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"Martine" by Guy de Maupassant is a poignant short story that revolves around the life of a young girl named Martine, set against the backdrop of rural France. The narrative explores themes of innocence, love, and societal expectations as Martine navigates her relationships and personal aspirations. Maupassant's rich prose captures the nuances of her character, revealing the complexities of her emotions and experiences as she confronts the harsh realities of life and love in a changing world. The story is a reflection on the struggles of youth and the bittersweet nature of growing up.

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Submitted by davidb on February 02, 2025


								
She was now married to Vallin, the richest farmer in the district. Benoist and he did not speak now, though they had been comrades from childhood. One evening, as Benoist was passing the town hall, he heard that she was enceinte. Instead of experiencing a feeling of sorrow, he experienced, on the contrary, a feeling of relief. It was over, now, all over. They were more separated by that than by her marriage. He really preferred that it should be so. Months passed, and more months. He caught sight of her, occasionally, going to the village with a heavier step than usual. She blushed as she saw him, lowered her head and quickened her pace. And he turned out of his way so as not to pass her and meet her glance. He dreaded the thought that he might one morning meet her face to face, and be obliged to speak to her. What could he say to her now, after all he had said formerly, when he held her hands as he kissed her hair beside her cheeks? He often thought of those meetings along the roadside. She had acted horridly after all her promises. By degrees his grief diminished, leaving only sadness behind. And one day he took the old road that led past the farm where she now lived. He looked at the roof from a distance. It was there, in there, that she lived with another! The apple trees were in bloom, the cocks crowed on the dung hill. The whole dwelling seemed empty, the farm hands had gone to the fields to their spring toil. He stopped near the gate and looked into the yard. The dog was asleep outside his kennel, three calves were walking slowly, one behind the other, towards the pond. A big turkey was strutting before the door, parading before the turkey hens like a singer at the opera. Benoist leaned against the gate post and was suddenly seized with a desire to weep. But suddenly, he heard a cry, a loud cry for help coming from the house. He was struck with dismay, his hands grasping the wooden bars of the gate, and listened attentively. Another cry, a prolonged, heartrending cry, reached his ears, his soul, his flesh. It was she who was crying like that! He darted inside, crossed the grass patch, pushed open the door, and saw her lying on the floor, her body drawn up, her face livid, her eyes haggard, in the throes of childbirth. He stood there, trembling and paler than she was, and stammered: “Here I am, here I am, Martine!” She replied in gasps: “Oh, do not leave me, do not leave me, Benoist!” He looked at her, not knowing what to say, what to do. She began to cry out again: “Oh, oh, it is killing me. Oh, Benoist!” She writhed frightfully. Benoist was suddenly seized with a frantic longing to help her, to quiet her, to remove her pain. He leaned over, lifted her up and laid her on her bed; and while she kept on moaning he began to take off her clothes, her jacket, her skirt and her petticoat. She bit her fists to keep from crying out. Then he did as he was accustomed to doing for cows, ewes, and mares: he assisted in delivering her and found in his hands a large infant who was moaning. He wiped it off and wrapped it up in a towel that was drying in front of the fire, and laid it on a bundle of clothes ready for ironing that was on the table. Then he went back to the mother. He took her up and placed her on the floor again, then he changed the bedclothes and put her back into bed. She faltered: “Thank you, Benoist, you have a noble heart.” And then she wept a little as if she felt regretful. He did not love her any longer, not the least bit. It was all over. Why? How? He could not have said. What had happened had cured him better than ten years of absence. She asked, exhausted and trembling: “What is it?” He replied calmly: “It is a very fine girl.” Then they were silent again. At the end of a few moments, the mother, in a weak voice, said: “Show her to me, Benoist.” He took up the little one and was showing it to her as if he were holding the consecrated wafer, when the door opened, and Isidore Vallin appeared. He did not understand at first, then all at once he guessed. Benoist, in consternation, stammered out: “I was passing, I was just passing by when I heard her crying out, and I came—there is your child, Vallin!” Then the husband, his eyes full of tears, stepped forward, took the little mite of humanity that he held out to him, kissed it, unable to speak from emotion for a few seconds; then placing the child on the bed, he held out both hands to Benoist, saying: “Your hand upon it, Benoist. From now on we understand each other. If you are willing, we will be a pair of friends, a pair of friends!” And Benoist replied: “Indeed I will, certainly, indeed I will.”
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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