Middlemarch Page #33
Middlemarch, A Study of Provincial Life is a novel by the English author George Eliot, appearing in eight instalments in 1871 and 1872. Set in a fictitious Midlands town from 1829 to 1832, it follows distinct, intersecting stories with many characters.
“I don’t know what you refer to, sir. I have certainly never borrowed any money on such an insecurity. Please do explain.” “No, sir, it’s you must explain. I can alter my will yet, let me tell you. I’m of sound mind—can reckon compound interest in my head, and remember every fool’s name as well as I could twenty years ago. What the deuce? I’m under eighty. I say, you must contradict this story.” “I have contradicted it, sir,” Fred answered, with a touch of impatience, not remembering that his uncle did not verbally discriminate contradicting from disproving, though no one was further from confounding the two ideas than old Featherstone, who often wondered that so many fools took his own assertions for proofs. “But I contradict it again. The story is a silly lie.” “Nonsense! you must bring dockiments. It comes from authority.” “Name the authority, and make him name the man of whom I borrowed the money, and then I can disprove the story.” “It’s pretty good authority, I think—a man who knows most of what goes on in Middlemarch. It’s that fine, religious, charitable uncle o’ yours. Come now!” Here Mr. Featherstone had his peculiar inward shake which signified merriment. “Mr. Bulstrode?” “Who else, eh?” “Then the story has grown into this lie out of some sermonizing words he may have let fall about me. Do they pretend that he named the man who lent me the money?” “If there is such a man, depend upon it Bulstrode knows him. But, supposing you only tried to get the money lent, and didn’t get it—Bulstrode ’ud know that too. You bring me a writing from Bulstrode to say he doesn’t believe you’ve ever promised to pay your debts out o’ my land. Come now!” Mr. Featherstone’s face required its whole scale of grimaces as a muscular outlet to his silent triumph in the soundness of his faculties. Fred felt himself to be in a disgusting dilemma. “You must be joking, sir. Mr. Bulstrode, like other men, believes scores of things that are not true, and he has a prejudice against me. I could easily get him to write that he knew no facts in proof of the report you speak of, though it might lead to unpleasantness. But I could hardly ask him to write down what he believes or does not believe about me.” Fred paused an instant, and then added, in politic appeal to his uncle’s vanity, “That is hardly a thing for a gentleman to ask.” But he was disappointed in the result. “Ay, I know what you mean. You’d sooner offend me than Bulstrode. And what’s he?—he’s got no land hereabout that ever I heard tell of. A speckilating fellow! He may come down any day, when the devil leaves off backing him. And that’s what his religion means: he wants God A’mighty to come in. That’s nonsense! There’s one thing I made out pretty clear when I used to go to church—and it’s this: God A’mighty sticks to the land. He promises land, and He gives land, and He makes chaps rich with corn and cattle. But you take the other side. You like Bulstrode and speckilation better than Featherstone and land.” “I beg your pardon, sir,” said Fred, rising, standing with his back to the fire and beating his boot with his whip. “I like neither Bulstrode nor speculation.” He spoke rather sulkily, feeling himself stalemated. “Well, well, you can do without me, that’s pretty clear,” said old Featherstone, secretly disliking the possibility that Fred would show himself at all independent. “You neither want a bit of land to make a squire of you instead of a starving parson, nor a lift of a hundred pound by the way. It’s all one to me. I can make five codicils if I like, and I shall keep my bank-notes for a nest-egg. It’s all one to me.” Fred colored again. Featherstone had rarely given him presents of money, and at this moment it seemed almost harder to part with the immediate prospect of bank-notes than with the more distant prospect of the land. “I am not ungrateful, sir. I never meant to show disregard for any kind intentions you might have towards me. On the contrary.” “Very good. Then prove it. You bring me a letter from Bulstrode saying he doesn’t believe you’ve been cracking and promising to pay your debts out o’ my land, and then, if there’s any scrape you’ve got into, we’ll see if I can’t back you a bit. Come now! That’s a bargain. Here, give me your arm. I’ll try and walk round the room.” Fred, in spite of his irritation, had kindness enough in him to be a little sorry for the unloved, unvenerated old man, who with his dropsical legs looked more than usually pitiable in walking. While giving his arm, he thought that he should not himself like to be an old fellow with his constitution breaking up; and he waited good-temperedly, first before the window to hear the wonted remarks about the guinea-fowls and the weather-cock, and then before the scanty book-shelves, of which the chief glories in dark calf were Josephus, Culpepper, Klopstock’s “Messiah,” and several volumes of the “Gentleman’s Magazine.” “Read me the names o’ the books. Come now! you’re a college man.” Fred gave him the titles. “What did missy want with more books? What must you be bringing her more books for?” “They amuse her, sir. She is very fond of reading.” “A little too fond,” said Mr. Featherstone, captiously. “She was for reading when she sat with me. But I put a stop to that. She’s got the newspaper to read out loud. That’s enough for one day, I should think. I can’t abide to see her reading to herself. You mind and not bring her any more books, do you hear?” “Yes, sir, I hear.” Fred had received this order before, and had secretly disobeyed it. He intended to disobey it again. “Ring the bell,” said Mr. Featherstone; “I want missy to come down.” Rosamond and Mary had been talking faster than their male friends. They did not think of sitting down, but stood at the toilet-table near the window while Rosamond took off her hat, adjusted her veil, and applied little touches of her finger-tips to her hair—hair of infantine fairness, neither flaxen nor yellow. Mary Garth seemed all the plainer standing at an angle between the two nymphs—the one in the glass, and the one out of it, who looked at each other with eyes of heavenly blue, deep enough to hold the most exquisite meanings an ingenious beholder could put into them, and deep enough to hide the meanings of the owner if these should happen to be less exquisite. Only a few children in Middlemarch looked blond by the side of Rosamond, and the slim figure displayed by her riding-habit had delicate undulations. In fact, most men in Middlemarch, except her brothers, held that Miss Vincy was the best girl in the world, and some called her an angel. Mary Garth, on the contrary, had the aspect of an ordinary sinner: she was brown; her curly dark hair was rough and stubborn; her stature was low; and it would not be true to declare, in satisfactory antithesis, that she had all the virtues. Plainness has its peculiar temptations and vices quite as much as beauty; it is apt either to feign amiability, or, not feigning it, to show all the repulsiveness of discontent: at any rate, to be called an ugly thing in contrast with that lovely creature your companion, is apt to produce some effect beyond a sense of fine veracity and fitness in the phrase. At the age of two-and-twenty Mary had certainly not attained that perfect good sense and good principle which are usually recommended to the less fortunate girl, as if they were to be obtained in quantities ready mixed, with a flavor of resignation as required. Her shrewdness had a streak of satiric bitterness continually renewed and never carried utterly out of sight, except by a strong current of gratitude towards those who, instead of telling her that she ought to be contented, did something to make her so. Advancing womanhood had tempered her plainness, which was of a good human sort, such as the mothers of our race have very commonly worn in all latitudes under a more or less becoming headgear. Rembrandt would have painted her with pleasure, and would have made her broad features look out of the canvas with intelligent honesty. For honesty, truth-telling fairness, was Mary’s reigning virtue: she neither tried to create illusions, nor indulged in them for her own behoof, and when she was in a good mood she had humor enough in her to laugh at herself. When she and Rosamond happened both to be reflected in the glass, she said, laughingly—
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