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"Mademoiselle Pearl" is a short story by the renowned French writer Guy de Maupassant. The narrative revolves around the life of a beautiful young woman, Mademoiselle Pearl, who captivates those around her with her charm and grace. Set against the backdrop of 19th-century French society, the story delves into themes of love, desire, and the complexities of human relationships. Through Maupassant's keen observations, the tale explores the interplay between social expectations and personal longing, ultimately revealing the bittersweet nature of love and the fragility of happiness.


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Submitted by davidb on February 03, 2025


								
Suddenly I had an inspiration, and I held out to Mademoiselle Pearl the symbolical emblem. At first every one was surprised, then they doubtless appreciated my delicacy and discretion, for they applauded furiously. Everybody was crying: “Long live the queen! Long live the queen!” As for herself, poor old maid, she was so amazed that she completely lost control of herself; she was trembling and stammering: “No—no—oh! no—not me—please—not me—I beg of you——” Then for the first time in my life I looked at Mademoiselle Pearl and wondered what she was. I was accustomed to seeing her in this house, just as one sees old upholstered armchairs on which one has been sitting since childhood without ever noticing them. One day, with no reason at all, because a ray of sunshine happens to strike the seat, you suddenly think: “Why, that chair is very curious”; and then you discover that the wood has been worked by a real artist and that the material is remarkable. I had never taken any notice of Mademoiselle Pearl. She was a part of the Chantal family, that was all. But how? By what right? She was a tall, thin person who tried to remain in the background, but who was by no means insignificant. She was treated in a friendly manner, better than a housekeeper, not so well as a relative. I suddenly observed several shades of distinction which I had never noticed before. Madame Chantal said: “Pearl.” The young ladies: “Mademoiselle Pearl,” and Chantal only addressed her as “Mademoiselle,” with an air of greater respect, perhaps. I began to observe her. How old could she be? Forty? Yes, forty. She was not old, she made herself old. I was suddenly struck by this fact. She fixed her hair and dressed in a ridiculous manner, and, notwithstanding all that, she was not in the least ridiculous, she had such simple, natural gracefulness, veiled and hidden. Truly, what a strange creature! How was it I had never observed her before? She dressed her hair in a grotesque manner with little old maid curls, most absurd; but beneath this one could see a large, calm brow, cut by two deep lines, two wrinkles of long sadness, then two blue eyes, large and tender, so timid, so bashful, so humble, two beautiful eyes which had kept the expression of naive wonder of a young girl, of youthful sensations, and also of sorrow, which had softened without spoiling them. Her whole face was refined and discreet, a face the expression of which seemed to have gone out without being used up or faded by the fatigues and great emotions of life. What a dainty mouth! and such pretty teeth! But one would have thought that she did not dare smile. Suddenly I compared her to Madame Chantal! Undoubtedly Mademoiselle Pearl was the better of the two, a hundred times better, daintier, prouder, more noble. I was surprised at my observation. They were pouring out champagne. I held my glass up to the queen and, with a well-turned compliment, I drank to her health. I could see that she felt inclined to hide her head in her napkin. Then, as she was dipping her lips in the clear wine, everybody cried: “The queen drinks! the queen drinks!” She almost turned purple and choked. Everybody was laughing; but I could see that all loved her. As soon as dinner was over Chantal took me by the arm. It was time for his cigar, a sacred hour. When alone he would smoke it out in the street; when guests came to dinner he would take them to the billiard room and smoke while playing. That evening they had built a fire to celebrate Twelfth Night; my old friend took his cue, a very fine one, and chalked it with great care; then he said: “You break, my boy!” He called me “my boy,” although I was twenty-five, but he had known me as a young child. I started the game and made a few carroms. I missed some others, but as the thought of Mademoiselle Pearl kept returning to my mind, I suddenly asked: “By the way, Monsieur Chantal, is Mademoiselle Pearl a relative of yours?” Greatly surprised, he stopped playing and looked at me: “What! Don't you know? Haven't you heard about Mademoiselle Pearl?” “No.” “Didn't your father ever tell you?” “No.” “Well, well, that's funny! That certainly is funny! Why, it's a regular romance!” He paused, and then continued: “And if you only knew how peculiar it is that you should ask me that to-day, on Twelfth Night!” “Why?” “Why? Well, listen. Forty-one years ago to day, the day of the Epiphany, the following events occurred: We were then living at Roily-le-Tors, on the ramparts; but in order that you may understand, I must first explain the house. Roily is built on a hill, or, rather, on a mound which overlooks a great stretch of prairie. We had a house there with a beautiful hanging garden supported by the old battlemented wall; so that the house was in the town on the streets, while the garden overlooked the plain. There was a door leading from the garden to the open country, at the bottom of a secret stairway in the thick wall—the kind you read about in novels. A road passed in front of this door, which was provided with a big bell; for the peasants, in order to avoid the roundabout way, would bring their provisions up this way. “You now understand the place, don't you? Well, this year, at Epiphany, it had been snowing for a week. One might have thought that the world was coming to an end. When we went to the ramparts to look over the plain, this immense white, frozen country, which shone like varnish, would chill our very souls. One might have thought that the Lord had packed the world in cotton to put it away in the storeroom for old worlds. I can assure you that it was dreary looking. “We were a very numerous family at that time my father, my mother, my uncle and aunt, my two brothers and four cousins; they were pretty little girls; I married the youngest. Of all that crowd, there are only three of us left: my wife, I, and my sister-in-law, who lives in Marseilles. Zounds! how quickly a family like that dwindles away! I tremble when I think of it! I was fifteen years old then, since I am fifty-six now. “We were going to celebrate the Epiphany, and we were all happy, very happy! Everybody was in the parlor, awaiting dinner, and my oldest brother, Jacques, said: 'There has been a dog howling out in the plain for about ten minutes; the poor beast must be lost.' “He had hardly stopped talking when the garden bell began to ring. It had the deep sound of a church bell, which made one think of death. A shiver ran through everybody. My father called the servant and told him to go outside and look. We waited in complete silence; we were thinking of the snow which covered the ground. When the man returned he declared that he had seen nothing. The dog kept up its ceaseless howling, and always from the same spot. “We sat down to dinner; but we were all uneasy, especially the young people. Everything went well up to the roast, then the bell began to ring again, three times in succession, three heavy, long strokes which vibrated to the tips of our fingers and which stopped our conversation short. We sat there looking at each other, fork in the air, still listening, and shaken by a kind of supernatural fear.
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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