Middlemarch Page #13

Middlemarch, A Study of Provincial Life is a novel by the English author George Eliot, appearing in eight instalments in 1871 and 1872. Set in a fictitious Midlands town from 1829 to 1832, it follows distinct, intersecting stories with many characters.

• Novel

								


After dinner, when Celia was playing an “air, with variations,” a small kind of tinkling which symbolized the aesthetic part of the young ladies’ education, Dorothea went up to her room to answer Mr. Casaubon’s letter. Why should she defer the answer? She wrote it over three times, not because she wished to change the wording, but because her hand was unusually uncertain, and she could not bear that Mr. Casaubon should think her handwriting bad and illegible. She piqued herself on writing a hand in which each letter was distinguishable without any large range of conjecture, and she meant to make much use of this accomplishment, to save Mr. Casaubon’s eyes. Three times she wrote.

MY DEAR MR. CASAUBON,—I am very grateful to you for loving me, and thinking me worthy to be your wife. I can look forward to no better happiness than that which would be one with yours. If I said more, it would only be the same thing written out at greater length, for I cannot now dwell on any other thought than that I may be through life

Yours devotedly,
    DOROTHEA BROOKE.

Later in the evening she followed her uncle into the library to give him the letter, that he might send it in the morning. He was surprised, but his surprise only issued in a few moments’ silence, during which he pushed about various objects on his writing-table, and finally stood with his back to the fire, his glasses on his nose, looking at the address of Dorothea’s letter.

“Have you thought enough about this, my dear?” he said at last.

“There was no need to think long, uncle. I know of nothing to make me vacillate. If I changed my mind, it must be because of something important and entirely new to me.”

“Ah!—then you have accepted him? Then Chettam has no chance? Has Chettam offended you—offended you, you know? What is it you don’t like in Chettam?”

“There is nothing that I like in him,” said Dorothea, rather impetuously.

Mr. Brooke threw his head and shoulders backward as if some one had thrown a light missile at him. Dorothea immediately felt some self-rebuke, and said—

“I mean in the light of a husband. He is very kind, I think—really very good about the cottages. A well-meaning man.”

“But you must have a scholar, and that sort of thing? Well, it lies a little in our family. I had it myself—that love of knowledge, and going into everything—a little too much—it took me too far; though that sort of thing doesn’t often run in the female-line; or it runs underground like the rivers in Greece, you know—it comes out in the sons. Clever sons, clever mothers. I went a good deal into that, at one time. However, my dear, I have always said that people should do as they like in these things, up to a certain point. I couldn’t, as your guardian, have consented to a bad match. But Casaubon stands well: his position is good. I am afraid Chettam will be hurt, though, and Mrs. Cadwallader will blame me.”

That evening, of course, Celia knew nothing of what had happened. She attributed Dorothea’s abstracted manner, and the evidence of further crying since they had got home, to the temper she had been in about Sir James Chettam and the buildings, and was careful not to give further offence: having once said what she wanted to say, Celia had no disposition to recur to disagreeable subjects. It had been her nature when a child never to quarrel with any one—only to observe with wonder that they quarrelled with her, and looked like turkey-cocks; whereupon she was ready to play at cat’s cradle with them whenever they recovered themselves. And as to Dorothea, it had always been her way to find something wrong in her sister’s words, though Celia inwardly protested that she always said just how things were, and nothing else: she never did and never could put words together out of her own head. But the best of Dodo was, that she did not keep angry for long together. Now, though they had hardly spoken to each other all the evening, yet when Celia put by her work, intending to go to bed, a proceeding in which she was always much the earlier, Dorothea, who was seated on a low stool, unable to occupy herself except in meditation, said, with the musical intonation which in moments of deep but quiet feeling made her speech like a fine bit of recitative—

“Celia, dear, come and kiss me,” holding her arms open as she spoke.

Celia knelt down to get the right level and gave her little butterfly kiss, while Dorothea encircled her with gentle arms and pressed her lips gravely on each cheek in turn.

“Don’t sit up, Dodo, you are so pale to-night: go to bed soon,” said Celia, in a comfortable way, without any touch of pathos.

“No, dear, I am very, very happy,” said Dorothea, fervently.

“So much the better,” thought Celia. “But how strangely Dodo goes from one extreme to the other.”

The next day, at luncheon, the butler, handing something to Mr. Brooke, said, “Jonas is come back, sir, and has brought this letter.”

Mr. Brooke read the letter, and then, nodding toward Dorothea, said, “Casaubon, my dear: he will be here to dinner; he didn’t wait to write more—didn’t wait, you know.”

It could not seem remarkable to Celia that a dinner guest should be announced to her sister beforehand, but, her eyes following the same direction as her uncle’s, she was struck with the peculiar effect of the announcement on Dorothea. It seemed as if something like the reflection of a white sunlit wing had passed across her features, ending in one of her rare blushes. For the first time it entered into Celia’s mind that there might be something more between Mr. Casaubon and her sister than his delight in bookish talk and her delight in listening. Hitherto she had classed the admiration for this “ugly” and learned acquaintance with the admiration for Monsieur Liret at Lausanne, also ugly and learned. Dorothea had never been tired of listening to old Monsieur Liret when Celia’s feet were as cold as possible, and when it had really become dreadful to see the skin of his bald head moving about. Why then should her enthusiasm not extend to Mr. Casaubon simply in the same way as to Monsieur Liret? And it seemed probable that all learned men had a sort of schoolmaster’s view of young people.

But now Celia was really startled at the suspicion which had darted into her mind. She was seldom taken by surprise in this way, her marvellous quickness in observing a certain order of signs generally preparing her to expect such outward events as she had an interest in. Not that she now imagined Mr. Casaubon to be already an accepted lover: she had only begun to feel disgust at the possibility that anything in Dorothea’s mind could tend towards such an issue. Here was something really to vex her about Dodo: it was all very well not to accept Sir James Chettam, but the idea of marrying Mr. Casaubon! Celia felt a sort of shame mingled with a sense of the ludicrous. But perhaps Dodo, if she were really bordering on such an extravagance, might be turned away from it: experience had often shown that her impressibility might be calculated on. The day was damp, and they were not going to walk out, so they both went up to their sitting-room; and there Celia observed that Dorothea, instead of settling down with her usual diligent interest to some occupation, simply leaned her elbow on an open book and looked out of the window at the great cedar silvered with the damp. She herself had taken up the making of a toy for the curate’s children, and was not going to enter on any subject too precipitately.
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