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"Miss Debby's Neighbors," written by Sarah Orne Jewett, is a short story that captures the lives of residents in a small coastal town in New England. Through the lens of Miss Debby, a kind-hearted and observant woman, the narrative explores the dynamics of community, friendship, and the subtleties of everyday life. Jewett's rich, descriptive prose brings to life the interactions between neighbors, revealing the hidden depths of their relationships and the impact of social connections. This story reflects themes of observation, compassion, and the comfort found in familiar surroundings.


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Submitted by davidb on February 12, 2025


								
yelling, and the cars had come from both ways and met there,--one each side of the crossing,--and the passengers was walking about, scolding and swearing,--and somebody'd gone and lit up a gre't bonfire. You never see such a sight in all your life! I happened to look up at the old house, and there were them two top windows that used to look over to our place, and they had caught the shine of the firelight, and made the poor old thing look as if it was scared to death. The men was banging at it with axes and crowbars, and it was dreadful distressing. You pitied it as if it was a live creatur'. It come from such a quiet place, and always looked kind of comfortable, though so much war had gone on amongst the Ashbys. I tell you it was a judgment on John, for they got it shoved back after a while, and then wouldn't touch it again,--not one of the men,--nor let their oxen. The plastering was all stove, and the outside walls all wrenched apart,--and John never did anything more about it; but let it set there all summer, till it burnt down, and there was an end, one night in September. They supposed some traveling folks slept in it and set it afire, or else some boys did it for fun. I was glad it was out of the way. One day, I know, I was coming by with mother, and she said it made her feel bad to see the little strips of leather by the fore door, where Mis' Ashby had nailed up a rosebush once. There! there ain't an Ashby alive now of the old stock, except young John. Joe's son went off to sea, and I believe he was lost somewhere in the China seas, or else he died of a fever; I seem to forget. He was called a smart boy, but he never could seem to settle down to anything. Sometimes I wonder folks is as good as they be, when I consider what comes to 'em from their folks before 'em, and how they're misshaped by nature. Them Ashbys never was like other folks, and yet some good streak or other there was in every one of 'em. You can't expect much from such hindered creator's,--it's just like beratin' a black and white cat for being a poor mouser. It ain't her fault that the mice see her quicker than they can a gray one. If you get one of them masterful dispositions put with a good strong will towards the right, that's what makes the best of men; but all them Ashbys cared about was to grasp and get, and be cap'ns. They liked to see other folks put down, just as if it was going to set them up. And they didn't know nothing. They make me think of some o' them old marauders that used to hive up into their castles, in old times, and then go out a-over-setting and plundering. And I tell you that same sperit was in 'em. They was born a couple o' hundred years too late. Kind of left-over folks, as it were." And Miss Debby indulged in a quiet chuckle as she bent over her work. "John he got captured by his wife,--she carried too many guns for him. I believe he died very poor and her own son wouldn't support her, so she died over in Freeport poor-house. And Joe got along better; his wife was clever but rather slack, and it took her a good while to see through things. She married again pretty quick after he died. She had as much as seven or eight thousand dollars, and she was taken just as she stood by a roving preacher that was holding meetings here in the winter time. He sold out her place here, and they went up country somewheres that he come from. Her boy was lost before that, so there was nothing to hinder her. There, don't you think I'm always a-fault-finding! When I get hold of the real thing in folks, I stick to 'em,--but there's an awful sight of poor material walking about that ain't worth the ground it steps on. But when I look back a little ways, I can't blame some of 'em; though it does often seem as if people might do better if they only set to work and tried. I must say I always do feel pleased when I think how mad John was,--this John's father,--when he couldn't do just as he'd a mind to with the pore old house. I couldn't help thinking of Joe's mansion, that he and his father hauled down to the heater piece in the fork of the roads. Sometimes I wonder where them Ashbys all went to. They'd mistake one place for the other in the next world, for 'twould make heaven out o' hell, because they could be disagreeing with somebody, and--well, I don't know,--I'm sure they kep' a good row going while they was in this world. Only with mother;--somehow she could get along with anybody, and not always give 'em their way either."
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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