Knock, Knock, Knock Page #2

"Knock, Knock, Knock" is a lesser-known work by the acclaimed Russian author Ivan Sergeevich Turgenev, known for his deep insights into human nature and societal dynamics. This narrative centers around the themes of love, existential reflection, and the complexities of personal relationships within the backdrop of 19th-century Russia. Turgenev’s lyrical prose and keen psychological exploration invite readers to delve into the characters’ motivations and emotions, making it a poignant examination of life’s enduring questions.

								

which Tyeglev had exposed himself was so great, his action was so
unexpected, that his companions were dumbfoundered--and only spoke all
at once, when he had called a cab to drive home: his uniform was wet
all over. In response to their exclamations, Tyeglev replied coolly
that there was no escaping one's destiny--and told the cabman to drive
on.

"You might at least take the dog with you as a souvenir," cried one of
the officers. But Tyeglev merely waved his hand, and his comrades
looked at each other in silent amazement.

The second incident occurred a few days later, at a card party at the
battery commander's. Tyeglev sat in the corner and took no part in the
play. "Oh, if only I had a grandmother to tell me beforehand what
cards will win, as in Pushkin's Queen of Spades," cried a
lieutenant whose losses had nearly reached three thousand. Tyeglev
approached the table in silence, took up a pack, cut it, and saying
"the six of diamonds," turned the pack up: the six of diamonds was the
bottom card. "The ace of clubs!" he said and cut again: the bottom
card turned out to be the ace of clubs. "The king of diamonds!" he
said for the third time in an angry whisper through his clenched
teeth--and he was right the third time, too ... and he suddenly turned
crimson. He probably had not expected it himself. "A capital trick! Do
it again," observed the commanding officer of the battery. "I don't go
in for tricks," Tyeglev answered drily and walked into the other room.
How it happened that he guessed the card right, I can't pretend to
explain: but I saw it with my own eyes. Many of the players present
tried to do the same--and not one of them succeeded: one or two did
guess one card but never two in succession. And Tyeglev had
guessed three! This incident strengthened still further his reputation
as a mysterious, fatal character. It has often occurred to me since
that if he had not succeeded in the trick with the cards, there is no
knowing what turn it would have taken and how he would have looked at
himself; but this unexpected success clinched the matter.

IV

It may well be understood that Tyeglev clutched at this reputation. It
gave him a special significance, a special colour ... "Cela le
posait," as the French express it--and with his limited
intelligence, scanty education and immense vanity, such a reputation
just suited him. It was difficult to acquire it but to keep it up cost
nothing: he had only to remain silent and hold himself aloof. But it
was not owing to this reputation that I made friends with Tyeglev and,
I may say, grew fond of him. I liked him in the first place because I
was rather an unsociable creature myself--and saw in him one of my own
sort, and secondly, because he was a very good-natured fellow and in
reality, very simple-hearted. He aroused in me a feeling of something
like compassion; it seemed to me that apart from his affected
"fatality," he really was weighed down by a tragic fate which he did
not himself suspect. I need hardly say I did not express this feeling
to him: could anything be more insulting to a "fatal" hero than to be
an object of pity? And Tyeglev, on his side, was well-disposed to me;
with me he felt at ease, with me he used to talk--in my presence he
ventured to leave the strange pedestal on which he had been placed
either by his own efforts or by chance. Agonisingly, morbidly vain as
he was, yet he was probably aware in the depths of his soul that there
was nothing to justify his vanity, and that others might perhaps look
down on him ... but I, a boy of nineteen, put no constraint on him;
the dread of saying something stupid, inappropriate, did not oppress
his ever-apprehensive heart in my presence. He sometimes even
chattered freely; and well it was for him that no one heard his
chatter except me! His reputation would not have lasted long. He not
only knew very little, but read hardly anything and confined himself
to picking up stories and anecdotes of a certain kind. He believed in
presentiments, predictions, omens, meetings, lucky and unlucky days,
in the persecution and benevolence of destiny, in the mysterious
significance of life, in fact. He even believed in certain
"climacteric" years which someone had mentioned in his presence and
the meaning of which he did not himself very well understand. "Fatal"
men of the true stamp ought not to betray such beliefs: they ought to
inspire them in others.... But I was the only one who knew Tyeglev on
that side.

V

One day--I remember it was St. Elijah's day, July 20th--I came to stay
with my brother and did not find him at home: he had been ordered off
for a whole week somewhere. I did not want to go back to Petersburg; I
sauntered about the neighbouring marshes, killed a brace of snipe and
spent the evening with Tyeglev under the shelter of an empty barn
where he had, as he expressed it, set up his summer residence. We had
a little conversation but for the most part drank tea, smoked pipes
and talked sometimes to our host, a Russianised Finn or to the pedlar
who used to hang about the battery selling "fi-ine oranges and
lemons," a charming and lively person who in addition to other talents
could play the guitar and used to tell us of the unhappy love which he
cherished in his young days for the daughter of a policeman. Now that
he was older, this Don Juan in a gay cotton shirt had no experience of
unsuccessful love affairs. Before the doors of our barn stretched a
wide plain gradually sloping away in the distance; a little river
gleamed here and there in the winding hollows; low growing woods could
be seen further on the horizon. Night was coming on and we were left
alone. As night fell a fine damp mist descended upon the earth, and,
growing thicker and thicker, passed into a dense fog. The moon rose up
into the sky; the fog was soaked through and through and, as it were,
shimmering with golden light. Everything was strangely shifting,
veiled and confused; the faraway looked near, the near looked far
away, what was big looked small and what was small looked big ...
everything became dim and full of light. We seemed to be in fairyland,
in a world of whitish-golden mist, deep stillness, delicate sleep....
And how mysteriously, like sparks of silver, the stars filtered
through the mist! We were both silent. The fantastic beauty of the
night worked upon us: it put us into the mood for the fantastic.

VI

Tyeglev was the first to speak and talked with his usual hesitating
incompleted sentences and repetitions about presentiments ... about
ghosts. On exactly such a night, according to him, one of his friends,
a student who had just taken the place of tutor to two orphans and was
sleeping with them in a lodge in the garden, saw a woman's figure
bending over their beds and next day recognised the figure in a
portrait of the mother of the orphans which he had not previously
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