Lights Page #10

"Lives" is a poignant short story by Anton Pavlovich Chekhov that explores the complexities of human emotion and relationships. Set against the backdrop of ordinary life, the narrative delves into the introspections of its characters, revealing their innermost thoughts and struggles. Chekhov masterfully employs his signature style, blending subtle humor with deep pathos, as he examines themes of love, loss, and the fleeting nature of happiness. The story invites readers to reflect on the intricacies of human connections and the quiet moments that define our existence.

								

Kisotchka's view of the position was very different from mine. First of
all she felt for me a deep and passionate love. What was for me an
ordinary amatory episode was for her an absolute revolution in her life.
I remember, it seemed to me that she had gone out of her mind. Happy for
the first time in her life, looking five years younger, with an inspired
enthusiastic face, not knowing what to do with herself for happiness,
she laughed and cried and never ceased dreaming aloud how next day we
would set off for the Caucasus, then in the autumn to Petersburg; how we
would live afterwards.

"'Don't worry yourself about my husband,' she said to reassure me. 'He
is bound to give me a divorce. Everyone in the town knows that he is
living with the elder Kostovitch. We will get a divorce and be married.'

"When women love they become acclimatised and at home with people very
quickly, like cats. Kisotchka had only spent an hour and a half in my
room when she already felt as though she were at home and was ready to
treat my property as though it were her own. She packed my things in my
portmanteau, scolded me for not hanging my new expensive overcoat on a
peg instead of flinging it on a chair, and so on.

"I looked at her, listened, and felt weariness and vexation. I was
conscious of a slight twinge of horror at the thought that a
respectable, honest, and unhappy woman had so easily, after some three
or four hours, succumbed to the first man she met. As a respectable man,
you see, I didn't like it. Then, too, I was unpleasantly impressed by
the fact that women of Kisotchka's sort, not deep or serious, are too
much in love with life, and exalt what is in reality such a trifle as
love for a man to the level of bliss, misery, a complete revolution in
life. . . . Moreover, now that I was satisfied, I was vexed with myself
for having been so stupid as to get entangled with a woman whom I should
have to deceive. And in spite of my disorderly life I must observe that
I could not bear telling lies.

"I remember that Kisotchka sat down at my feet, laid her head on my
knees, and, looking at me with shining, loving eyes, asked:

"'Kolya, do you love me? Very, very much?'

"And she laughed with happiness. . . . This struck me as sentimental,
affected, and not clever; and meanwhile I was already inclined to look
for 'depth of thought' before everything.

"'Kisotchka, you had better go home,' I said, or else your people will
be sure to miss you and will be looking for you all over the town; and
it would be awkward for you to go to your mother in the morning.'

"Kisotchka agreed. At parting we arranged to meet at midday next morning
in the park, and the day after to set off together to Pyatigorsk. I went
into the street to see her home, and I remember that I caressed her with
genuine tenderness on the way. There was a minute when I felt unbearably
sorry for her, for trusting me so implicitly, and I made up my mind that
I would really take her to Pyatigorsk, but remembering that I had only
six hundred roubles in my portmanteau, and that it would be far more
difficult to break it off with her in the autumn than now, I made haste
to suppress my compassion.

"We reached the house where Kisotchka's mother lived. I pulled at the
bell. When footsteps were heard at the other side of the door Kisotchka
suddenly looked grave, glanced upwards to the sky, made the sign of the
Cross over me several times and, clutching my hand, pressed it to her
lips.

"'Till to-morrow,' she said, and disappeared into the house.

"I crossed to the opposite pavement and from there looked at the house.
At first the windows were in darkness, then in one of the windows there
was the glimmer of the faint bluish flame of a newly lighted candle; the
flame grew, gave more light, and I saw shadows moving about the rooms
together with it.

"'They did not expect her,' I thought.

"Returning to my hotel room I undressed, drank off a glass of red wine,
ate some fresh caviare which I had bought that day in the bazaar, went
to bed in a leisurely way, and slept the sound, untroubled sleep of a
tourist.

"In the morning I woke up with a headache and in a bad humour. Something
worried me.

"'What's the matter?' I asked myself, trying to explain my uneasiness.
'What's upsetting me?'

"And I put down my uneasiness to the dread that Kisotchka might turn up
any minute and prevent my going away, and that I should have to tell
lies and act a part before her. I hurriedly dressed, packed my things,
and left the hotel, giving instructions to the porter to take my luggage
to the station for the seven o'clock train in the evening. I spent the
whole day with a doctor friend and left the town that evening. As you
see, my philosophy did not prevent me from taking to my heels in a mean
and treacherous flight. . . .

"All the while that I was at my friend's, and afterwards driving to the
station, I was tormented by anxiety. I fancied that I was afraid of
meeting with Kisotchka and a scene. In the station I purposely remained
in the toilet room till the second bell rang, and while I was making my
way to my compartment, I was oppressed by a feeling as though I were
covered all over with stolen things. With what impatience and terror I
waited for the third bell!

"At last the third bell that brought my deliverance rang at last, the
train moved; we passed the prison, the barracks, came out into the open
country, and yet, to my surprise, the feeling of uneasiness still
persisted, and still I felt like a thief passionately longing to escape.
It was queer. To distract my mind and calm myself I looked out of the
window. The train ran along the coast. The sea was smooth, and the
turquoise sky, almost half covered with the tender, golden crimson light
of sunset, was gaily and serenely mirrored in it. Here and there fishing
boats and rafts made black patches on its surface. The town, as clean
and beautiful as a toy, stood on the high cliff, and was already
shrouded in the mist of evening. The golden domes of its churches, the
windows and the greenery reflected the setting sun, glowing and melting
like shimmering gold. . . . The scent of the fields mingled with the
soft damp air from the sea.

"The train flew rapidly along. I heard the laughter of passengers and
guards. Everyone was good-humoured and light-hearted, yet my
unaccountable uneasiness grew greater and greater. . . . I looked at the
white mist that covered the town and I imagined how a woman with a
senseless blank face was hurrying up and down in that mist by the
churches and the houses, looking for me and moaning, 'Oh, my God! Oh, my
God!' in the voice of a little girl or the cadences of a Little Russian
actress. I recalled her grave face and big anxious eyes as she made the
sign of the Cross over me, as though I belonged to her, and mechanically
I looked at the hand which she had kissed the day before.
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