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"Martha's Lady" is a novella by Sarah Orne Jewett that captures the intricacies of rural life in New England through the lens of human relationships and social dynamics. The story revolves around Martha, a strong-willed and independent woman, as she navigates her role within her community and her family. Jewett's vivid portrayal of the characters and settings reflects the themes of feminism, autonomy, and the bonds between nature and personal identity. With her signature style, Jewett delves into the emotional and psychological landscapes of her characters, offering readers a poignant exploration of love, duty, and self-discovery in a changing world.


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Submitted by davidb on February 12, 2025


								
have everything as nice as we can; I must see Hannah at once. Do you remember my cousin Helena who has lived abroad so long? Miss Helena Vernon,--the Honorable Mrs. Dysart, she is now." "Yes, I remember her," answered Martha, turning a little pale. "I knew that she was in this country, and I had written to ask her to come for a long visit," continued Miss Harriet, who did not often explain things, even to Martha, though she was always conscientious about the kind messages that were sent back by grateful guests. "She telegraphs that she means to anticipate her visit by a few days and come to me at once. The heat is beginning in town, I suppose. I daresay, having been a foreigner so long, she does not mind traveling on Sunday. Do you think Hannah will be prepared? We must have tea a little later." "Yes, Miss Harriet," said Martha. She wondered that she could speak as usual, there was such a ringing in her ears. "I shall have time to pick some fresh strawberries; Miss Helena is so fond of our strawberries." "Why, I had forgotten," said Miss Pyne, a little puzzled by something quite unusual in Martha's face. "We must expect to find Mrs. Dysart a good deal changed, Martha; it is a great many years since she was here; I have not seen her since her wedding, and she has had a great deal of trouble, poor girl. You had better open the parlor chamber, and make it ready before you go down." "It is all ready," said Martha. "I can carry some of those little sweet-brier roses upstairs before she comes." "Yes, you are always thoughtful," said Miss Pyne, with unwonted feeling. Martha did not answer. She glanced at the telegram wistfully. She had never really suspected before that Miss Pyne knew nothing of the love that had been in her heart all these years; it was half a pain and half a golden joy to keep such a secret; she could hardly bear this moment of surprise. Presently the news gave wings to her willing feet. When Hannah, the cook, who never had known Miss Helena, went to the parlor an hour later on some errand to her old mistress, she discovered that this stranger guest must be a very important person. She had never seen the tea-table look exactly as it did that night, and in the parlor itself there were fresh blossoming boughs in the old East India jars, and lilies in the paneled hall, and flowers everywhere, as if there were some high festivity. Miss Pyne sat by the window watching, in her best dress, looking stately and calm; she seldom went out now, and it was almost time for the carriage. Martha was just coming in from the garden with the strawberries, and with more flowers in her apron. It was a bright cool evening in June, the golden robins sang in the elms, and the sun was going down behind the apple-trees at the foot of the garden. The beautiful old house stood wide open to the long-expected guest. "I think that I shall go down to the gate," said Miss Pyne, looking at Martha for approval, and Martha nodded and they went together slowly down the broad front walk. There was a sound of horses and wheels on the roadside turf: Martha could not see at first; she stood back inside the gate behind the white lilac-bushes as the carriage came. Miss Pyne was there; she was holding out both arms and taking a tired, bent little figure in black to her heart. "Oh, my Miss Helena is an old woman like me!" and Martha gave a pitiful sob; she had never dreamed it would be like this; this was the one thing she could not bear. "Where are you, Martha?" called Miss Pyne. "Martha will bring these in; you have not forgotten my good Martha, Helena?" Then Mrs. Dysart looked up and smiled just as she used to smile in the old days. The young eyes were there still in the changed face, and Miss Helena had come. That night Martha waited in her lady's room just as she used, humble and silent, and went through with the old unforgotten loving services. The long years seemed like days. At last she lingered a moment trying to think of something else that might be done, then she was going silently away, but Helena called her back. She suddenly knew the whole story and could hardly speak. "Oh, my dear Martha!" she cried, "won't you kiss me good-night? Oh, Martha, have you remembered like this, all these long years!"
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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