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"Lieutenant Yergunov's Story" is a poignant short story by Ivan Sergeevich Turgenev that explores themes of love, duty, and the complexities of human emotion. The narrative follows Lieutenant Yergunov, who reflects on his experiences and the relationships he has formed amidst the backdrop of military life. Through Yergunov's introspective journey, Turgenev delves into the contradictions of loyalty and desire, ultimately revealing the profound impact of personal choices and the weight of societal expectations. The story captures the essence of Turgenev's literary style, characterized by deep psychological insight and a rich exploration of character.

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Submitted by davidb on January 29, 2025


								
Kuzma Vassilyevitch repeated his suggestion. The girl looked at him askance through her hair which had fallen over her face and was wet with tears. (At this point Kuzma Vassilyevitch always assured us that this glance pierced through him "like an awl," and even attempted once to reproduce this marvellous glance for our benefit) and laying her hand within the crooked arm of the obliging lieutenant, set off with him for her lodging. V Kuzma Vassilyevitch had had very little to do with ladies and so was at a loss how to begin the conversation, but his companion chattered away very fluently, continually drying her eyes and shedding fresh tears. Within a few minutes Kuzma Vassilyevitch had learnt that her name was Emilie Karlovna, that she came from Riga and that she had come to Nikolaev to stay with her aunt who was from Riga, too, that her papa too had been in the army but had died from "his chest," that her aunt had a Russian cook, a very good and inexpensive cook but she had not a passport and that this cook had that very day robbed them and run away. She had had to go to the police--in die Polizei.... But here the memories of the police superintendent, of the insult she had received from him, surged up again ... and sobs broke out afresh. Kuzma Vassilyevitch was once more at a loss what to say to comfort her. But the girl, whose impressions seemed to come and go very rapidly, stopped suddenly and holding out her hand, said calmly: "And this is where we live!" VI It was a wretched little house that looked as though it had sunk into the ground, with four little windows looking into the street. The dark green of geraniums blocked them up within; a candle was burning in one of them; night was already coming on. A wooden fence with a hardly visible gate stretched from the house and was almost of the same height. The girl went up to the gate and finding it locked knocked on it impatiently with the iron ring of the padlock. Heavy footsteps were audible behind the fence as though someone in slippers trodden down at heel were carelessly shuffling towards the gate, and a husky female voice asked some question in German which Kuzma Vassilyevitch did not understand: like a regular sailor he knew no language but Russian. The girl answered in German, too; the gate opened a very little, admitted the girl and then was slammed almost in the face of Kuzma Vassilyevitch who had time, however, to make out in the summer twilight the outline of a stout, elderly woman in a red dress with a dimly burning lantern in her hand. Struck with amazement Kuzma Vassilyevitch remained for some time motionless in the street; but at the thought that he, a naval officer (Kuzma Vassilyevitch had a very high opinion of his rank) had been so discourteously treated, he was moved to indignation and turning on his heel he went homewards. He had not gone ten paces when the gate opened again and the girl, who had had time to whisper to the old woman, appeared in the gateway and called out aloud: "Where are you going, Mr. Officer! Please come in." Kuzma Vassilyevitch hesitated a little; he turned back, however. VII This new acquaintance, whom we will call Emilie, led him through a dark, damp little lobby into a fairly large but low-pitched and untidy room with a huge cupboard against the further wall and a sofa covered with American leather; above the doors and between the windows hung three portraits in oils with the paint peeling off, two representing bishops in clerical caps and one a Turk in a turban; cardboard boxes were lying about in the corners; there were chairs of different sorts and a crooked legged card table on which a man's cap was lying beside an unfinished glass of kvass. Kuzma Vassilyevitch was followed into the room by the old woman in the red dress, whom he had noticed at the gate, and who turned out to be a very unprepossessing Jewess with sullen pig-like eyes and a grey moustache over her puffy upper lip. Emilie indicated her to Kuzma Vassilyevitch and said: "This is my aunt, Madame Fritsche." Kuzma Vassilyevitch was a little surprised but thought it his duty to introduce himself. Madame Fritsche looked at him from under her brows, made no response, but asked her niece in Russian whether she would like some tea. "Ah, yes, tea!" answered Emilie. "You will have some tea, won't you, Mr. Officer? Yes, auntie, give us some tea! But why are you standing, Mr. Officer? Sit down! Oh, how ceremonious you are! Let me take off my fichu." When Emilie talked she continually turned her head from one side to another and jerked her shoulders; birds make similar movements when they sit on a bare branch with sunshine all round them. Kuzma Vassilyevitch sank into a chair and assuming a becoming air of dignity, that is, leaning on his cutlass and fixing his eyes on the floor, he began to speak about the theft. But Emilie at once interrupted him. "Don't trouble yourself, it's all right. Auntie has just told me that the principal things have been found." (Madame Fritsche mumbled something to herself and went out of the room.) "And there was no need to go to the police at all; but I can't control myself because I am so ... You don't understand German? ... So quick, immer so rasch! But I think no more about it ... aber auch gar nicht!" Kuzma Vassilyevitch looked at Emilie. Her face indeed showed no trace of care now. Everything was smiling in that pretty little face: the eyes, fringed with almost white lashes, and the lips and the cheeks and the chin and the dimples in the chin, and even the tip of her turned-up nose. She went up to the little looking glass beside the cupboard and, screwing up her eyes and humming through her teeth, began tidying her hair. Kuzma Vassilyevitch followed her movements intently.... He found her very charming. VIII "You must excuse me," she began again, turning from side to side before the looking glass, "for having so ... brought you home with me. Perhaps you dislike it?" "Oh, not at all!" "As I have told you already, I am so quick. I act first and think afterwards, though sometimes I don't think at all.... What is your name, Mr. Officer? May I ask you?" she added going up to him and folding her arms. "My name is Kuzma Vassilyevitch Yergunov." "Yergu.... Oh, it's not a nice name! I mean it's difficult for me. I shall call you Mr. Florestan. At Riga we had a Mr. Florestan. He sold capital gros-de-Naples in his shop and was a handsome man, as good-looking as you. But how broad-shouldered you are! A regular sturdy Russian! I like the Russians.... I am a Russian myself ... my papa was an officer. But my hands are whiter than yours!" She raised them above her head, waved them several times in the air, so as to drive the blood from them, and at once dropped them. "Do you see? I
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Ivan Sergeevich Turgenev

Ivan Sergeevich Turgenev (1818–1883) was a prominent Russian novelist, playwright, and poet, best known for his profound exploration of social and philosophical themes in 19th-century Russia. His notable works include the novel "Fathers and Sons," which delves into the generational conflict between the liberal intelligentsia and the nihilistic youth of his time. Turgenev's writing is characterized by its elegant prose, deep psychological insight, and compassion for the human condition. He was a key figure in the literary landscape of his era, praised for his ability to depict the complexities of Russian society and its evolving dynamics. His influence extended beyond literature, impacting both Russian cultural identity and the broader European literary canon. more…

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