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"Mademoiselle Fifi" is a short story by French author Guy de Maupassant, set during the Franco-Prussian War. The narrative unfolds in a small French village where a group of French soldiers, including the lecherous and arrogant character known as Mademoiselle Fifi, are stationed. The story explores themes of honor, humiliation, and the complexities of war, as the soldiers engage with a local woman who embodies courage and defiance. Maupassant's sharp prose and keen social observations highlight the intersection of personal and political struggles, ultimately revealing the impact of war on individual lives and societal norms.


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Submitted by davidb on February 03, 2025


								
Although it was raining as hard as ever, the major declared that it was not so dark, and Lieutenant von Grossling said with conviction that the sky was clearing up, while Mademoiselle Fifi did not seem to be able to keep still. He got up and sat down again, and his bright eyes seemed to be looking for something to destroy. Suddenly, looking at the lady with the mustaches, the young fellow pulled out his revolver and said: “You shall not see it.” And without leaving his seat he aimed, and with two successive bullets cut out both the eyes of the portrait. “Let us make a mine!” he then exclaimed, and the conversation was suddenly interrupted, as if they had found some fresh and powerful subject of interest. The mine was his invention, his method of destruction, and his favorite amusement. When he left the chateau, the lawful owner, Comte Fernand d'Amoys d'Uville, had not had time to carry away or to hide anything except the plate, which had been stowed away in a hole made in one of the walls. As he was very rich and had good taste, the large drawing-room, which opened into the dining-room, looked like a gallery in a museum, before his precipitate flight. Expensive oil paintings, water colors and drawings hung against the walls, while on the tables, on the hanging shelves and in elegant glass cupboards there were a thousand ornaments: small vases, statuettes, groups of Dresden china and grotesque Chinese figures, old ivory and Venetian glass, which filled the large room with their costly and fantastic array. Scarcely anything was left now; not that the things had been stolen, for the major would not have allowed that, but Mademoiselle Fifi would every now and then have a mine, and on those occasions all the officers thoroughly enjoyed themselves for five minutes. The little marquis went into the drawing-room to get what he wanted, and he brought back a small, delicate china teapot, which he filled with gunpowder, and carefully introduced a piece of punk through the spout. This he lighted and took his infernal machine into the next room, but he came back immediately and shut the door. The Germans all stood expectant, their faces full of childish, smiling curiosity, and as soon as the explosion had shaken the chateau, they all rushed in at once. Mademoiselle Fifi, who got in first, clapped his hands in delight at the sight of a terra-cotta Venus, whose head had been blown off, and each picked up pieces of porcelain and wondered at the strange shape of the fragments, while the major was looking with a paternal eye at the large drawing-room, which had been wrecked after the fashion of a Nero, and was strewn with the fragments of works of art. He went out first and said with a smile: “That was a great success this time.” But there was such a cloud of smoke in the dining-room, mingled with the tobacco smoke, that they could not breathe, so the commandant opened the window, and all the officers, who had returned for a last glass of cognac, went up to it. The moist air blew into the room, bringing with it a sort of powdery spray, which sprinkled their beards. They looked at the tall trees which were dripping with rain, at the broad valley which was covered with mist, and at the church spire in the distance, which rose up like a gray point in the beating rain. The bells had not rung since their arrival. That was the only resistance which the invaders had met with in the neighborhood. The parish priest had not refused to take in and to feed the Prussian soldiers; he had several times even drunk a bottle of beer or claret with the hostile commandant, who often employed him as a benevolent intermediary; but it was no use to ask him for a single stroke of the bells; he would sooner have allowed himself to be shot. That was his way of protesting against the invasion, a peaceful and silent protest, the only one, he said, which was suitable to a priest, who was a man of mildness, and not of blood; and every one, for twenty-five miles round, praised Abbe Chantavoine's firmness and heroism in venturing to proclaim the public mourning by the obstinate silence of his church bells. The whole village, enthusiastic at his resistance, was ready to back up their pastor and to risk anything, for they looked upon that silent protest as the safeguard of the national honor. It seemed to the peasants that thus they deserved better of their country than Belfort and Strassburg, that they had set an equally valuable example, and that the name of their little village would become immortalized by that; but, with that exception, they refused their Prussian conquerors nothing. The commandant and his officers laughed among themselves at this inoffensive courage, and as the people in the whole country round showed themselves obliging and compliant toward them, they willingly tolerated their silent patriotism. Little Baron Wilhelm alone would have liked to have forced them to ring the bells. He was very angry at his superior's politic compliance with the priest's scruples, and every day begged the commandant to allow him to sound “ding-dong, ding-dong,” just once, only just once, just by way of a joke. And he asked it in the coaxing, tender voice of some loved woman who is bent on obtaining her wish, but the commandant would not yield, and to console himself, Mademoiselle Fifi made a mine in the Chateau d'Uville. The five men stood there together for five minutes, breathing in the moist air, and at last Lieutenant Fritz said with a laugh: “The ladies will certainly not have fine weather for their drive.” Then they separated, each to his duty, while the captain had plenty to do in arranging for the dinner. When they met again toward evening they began to laugh at seeing each other as spick and span and smart as on the day of a grand review. The commandant's hair did not look so gray as it was in the morning, and the captain had shaved, leaving only his mustache, which made him look as if he had a streak of fire under his nose. In spite of the rain, they left the window open, and one of them went to listen from time to time; and at a quarter past six the baron said he heard a rumbling in the distance. They all rushed down, and presently the wagon drove up at a gallop with its four horses steaming and blowing, and splashed with mud to their girths. Five women dismounted, five handsome girls whom a comrade of the captain, to whom Le Devoir had presented his card, had selected with care. They had not required much pressing, as they had got to know the Prussians in the three months during which they had had to do with them, and so they resigned themselves to the men as they did to the state of affairs. They went at once into the dining-room, which looked still more dismal in its dilapidated condition when it was lighted up; while the table covered with choice dishes, the beautiful china and glass, and the plate, which had been found in the hole in the wall where its owner had hidden it, gave it the appearance of a bandits' inn, where they were supping after committing a robbery in the place. The captain was radiant, and put his arm round the women as if he were familiar with them; and when the three young men wanted to appropriate one each, he opposed them authoritatively, reserving to himself the right to apportion them justly, according to their several ranks, so as not to offend the higher powers. Therefore, to avoid all discussion, jarring, and suspicion of partiality, he placed them all in a row according to height, and addressing the tallest, he said in a voice of command:
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Guy de Maupassant

Guy de Maupassant (1850-1893) was a renowned French writer known for his short stories, novels, and plays. A master of realism, he vividly captured the complexities of human nature and social life in late 19th-century France. Maupassant's works often explore themes of love, fate, and the darker aspects of life, characterized by sharp wit and keen psychological insight. His most famous stories include "Boule de Suif," "The Necklace," and "Bel-Ami." His literary style has influenced countless writers and remains celebrated for its elegance and depth. Maupassant's personal struggles, including an eventual battle with mental illness, add a poignant layer to his legacy. more…

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