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"Monsieur Parent" is a novella by Guy de Maupassant that explores the complexities of human relationships and moral dilemmas. The story follows the protagonist, a reputable family man who becomes embroiled in a web of desire and infidelity. Set against the backdrop of 19th-century France, Maupassant delves into themes of sexuality, societal expectations, and the consequences of one's choices. Through sharp observations and vivid characterizations, the novella presents a critique of bourgeois values and the conflict between personal desires and social propriety, highlighting the often-tragic results of hidden passions.


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Submitted by davidb on February 03, 2025


								
“I want to hear them.” “She said it was unfortunate for a man like me to be married to a woman like you, unpunctual, careless, disorderly, a bad mother, and a bad wife.” The young woman had gone into the anteroom, followed by Limousin, who did not say a word at this unexpected condition of things. She shut the door quickly, threw her cloak on a chair, and going straight up to her husband, she stammered out: “You say? You say? That I am——” Very pale and calm, he replied: “I say nothing, my dear. I am simply repeating what Julie said to me, as you wanted to know what it was, and I wish you to remark that I turned her off just on account of what she said.” She trembled with a violent longing to tear out his beard and scratch his face. In his voice and manner she felt that he was asserting his position as master. Although she had nothing to say by way of reply, she tried to assume the offensive by saying something unpleasant. “I suppose you have had dinner?” she asked. “No, I waited for you.” She shrugged her shoulders impatiently. “It is very stupid of you to wait after half-past seven,” she said. “You might have guessed that I was detained, that I had a good many things to do, visits and shopping.” And then, suddenly, she felt that she wanted to explain how she had spent her time, and told him in abrupt, haughty words that, having to buy some furniture in a shop a long distance off, very far off, in the Rue de Rennes, she had met Limousin at past seven o'clock on the Boulevard Saint-Germain, and that then she had gone with him to have something to eat in a restaurant, as she did not like to go to one by herself, although she was faint with hunger. That was how she had dined with Limousin, if it could be called dining, for they had only some soup and half a chicken, as they were in a great hurry to get back. Parent replied simply: “Well, you were quite right. I am not finding fault with you.” Then Limousin, who, had not spoken till then, and who had been half hidden behind Henriette, came forward and put out his hand, saying: “Are you very well?” Parent took his hand, and shaking it gently, replied: “Yes, I am very well.” But the young woman had felt a reproach in her husband's last words. “Finding fault! Why do you speak of finding fault? One might think that you meant to imply something.” “Not at all,” he replied, by way of excuse. “I simply meant that I was not at all anxious although you were late, and that I did not find fault with you for it.” She, however, took the high hand, and tried to find a pretext for a quarrel. “Although I was late? One might really think that it was one o'clock in the morning, and that I spent my nights away from home.” “Certainly not, my dear. I said late because I could find no other word. You said you should be back at half-past six, and you returned at half-past eight. That was surely being late. I understand it perfectly well. I am not at all surprised, even. But—but—I can hardly use any other word.” “But you pronounce them as if I had been out all night.” “Oh, no-oh, no!” She saw that he would yield on every point, and she was going into her own room, when at last she noticed that George was screaming, and then she asked, with some feeling: “What is the matter with the child?” “I told you that Julie had been rather unkind to him.” “What has the wretch been doing to him?” “Oh nothing much. She gave him a push, and he fell down.” She wanted to see her child, and ran into the dining room, but stopped short at the sight of the table covered with spilt wine, with broken decanters and glasses and overturned saltcellars. “Who did all that mischief?” she asked. “It was Julie, who——” But she interrupted him furiously: “That is too much, really! Julie speaks of me as if I were a shameless woman, beats my child, breaks my plates and dishes, turns my house upside down, and it appears that you think it all quite natural.” “Certainly not, as I have got rid of her.” “Really! You have got rid of her! But you ought to have given her in charge. In such cases, one ought to call in the Commissary of Police!” “But—my dear—I really could not. There was no reason. It would have been very difficult——” She shrugged her shoulders disdainfully. “There! you will never be anything but a poor, wretched fellow, a man without a will, without any firmness or energy. Ah! she must have said some nice things to you, your Julie, to make you turn her off like that. I should like to have been here for a minute, only for a minute.” Then she opened the drawing-room door and ran to George, took him into her arms and kissed him, and said: “Georgie, what is it, my darling, my pretty one, my treasure?” Then, suddenly turning to another idea, she said: “But the child has had no dinner? You have had nothing to eat, my pet?” “No, mamma.” Then she again turned furiously upon her husband. “Why, you must be mad, utterly mad! It is half-past eight, and George has had no dinner!” He excused himself as best he could, for he had nearly lost his wits through the overwhelming scene and the explanation, and felt crushed by this ruin of his life. “But, my dear, we were waiting for you, as I did not wish to dine without you. As you come home late every day, I expected you every moment.” She threw her bonnet, which she had kept on till then, into an easy-chair, and in an angry voice she said: “It is really intolerable to have to do with people who can understand nothing, who can divine nothing and do nothing by themselves. So, I suppose, if I were to come in at twelve o'clock at night, the child would have had nothing to eat? Just as if you could not have understood that, as it was after half-past seven, I was prevented from coming home, that I had met with some hindrance!” Parent trembled, for he felt that his anger was getting the upper hand, but Limousin interposed, and turning toward the young woman, said: “My dear friend, you, are altogether unjust. Parent could not guess that you would come here so late, as you never do so, and then, how could you expect him to get over the difficulty all by himself, after having sent away Julie?” But Henriette was very angry, and replied: “Well, at any rate, he must get over the difficulty himself, for I will not help him,” she replied. “Let him settle it!” And she went into her own room, quite forgetting that her child had not had anything to eat. Limousin immediately set to work to help his friend. He picked up the broken glasses which strewed the table and took them out, replaced the plates and knives and forks, and put the child into his high chair, while Parent went to look for the chambermaid to wait at table. The girl came in, in great astonishment, as she had heard nothing in George's room, where she had been working. She soon, however, brought in the soup, a burnt leg of mutton, and mashed potatoes. Parent sat by the side of the child, very much upset and distressed at all that had happened. He gave the boy his dinner, and endeavored to eat something himself, but he could only swallow with an effort, as his throat felt paralyzed. By degrees he was seized with an insane desire to look at Limousin, who was sitting opposite to him, making bread pellets, to see whether George was like him, but he did not venture to raise his eyes for some time. At last, however, he made up his mind to do so, and gave a quick, sharp look at the face which he knew so well, although he almost fancied that he had never examined it carefully. It looked so different to what he had imagined. From time to time he looked at Limousin, trying to recognize a likeness in the smallest lines of his face, in the slightest features, and then he looked at his son, under the pretext of feeding him.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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