Middlemarch Page #19

Middlemarch, A Study of Provincial Life is a novel by the English author George Eliot, appearing in eight instalments in 1871 and 1872. Set in a fictitious Midlands town from 1829 to 1832, it follows distinct, intersecting stories with many characters.

• Novel

								


However, Mr. Casaubon consented to listen and teach for an hour together, like a schoolmaster of little boys, or rather like a lover, to whom a mistress’s elementary ignorance and difficulties have a touching fitness. Few scholars would have disliked teaching the alphabet under such circumstances. But Dorothea herself was a little shocked and discouraged at her own stupidity, and the answers she got to some timid questions about the value of the Greek accents gave her a painful suspicion that here indeed there might be secrets not capable of explanation to a woman’s reason.

Mr. Brooke had no doubt on that point, and expressed himself with his usual strength upon it one day that he came into the library while the reading was going forward.

“Well, but now, Casaubon, such deep studies, classics, mathematics, that kind of thing, are too taxing for a woman—too taxing, you know.”

“Dorothea is learning to read the characters simply,” said Mr. Casaubon, evading the question. “She had the very considerate thought of saving my eyes.”

“Ah, well, without understanding, you know—that may not be so bad. But there is a lightness about the feminine mind—a touch and go—music, the fine arts, that kind of thing—they should study those up to a certain point, women should; but in a light way, you know. A woman should be able to sit down and play you or sing you a good old English tune. That is what I like; though I have heard most things—been at the opera in Vienna: Gluck, Mozart, everything of that sort. But I’m a conservative in music—it’s not like ideas, you know. I stick to the good old tunes.”

“Mr. Casaubon is not fond of the piano, and I am very glad he is not,” said Dorothea, whose slight regard for domestic music and feminine fine art must be forgiven her, considering the small tinkling and smearing in which they chiefly consisted at that dark period. She smiled and looked up at her betrothed with grateful eyes. If he had always been asking her to play the “Last Rose of Summer,” she would have required much resignation. “He says there is only an old harpsichord at Lowick, and it is covered with books.”

“Ah, there you are behind Celia, my dear. Celia, now, plays very prettily, and is always ready to play. However, since Casaubon does not like it, you are all right. But it’s a pity you should not have little recreations of that sort, Casaubon: the bow always strung—that kind of thing, you know—will not do.”

“I never could look on it in the light of a recreation to have my ears teased with measured noises,” said Mr. Casaubon. “A tune much iterated has the ridiculous effect of making the words in my mind perform a sort of minuet to keep time—an effect hardly tolerable, I imagine, after boyhood. As to the grander forms of music, worthy to accompany solemn celebrations, and even to serve as an educating influence according to the ancient conception, I say nothing, for with these we are not immediately concerned.”

“No; but music of that sort I should enjoy,” said Dorothea. “When we were coming home from Lausanne my uncle took us to hear the great organ at Freiberg, and it made me sob.”

“That kind of thing is not healthy, my dear,” said Mr. Brooke. “Casaubon, she will be in your hands now: you must teach my niece to take things more quietly, eh, Dorothea?”

He ended with a smile, not wishing to hurt his niece, but really thinking that it was perhaps better for her to be early married to so sober a fellow as Casaubon, since she would not hear of Chettam.

“It is wonderful, though,” he said to himself as he shuffled out of the room—“it is wonderful that she should have liked him. However, the match is good. I should have been travelling out of my brief to have hindered it, let Mrs. Cadwallader say what she will. He is pretty certain to be a bishop, is Casaubon. That was a very seasonable pamphlet of his on the Catholic Question:—a deanery at least. They owe him a deanery.”

And here I must vindicate a claim to philosophical reflectiveness, by remarking that Mr. Brooke on this occasion little thought of the Radical speech which, at a later period, he was led to make on the incomes of the bishops. What elegant historian would neglect a striking opportunity for pointing out that his heroes did not foresee the history of the world, or even their own actions?—For example, that Henry of Navarre, when a Protestant baby, little thought of being a Catholic monarch; or that Alfred the Great, when he measured his laborious nights with burning candles, had no idea of future gentlemen measuring their idle days with watches. Here is a mine of truth, which, however vigorously it may be worked, is likely to outlast our coal.

But of Mr. Brooke I make a further remark perhaps less warranted by precedent—namely, that if he had foreknown his speech, it might not have made any great difference. To think with pleasure of his niece’s husband having a large ecclesiastical income was one thing—to make a Liberal speech was another thing; and it is a narrow mind which cannot look at a subject from various points of view.

CHAPTER VIII.

“Oh, rescue her! I am her brother now, And you her father. Every gentle maid Should have a guardian in each gentleman.”

It was wonderful to Sir James Chettam how well he continued to like going to the Grange after he had once encountered the difficulty of seeing Dorothea for the first time in the light of a woman who was engaged to another man. Of course the forked lightning seemed to pass through him when he first approached her, and he remained conscious throughout the interview of hiding uneasiness; but, good as he was, it must be owned that his uneasiness was less than it would have been if he had thought his rival a brilliant and desirable match. He had no sense of being eclipsed by Mr. Casaubon; he was only shocked that Dorothea was under a melancholy illusion, and his mortification lost some of its bitterness by being mingled with compassion.

Nevertheless, while Sir James said to himself that he had completely resigned her, since with the perversity of a Desdemona she had not affected a proposed match that was clearly suitable and according to nature; he could not yet be quite passive under the idea of her engagement to Mr. Casaubon. On the day when he first saw them together in the light of his present knowledge, it seemed to him that he had not taken the affair seriously enough. Brooke was really culpable; he ought to have hindered it. Who could speak to him? Something might be done perhaps even now, at least to defer the marriage. On his way home he turned into the Rectory and asked for Mr. Cadwallader. Happily, the Rector was at home, and his visitor was shown into the study, where all the fishing tackle hung. But he himself was in a little room adjoining, at work with his turning apparatus, and he called to the baronet to join him there. The two were better friends than any other landholder and clergyman in the county—a significant fact which was in agreement with the amiable expression of their faces.
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