without uttering a word, moving cautiously, for fear of losing the road which was-hidden beneath the flat, uniform, uninterrupted stretch of snow. As they approached the farmhouses they saw one or two persons waiting to join them, and the procession went on without stopping and wound its way forward, following the invisible outlines of the road, so that it resembled a living chaplet of black beads undulating through the white countryside. In front of the bride's door a large group was stamping up and down the open space awaiting the bridegroom. When he appeared they gave him a loud greeting, and presently Celeste came forth from her room, clad in a blue dress, her shoulders covered with a small red shawl and her head adorned with orange flowers.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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