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"Mr. Macglowrie's Widow" is a short story by Bret Harte that explores themes of love, loss, and the complexities of human relationships set against the backdrop of the American West. The narrative revolves around the widow of Mr. Macglowrie, who grapples with her grief while navigating the expectations and judgments of her community. Harte’s nuanced characterizations and poignant storytelling highlight the struggles of a woman seeking independence and fulfillment in a changing world. With a touch of humor and a keen observation of social dynamics, the story poignantly examines the impact of loss and the search for identity in the face of adversity.


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Submitted by davidb on February 06, 2025
Modified by davidb on February 06, 2025


								
Cowboy," a common unlettered frontiersman, he was said to have developed wonderful powers of exhortatory eloquence among the Indians, and scarcely less savage border communities where he had lived, half outcast, half missionary. He had just come up from the Southern agricultural districts, where he had been, despite his rude antecedents, singularly effective with women and young people. The moody dyspeptics and lazy rustics of Laurel Spring were stirred as with a new patent medicine. Dr. Blair went to the first "revival" meeting. Without undervaluing the man's influence, he was instinctively repelled by his appearance and methods. The young physician's trained powers of observation not only saw an overwrought emotionalism in the speaker's eloquence, but detected the ring of insincerity in his more lucid speech and acts. Nevertheless, the hysteria of the preacher was communicated to the congregation, who wept and shouted with him. Tired and discontented housewives found their vague sorrows and vaguer longings were only the result of their "unregenerate" state; the lazy country youths felt that the frustration of their small ambitions lay in their not being "convicted of sin." The mourners' bench was crowded with wildly emulating sinners. Dr. Blair turned away with mingled feelings of amusement and contempt. At the door Jim Slocum tapped him on the shoulder: "Fetches the wimmin folk every time, don't he, Doctor?" said Jim. "So it seems," said Blair dryly. "You're one o' them scientific fellers that look inter things--what do YOU allow it is?" The young doctor restrained the crushing answer that rose to his lips. He had learned caution in that neighborhood. "I couldn't say," he said indifferently. "'Tain't no religion," said Slocum emphatically; "it's jest pure fas'nation. Did ye look at his eye? It's like a rattlesnake's, and them wimmin are like birds. They're frightened of him--but they hev to do jest what he 'wills' 'em. That's how he skeert the widder the other day." The doctor was alert and on fire at once. "Scared the widow?" he repeated indignantly. "Yes. You know how she swooned away. Well, sir, me and that preacher, Brown, was the only one in that dinin' room at the time. The widder opened the door behind me and sorter peeked in, and that thar preacher give a start and looked up; and then, that sort of queer light come in his eyes, and she shut the door, and kinder fluttered and flopped down in the passage outside, like a bird! And he crawled away like a snake, and never said a word! My belief is that either he hadn't time to turn on the hull influence, or else she, bein' smart, got the door shut betwixt her and it in time! Otherwise, sure as you're born, she'd hev been floppin' and crawlin' and sobbin' arter him--jist like them critters we've left." "Better not let the brethren hear you talk like that, or they'll lynch you," said the doctor, with a laugh. "Mrs. MacGlowrie simply had an attack of faintness from some overexertion, that's all." Nevertheless, he was uneasy as he walked away. Mrs. MacGlowrie had evidently received a shock which was still unexplained, and, in spite of Slocum's exaggerated fancy, there might be some foundation in his story. He did not share the man's superstition, although he was not a skeptic regarding magnetism. Yet even then, the widow's action was one of repulsion, and as long as she was strong enough not to come to these meetings, she was not in danger. A day or two later, as he was passing the garden of the hotel on horseback, he saw her lithe, graceful, languid figure bending over one of her favorite flower beds. The high fence partially concealed him from view, and she evidently believed herself alone. Perhaps that was why she suddenly raised herself from her task, put back her straying hair with a weary, abstracted look, remained for a moment quite still staring at the vacant sky, and then, with a little catching of her breath, resumed her occupation in a dull, mechanical way. In that brief glimpse of her charming face, Blair was shocked at the change; she was pale, the corners of her pretty mouth were drawn, there were deeper shades in the orbits of her eyes, and in spite of her broad garden hat with its blue ribbon, her light flowered frock and frilled apron, she looked as he fancied she might have looked in the first crushing grief of her widowhood. Yet he would have passed on, respecting her privacy of sorrow, had not her little spaniel detected him with her keener senses. And Fluffy being truthful--as dogs are--and recognizing a dear friend in the intruder, barked joyously. The widow looked up, her eyes met Blair's, and she reddened. But he was too acute a lover to misinterpret what he knew, alas! was only confusion at her abstraction being discovered. Nevertheless, there was something else in her brown eyes he had never seen before. A momentary lighting up of RELIEF--of even hopefulness--in his presence. It was enough for Blair; he shook off his old shyness like the dust of his ride, and galloped around to the front door. But she met him in the hall with only her usual languid good humor. Nevertheless, Blair was not abashed. "I can't put you in splints and plaster like Fluffy, Mrs. MacGlowrie," he said, "but I can forbid you to go into the garden unless you're looking better. It's a positive reflection on my professional skill, and Laurel Spring will be shocked, and hold me responsible." Mrs. MacGlowrie had recovered enough of her old spirit to reply that she thought Laurel Spring could be in better business than looking at her over her garden fence. "But your dog, who knows you're not well, and doesn't think me quite a fool, had the good sense to call me. You heard him." But the widow protested that she was as strong as a horse, and that Fluffy was like all puppies, conceited to the last degree. "Well," said Blair cheerfully, "suppose I admit you are all right, physically, you'll confess you have some trouble on your mind, won't you? If I can't make you SHOW me your tongue, you'll let me hear you USE it to tell me what worries you. If," he added more earnestly, "you won't confide in your physician--you will perhaps--to--to--a--FRIEND." But Mrs. MacGlowrie, evading his earnest eyes as well as his appeal, was wondering what good it would do either a doctor, or--a--a--she herself seemed to hesitate over the word--"a FRIEND, to hear the worriments of a silly, nervous old thing--who had only stuck a little too closely to her business." "You are neither nervous nor old, Mrs. MacGlowrie," said the doctor promptly, "though I begin to think you HAVE been too closely confined here. You want more diversion, or--excitement. You might even go to hear this preacher"--he stopped, for the word had slipped from his mouth unawares. But a swift look of scorn swept her pale face. "And you'd like me to
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Bret Harte

Bret Harte (1836-1902) was an American author and poet, best known for his vivid depictions of life in the American West during the Gold Rush era. He gained fame with stories set in California, often highlighting the adventures and struggles of miners, outlaws, and gamblers. His works, such as "The Luck of Roaring Camp" and "The Outcasts of Poker Flat," feature a mix of humor, pathos, and regional realism, reflecting the complexities of frontier life. Harte's writing contributed significantly to the development of Western literature and paved the way for future writers in the genre. more…

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