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"Miss Harriet" is a short story by Guy de Maupassant that explores themes of love, obsession, and societal expectations. The narrative centers on a middle-aged man who becomes infatuated with an enigmatic young woman named Harriet, a governess living in a small, provincial town. As he becomes increasingly captivated by her beauty and charm, he grapples with his emotions and societal norms, ultimately revealing the complexity of desire and the often-painful nature of unrequited love. Maupassant's keen observations and rich characterization make this tale a poignant reflection on the intricacies of human relationships.


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Submitted by davidb on February 03, 2025


								
“A first ray of the sun, glistening through the branches, pierced that fog of the dawn, illuminated it with a rosy reflection just behind the rustic lovers, framing their vague shadows in a silvery background. It was well done; yes, indeed, well done. “I was working on the declivity which led to the Valley of Etretat. On this particular morning I had, by chance, the sort of floating vapor which I needed. Suddenly something rose up in front of me like a phantom; it was Miss Harriet. On seeing me she was about to flee. But I called after her, saying: 'Come here, come here, mademoiselle. I have a nice little picture for you.' “She came forward, though with seeming reluctance. I handed her my sketch. She said nothing, but stood for a long time, motionless, looking at it, and suddenly she burst into tears. She wept spasmodically, like men who have striven hard to restrain their tears, but who can do so no longer and abandon themselves to grief, though still resisting. I sprang to my feet, moved at the sight of a sorrow I did not comprehend, and I took her by the hand with an impulse of brusque affection, a true French impulse which acts before it reflects. “She let her hands rest in mine for a few seconds, and I felt them quiver as if all her nerves were being wrenched. Then she withdrew her hands abruptly, or, rather, snatched them away. “I recognized that tremor, for I had felt it, and I could not be deceived. Ah! the love tremor of a woman, whether she be fifteen or fifty years of age, whether she be of the people or of society, goes so straight to my heart that I never have any hesitation in understanding it! “Her whole frail being had trembled, vibrated, been overcome. I knew it. She walked away before I had time to say a word, leaving me as surprised as if I had witnessed a miracle and as troubled as if I had committed a crime. “I did not go in to breakfast. I went to take a turn on the edge of the cliff, feeling that I would just as lief weep as laugh, looking on the adventure as both comic and deplorable and my position as ridiculous, believing her unhappy enough to go insane. “I asked myself what I ought to do. It seemed best for me to leave the place, and I immediately resolved to do so. “Somewhat sad and perplexed, I wandered about until dinner time and entered the farmhouse just when the soup had been served up. “I sat down at the table as usual. Miss Harriet was there, eating away solemnly, without speaking to any one, without even lifting her eyes. Her manner and expression were, however, the same as usual. “I waited patiently till the meal had been finished, when, turning toward the landlady, I said: 'Well, Madame Lecacheur, it will not be long now before I shall have to take my leave of you.' “The good woman, at once surprised and troubled, replied in her drawling voice: 'My dear sir, what is it you say? You are going to leave us after I have become so accustomed to you?' “I glanced at Miss Harriet out of the corner of my eye. Her countenance did not change in the least. But Celeste, the little servant, looked up at me. She was a fat girl, of about eighteen years of age, rosy, fresh, as strong as a horse, and possessing the rare attribute of cleanliness. I had kissed her at odd times in out-of-the-way corners, after the manner of travellers—nothing more. “The dinner being at length over, I went to smoke my pipe under the apple trees, walking up and down from one end of the enclosure to the other. All the reflections which I had made during the day, the strange discovery of the morning, that passionate and grotesque attachment for me, the recollections which that revelation had suddenly called up, recollections at once charming and perplexing, perhaps also that look which the servant had cast on me at the announcement of my departure—all these things, mixed up and combined, put me now in a reckless humor, gave me a tickling sensation of kisses on the lips and in my veins a something which urged me on to commit some folly. “Night was coming on, casting its dark shadows under the trees, when I descried Celeste, who had gone to fasten up the poultry yard at the other end of the enclosure. I darted toward her, running so noiselessly that she heard nothing, and as she got up from closing the small trapdoor by which the chickens got in and out, I clasped her in my arms and rained on her coarse, fat face a shower of kisses. She struggled, laughing all the time, as she was accustomed to do in such circumstances. Why did I suddenly loose my grip of her? Why did I at once experience a shock? What was it that I heard behind me? “It was Miss Harriet, who had come upon us, who had seen us and who stood in front of us motionless as a spectre. Then she disappeared in the darkness. “I was ashamed, embarrassed, more desperate at having been thus surprised by her than if she had caught me committing some criminal act. “I slept badly that night. I was completely unnerved and haunted by sad thoughts. I seemed to hear loud weeping, but in this I was no doubt deceived. Moreover, I thought several times that I heard some one walking up and down in the house and opening the hall door. “Toward morning I was overcome by fatigue and fell asleep. I got up late and did not go downstairs until the late breakfast, being still in a bewildered state, not knowing what kind of expression to put on. “No one had seen Miss Harriet. We waited for her at table, but she did not appear. At length Mother Lecacheur went to her room. The English woman had gone out. She must have set out at break of day, as she was wont to do, in order to see the sun rise. “Nobody seemed surprised at this, and we began to eat in silence. “The weather was hot, very hot, one of those broiling, heavy days when not a leaf stirs. The table had been placed out of doors, under an apple tree, and from time to time Sapeur had gone to the cellar to draw a jug of cider, everybody was so thirsty. Celeste brought the dishes from the kitchen, a ragout of mutton with potatoes, a cold rabbit and a salad. Afterward she placed before us a dish of strawberries, the first of the season. “As I wished to wash and freshen these, I begged the servant to go and draw me a pitcher of cold water. “In about five minutes she returned, declaring that the well was dry. She had lowered the pitcher to the full extent of the cord and had touched the bottom, but on drawing the pitcher up again it was empty. Mother Lecacheur, anxious to examine the thing for herself, went and looked down the hole. She returned, announcing that one could see clearly something in the well, something altogether unusual. But this no doubt was bundles of straw, which a neighbor had thrown in out of spite.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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