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"In Summer Weather" by Sarah Orne Jewett is a short story that captures the essence of a New England summer through the lens of rural life and relationships. The narrative unfolds in a picturesque setting, exploring themes of nature, community, and the passage of time. Through rich descriptions and keen observations, Jewett immerses readers in the simple joys and complexities of life, illustrating how the warmth of the season can evoke both nostalgia and reflection. The story highlights the intimate connections between characters as they navigate their experiences in the bucolic landscapes, offering a glimpse into the profound beauty found in everyday moments.


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Submitted by davidb on February 12, 2025


								
little cinnamon. You're a real trial this summer. I believe the bigger you are the worse you are. Now just say what you've been about. I declare I shall have to go and have a talk with the doctor, and he'll scold you well. I'm gettin' old and I can't keep after you; you ought to consider me some. You'll think of it when you see me laying dead, what a misery you've be'n. No schoolin' worth namin';" grumbled Mrs. Thacher, as she stepped heavily to and fro in the kitchen, and the little girl disappeared within the bed-room. In a few minutes, however, her unusual depression was driven away by the comfort of dry garments, and she announced triumphantly that she had found a whole flock of young wild ducks, and that she had made a raft and chased them about up and down the river, until the raft had proved unseaworthy, and she had fallen through into the water. Later in the day somebody came from the Jake and Martin homesteads to say that there must be no more pulling down of the ends of the pasture fences. The nails had easily let go their hold of the old boards, and a stone had served our heroine for a useful shipwright's hammer, but the young cattle had strayed through these broken barriers and might have done great damage if they had been discovered a little later,--having quickly hied themselves to a piece of carefully cultivated land. The Jake and Martin families regarded Nan with a mixture of dread and affection. She was bringing a new element into their prosaic lives, and her pranks afforded them a bit of news almost daily. Her imagination was apt to busy itself in inventing tales of her unknown aunt, with which she entertained a grandchild of Martin Dyer, a little girl of nearly her own age. It seemed possible to Nan that any day a carriage drawn by a pair of prancing black horses might be seen turning up the lane, and that a lovely lady might alight and claim her as her only niece. Why this event had not already taken place the child never troubled herself to think, but ever since Marilla had spoken of this aunt's existence, the dreams of her had been growing longer and more charming, until she seemed fit for a queen, and her unseen house a palace. Nan's playmate took pleasure in repeating these glowing accounts to her family, and many were the head-shakings and evil forebodings over the untruthfulness of the heroine of this story. Little Susan Dyer's only aunt, who was well known to her, lived as other people did in a comparatively plain and humble house, and it was not to be wondered at that she objected to hearing continually of an aunt of such splendid fashion. And yet Nan tried over and over again to be in some degree worthy of the relationship. She must not be too unfit to enter upon more brilliant surroundings whenever the time should come,--she took care that her pet chickens and her one doll should have high-sounding names, such as would seem proper to the aunt, and, more than this, she took a careful survey of the house whenever she was coming home from school or from play, lest she might come upon her distinguished relative unawares. She had asked her grandmother more than once to tell her about this mysterious kinswoman, but Mrs. Thacher proved strangely uncommunicative, fearing if she answered one easy question it might involve others that were more difficult. The good woman grew more and more anxious to fulfil her duty to this troublesome young housemate; the child was strangely dear and companionable in spite of her frequent naughtiness. It seemed, too, as if she could do whatever she undertook, and as if she had a power which made her able to use and unite the best traits of her ancestors, the strong capabilities which had been illy balanced or allowed to run to waste in others. It might be said that the materials for a fine specimen of humanity accumulate through several generations, until a child appears who is the heir of all the family wit and attractiveness and common sense, just as one person may inherit the worldly wealth of his ancestry.
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Sarah Orne Jewett

Sarah Orne Jewett (1849-1909) was an American novelist and short story writer renowned for her depictions of rural life in New England. Her most notable work, "The Country of the Pointed Firs," exemplifies her keen observation of local culture and her ability to evoke the natural landscape. Jewett's writing often explores themes of community, gender, and the complexities of life in small towns, and she is celebrated for her richly drawn characters and lyrical prose. As a prominent figure in the regionalist literary movement, she influenced later writers and remains an important voice in American literature. more…

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