Martha's Lady Page #4

"Martha's Lady" is a novella by Sarah Orne Jewett that captures the intricacies of rural life in New England through the lens of human relationships and social dynamics. The story revolves around Martha, a strong-willed and independent woman, as she navigates her role within her community and her family. Jewett's vivid portrayal of the characters and settings reflects the themes of feminism, autonomy, and the bonds between nature and personal identity. With her signature style, Jewett delves into the emotional and psychological landscapes of her characters, offering readers a poignant exploration of love, duty, and self-discovery in a changing world.

• Short story

								

hastened away down the long white entry, weeping as she went.

III.

To lose out of sight the friend whom one has loved and lived to please
is to lose joy out of life.  But if love is true, there comes presently
a higher joy of pleasing the ideal, that is to say, the perfect friend.
The same old happiness is lifted to a higher level.  As for Martha, the
girl who stayed behind in Ashford, nobody's life could seem duller to
those who could not understand; she was slow of step, and her eyes were
almost always downcast as if intent upon incessant toil; but they
startled you when she looked up, with their shining light.  She was
capable of the happiness of holding fast to a great sentiment, the
ineffable satisfaction of trying to please one whom she truly loved.
She never thought of trying to make other people pleased with herself;
all she lived for was to do the best she could for others, and to
conform to an ideal, which grew at last to be like a saint's vision, a
heavenly figure painted upon the sky.

On Sunday afternoons in summer, Martha sat by the window of her
chamber, a low-storied little room, which looked into the side yard and
the great branches of an elm-tree.  She never sat in the old wooden
rocking-chair except on Sundays like this; it belonged to the day of
rest and to happy meditation.  She wore her plain black dress and a
clean white apron, and held in her lap a little wooden box, with a
brass ring on top for a handle.  She was past sixty years of age and
looked even older, but there was the same look on her face that it had
sometimes worn in girlhood.  She was the same Martha; her hands were
old-looking and work-worn, but her face still shone.  It seemed like
yesterday that Helena Vernon had gone away, and it was more than forty
years.

War and peace had brought their changes and great anxieties, the face
of the earth was furrowed by floods and fire, the faces of mistress and
maid were furrowed by smiles and tears, and in the sky the stars shone
on as if nothing had happened.  The village of Ashford added a few
pages to its unexciting history, the minister preached, the people
listened; now and then a funeral crept along the street, and now and
then the bright face of a little child rose above the horizon of a
family pew.  Miss Harriet Pyne lived on in the large white house, which
gained more and more distinction because it suffered no changes, save
successive repaintings and a new railing about its stately roof.  Miss
Harriet herself had moved far beyond the uncertainties of an anxious
youth.  She had long ago made all her decisions, and settled all
necessary questions; her scheme of life was as faultless as the
miniature landscape of a Japanese garden, and as easily kept in order.
The only important change she would ever be capable of making was the
final change to another and a better world; and for that nature itself
would gently provide, and her own innocent life.

Hardly any great social event had ruffled the easy current of life
since Helena Vernon's marriage.  To this Miss Pyne had gone, stately in
appearance and carrying gifts of some old family silver which bore the
Vernon crest, but not without some protest in her heart against the
uncertainties of married life.  Helena was so equal to a happy
independence and even to the assistance of other lives grown strangely
dependent upon her quick sympathies and instinctive decisions, that it
was hard to let her sink her personality in the affairs of another.
Yet a brilliant English match was not without its attractions to an
old-fashioned gentlewoman like Miss Pyne, and Helena herself was
amazingly happy; one day there had come a letter to Ashford, in which
her very heart seemed to beat with love and self-forgetfulness, to tell
cousin Harriet of such new happiness and high hope.  "Tell Martha all
that I say about my dear Jack," wrote the eager girl; "please show my
letter to Martha, and tell her that I shall come home next summer and
bring the handsomest and best man in the world to Ashford.  I have told
him all about the dear house and the dear garden; there never was such
a lad to reach for cherries with his six-foot-two."  Miss Pyne,
wondering a little, gave the letter to Martha, who took it deliberately
and as if she wondered too, and went away to read it slowly by herself.
Martha cried over it, and felt a strange sense of loss and pain; it
hurt her heart a little to read about the cherry-picking.  Her idol
seemed to be less her own since she had become the idol of a stranger.
She never had taken such a letter in her hands before, but love at last
prevailed, since Miss Helena was happy, and she kissed the last page
where her name was written, feeling overbold, and laid the envelope on
Miss Pyne's secretary without a word.

The most generous love cannot but long for reassurance, and Martha had
the joy of being remembered.  She was not forgotten when the day of the
wedding drew near, but she never knew that Miss Helena had asked if
cousin Harriet would not bring Martha to town; she should like to have
Martha there to see her married.  "She would help about the flowers,"
wrote the happy girl; "I know she will like to come, and I 'll ask
mamma to plan to have some one take her all about Boston and make her
have a pleasant time after the hurry of the great day is over."

Cousin Harriet thought it was very kind and exactly like Helena, but
Martha would be out of her element; it was most imprudent and girlish
to have thought of such a thing.  Helena's mother would be far from
wishing for any unnecessary guest just then, in the busiest part of her
household, and it was best not to speak of the invitation.  Some day
Martha should go to Boston if she did well, but not now.  Helena did
not forget to ask if Martha had come, and was astonished by the
indifference of the answer.  It was the first thing which reminded her
that she was not a fairy princess having everything her own way in that
last day before the wedding.  She knew that Martha would have loved to
be near, for she could not help understanding in that moment of her own
happiness the love that was hidden in another heart.  Next day this
happy young princess, the bride, cut a piece of a great cake and put it
into a pretty box that had held one of her wedding presents.  With
eager voices calling her, and all her friends about her, and her
mother's face growing more and more wistful at the thought of parting,
she still lingered and ran to take one or two trifles from her
dressing-table, a little mirror and some tiny scissors that Martha
would remember, and one of the pretty handkerchiefs marked with her
maiden name.  These she put in the box too; it was half a girlish freak
and fancy, but she could not help trying to share her happiness, and
Martha's life was so plain and dull.  She whispered a message, and put
the little package into cousin Harriet's hand for Martha as she said
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