My Twenty-five Days book cover

My Twenty-five Days

"My Twenty-Five Days" is a novella by Guy de Maupassant that recounts the author's personal experiences during a journey through the vibrant and tumultuous landscapes of France. The narrative captures a blend of travelogue and introspective musings, as Maupassant reflects on the people he encounters, the vivid scenery, and his own thoughts and emotions throughout the trip. With his signature style, he weaves themes of nature, human connection, and the passage of time, offering readers a poignant exploration of life and the fleeting moments that define it.

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Submitted by davidb on February 02, 2025


								
I had just taken possession of my room in the hotel, a narrow den between two papered partitions, through which I could hear every sound made by my neighbors; and I was beginning to arrange my clothes and linen in the wardrobe with a long mirror, when I opened the drawer which is in this piece of furniture. I immediately noticed a roll of paper. Having opened it, I spread it out before me, and read this title: My Twenty-five Days. It was the diary of a guest at the watering place, of the last occupant of my room, and had been forgotten at the moment of departure. These notes may be of some interest to sensible and healthy persons who never leave their own homes. It is for their benefit that I transcribe them without altering a letter. “CHATEL-GUYON, July 15th. “At the first glance it is not lively, this country. However, I am going to spend twenty-five days here, to have my liver and stomach treated, and to get thin. The twenty-five days of any one taking the baths are very like the twenty-eight days of the reserves; they are all devoted to fatigue duty, severe fatigue duty. To-day I have done nothing as yet; I have been getting settled. I have made the acquaintance of the locality and of the doctor. Chatel-Guyon consists of a stream in which flows yellow water, in the midst of several hillocks on which are a casino, some houses, and some stone crosses. On the bank of the stream, at the end of the valley, may be seen a square building surrounded by a little garden; this is the bathing establishment. Sad people wander around this building—the invalids. A great silence reigns in the walks shaded by trees, for this is not a pleasure resort, but a true health resort; one takes care of one's health as a business, and one gets well, so it seems. “Those who know affirm, even, that the mineral springs perform true miracles here. However, no votive offering is hung around the cashier's office. “From time to time a gentleman or a lady comes over to a kiosk with a slate roof, which shelters a woman of smiling and gentle aspect, and a spring boiling in a basin of cement: Not a word is exchanged between the invalid and the female custodian of the healing water. She hands the newcomer a little glass in which air bubbles sparkle in the transparent liquid. The guest drinks and goes off with a grave step to resume his interrupted walk beneath the trees. “No noise in the little park, no breath of air in the leaves; no voice passes through this silence. One ought to write at the entrance to this district: 'No one laughs here; they take care of their health.' “The people who chat resemble mutes who merely open their mouths to simulate sounds, so afraid are they that their voices might escape. “In the hotel, the same silence. It is a big hotel, where you dine solemnly with people of good position, who have nothing to say to each other. Their manners bespeak good breeding, and their faces reflect the conviction of a superiority of which it might be difficult for some to give actual proofs. “At two o'clock I made my way up to the Casino, a little wooden hut perched on a hillock, which one reaches by a goat path. But the view from that height is admirable. Chatel-Guyon is situated in a very narrow valley, exactly between the plain and the mountain. I perceive, at the left, the first great billows of the mountains of Auvergne, covered with woods, and here and there big gray patches, hard masses of lava, for we are at the foot of the extinct volcanoes. At the right, through the narrow cut of the valley, I discover a plain, infinite as the sea, steeped in a bluish fog which lets one only dimly discern the villages, the towns, the yellow fields of ripe grain, and the green squares of meadowland shaded with apple trees. It is the Limagne, an immense level, always enveloped in a light veil of vapor. “The night has come. And now, after having dined alone, I write these lines beside my open window. I hear, over there, in front of me, the little orchestra of the Casino, which plays airs just as a foolish bird might sing all alone in the desert. “A dog barks at intervals. This great calm does one good. Goodnight. “July 16th.—Nothing new. I have taken a bath and then a shower bath. I have swallowed three glasses of water, and I have walked along the paths in the park, a quarter of an hour between each glass, then half an hour after the last. I have begun my twenty-five days. “July 17th.—Remarked two mysterious, pretty women who are taking their baths and their meals after every one else has finished. “July 18th.—Nothing new. “July 19th.—Saw the two pretty women again. They have style and a little indescribable air which I like very much. “July 20th.—Long walk in a charming wooded valley, as far as the Hermitage of Sans-Souci. This country is delightful, although sad; but so calm; so sweet, so green. One meets along the mountain roads long wagons loaded with hay, drawn by two cows at a slow pace or held back by them in going down the slopes with a great effort of their heads, which are yoked together. A man with a big black hat on his head is driving them with a slender stick, tipping them on the side or on the forehead; and often with a simple gesture, an energetic and serious gesture, he suddenly halts them when the excessive load precipitates their journey down the too rugged descents. “The air is good to inhale in these valleys. And, if it is very warm, the dust bears with it a light odor of vanilla and of the stable, for so many cows pass over these routes that they leave reminders everywhere. And this odor is a perfume, when it would be a stench if it came from other animals. “July 21st.—Excursion to the valley of the Enval. It is a narrow gorge inclosed by superb rocks at the very foot of the mountain. A stream flows amid the heaped-up boulders. “As I reached the bottom of this ravine I heard women's voices, and I soon perceived the two mysterious ladies of my hotel, who were chatting, seated on a stone. “The occasion appeared to me a good one, and I introduced myself without hesitation. My overtures were received without embarrassment. We walked back together to the hotel. And we talked about Paris. They knew, it seemed, many people whom I knew, too. Who can they be? “I shall see them to-morrow. There is nothing more amusing than such meetings as this. “July 22d.—Day passed almost entirely with the two unknown ladies. They are very pretty, by Jove!—one a brunette and the other a blonde. They say they are widows. H'm? “I offered to accompany them to Royat tomorrow, and they accepted my offer. “Chatel-Guyon is less sad than I thought on my arrival. “July 23d.—Day spent at Royat. Royat is a little patch of hotels at the bottom of a valley, at the gate of Clermont-Ferrand. A great many people there. A large park full of life. Superb view of the Puyde-Dome, seen at the end of a perspective of valleys. “My fair companions are very popular, which is flattering to me. The man who escorts a pretty woman always believes himself crowned with an aureole; with much more reason, the man who is accompanied by one on each side of him. Nothing is so pleasant as to dine in a fashionable restaurant with a female companion at whom everybody stares, and there is nothing better calculated to exalt a man in the estimation of his neighbors.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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