Monsieur Parent Page #5

"Monsieur Parent" is a novella by Guy de Maupassant that explores the complexities of human relationships and moral dilemmas. The story follows the protagonist, a reputable family man who becomes embroiled in a web of desire and infidelity. Set against the backdrop of 19th-century France, Maupassant delves into themes of sexuality, societal expectations, and the consequences of one's choices. Through sharp observations and vivid characterizations, the novella presents a critique of bourgeois values and the conflict between personal desires and social propriety, highlighting the often-tragic results of hidden passions.

• Short story

								


When Henriette saw that her husband was going to murder her lover, she threw herself on Parent, seized him by the neck, and digging her ten delicate, rosy fingers into his neck, she squeezed him so tightly, with all the vigor of a desperate woman, that the blood spurted out under her nails, and she bit his shoulder, as if she wished to tear it with her teeth. Parent, half-strangled and choking, loosened his hold on Limousin, in order to shake off his wife, who was hanging to his neck. Putting his arms round her waist, he flung her also to the other end of the drawing-room.

Then, as his passion was short-lived, like that of most good-tempered men, and his strength was soon exhausted, he remained standing between the two, panting, worn out, not knowing what to do next. His brutal fury had expended itself in that effort, like the froth of a bottle of champagne, and his unwonted energy ended in a gasping for breath. As soon as he could speak, however, he said:

“Go away—both of you—immediately! Go away!”

Limousin remained motionless in his corner, against the wall, too startled to understand anything as yet, too frightened to move a finger; while Henriette, with her hands resting on a small, round table, her head bent forward, her hair hanging down, the bodice of her dress unfastened, waited like a wild animal which is about to spring. Parent continued in a stronger voice: “Go away immediately. Get out of the house!”

His wife, however, seeing that he had got over his first exasperation grew bolder, drew herself up, took two steps toward him, and, grown almost insolent, she said: “Have you lost your head? What is the matter with you? What is the meaning of this unjustifiable violence?”

But he turned toward her, and raising his fist to strike her, he stammered out: “Oh—oh—this is too much, too much! I heard everything! Everything—do you understand? Everything! You wretch—you wretch! You are two wretches! Get out of the house, both of you! Immediately, or I shall kill you! Leave the house!”

She saw that it was all over, and that he knew everything; that she could not prove her innocence, and that she must comply. But all her impudence had returned to her, and her hatred for the man, which was aggravated now, drove her to audacity, made her feel the need of bravado, and of defying him, and she said in a clear voice: “Come, Limousin; as he is going to turn me out of doors, I will go to your lodgings with you.”

But Limousin did not move, and Parent, in a fresh access of rage, cried out: “Go, will you? Go, you wretches! Or else—or else——” He seized a chair and whirled it over his head.

Henriette walked quickly across the room, took her lover by the arm, dragged him from the wall, to which he appeared fixed, and led him toward the door, saying: “Do come, my friend—you see that the man is mad. Do come!”

As she went out she turned round to her husband, trying to think of something that she could do, something that she could invent to wound him to the heart as she left the house, and an idea struck her, one of those venomous, deadly ideas in which all a woman's perfidy shows itself, and she said resolutely: “I am going to take my child with me.”

Parent was stupefied, and stammered: “Your—your—child? You dare to talk of your child? You venture—you venture to ask for your child—after-after—Oh, oh, that is too much! Go, you vile creature! Go!”

She went up to him again, almost smiling, almost avenged already, and defying him, standing close to him, and face to face, she said: “I want my child, and you have no right to keep him, because he is not yours—do you understand? He is not yours! He is Limousin's!”

And Parent cried out in bewilderment: “You lie—you lie—worthless woman!”

But she continued: “You fool! Everybody knows it except you. I tell you, this is his father. You need only look at him to see it.”

Parent staggered backward, and then he suddenly turned round, took a candle, and rushed into the next room; returning almost immediately, carrying little George wrapped up in his bedclothes. The child, who had been suddenly awakened, was crying from fright. Parent threw him into his wife's arms, and then, without speaking, he pushed her roughly out toward the stairs, where Limousin was waiting, from motives of prudence.

Then he shut the door again, double-locked and bolted it, but had scarcely got back into the drawing-room when he fell to the floor at full length.

Parent lived alone, quite alone. During the five weeks that followed their separation, the feeling of surprise at his new life prevented him from thinking much. He had resumed his bachelor life, his habits of lounging, about, and took his meals at a restaurant, as he had done formerly. As he wished to avoid any scandal, he made his wife an allowance, which was arranged by their lawyers. By degrees, however, the thought of the child began to haunt him. Often, when he was at home alone at night, he suddenly thought he heard George calling out “Papa,” and his heart would begin to beat, and he would get up quickly and open the door, to see whether, by chance, the child might have returned, as dogs or pigeons do. Why should a child have less instinct than an animal? On finding that he was mistaken, he would sit down in his armchair again and think of the boy. He would think of him for hours and whole days. It was not only a moral, but still more a physical obsession, a nervous longing to kiss him, to hold and fondle him, to take him on his knees and dance him. He felt the child's little arms around his neck, his little mouth pressing a kiss on his beard, his soft hair tickling his cheeks, and the remembrance of all those childish ways made him suffer as a man might for some beloved woman who has left him. Twenty or a hundred times a day he asked himself the question whether he was or was not George's father, and almost before he was in bed every night he recommenced the same series of despairing questionings.

He especially dreaded the darkness of the evening, the melancholy feeling of the twilight. Then a flood of sorrow invaded his heart, a torrent of despair which seemed to overwhelm him and drive him mad. He was as afraid of his own thoughts as men are of criminals, and he fled before them as one does from wild beasts. Above all things, he feared his empty, dark, horrible dwelling and the deserted streets, in which, here and there, a gas lamp flickered, where the isolated foot passenger whom one hears in the distance seems to be a night prowler, and makes one walk faster or slower, according to whether he is coming toward you or following you.

And in spite of himself, and by instinct, Parent went in the direction of the broad, well-lighted, populous streets. The light and the crowd attracted him, occupied his mind and distracted his thoughts, and when he was tired of walking aimlessly about among the moving crowd, when he saw the foot passengers becoming more scarce and the pavements less crowded, the fear of solitude and silence drove him into some large cafe full of drinkers and of light. He went there as flies go to a candle, and he would sit down at one of the little round tables and ask for a “bock,” which he would drink slowly, feeling uneasy every time a customer got up to go. He would have liked to take him by the arm, hold him back, and beg him to stay a little longer, so much did he dread the time when the waiter should come up to him and say sharply: “Come, monsieur, it is closing time!”
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