In Exile Page #3

"In Exile" is a poignant short story by Anton Pavlovich Chekhov that explores themes of alienation, social injustice, and the human condition. Set against the backdrop of Siberia, the narrative follows the lives of political exiles who endure hardships and reflect on their pasts. Through vivid characterizations and a keen observation of the complexities of human emotions, Chekhov highlights the struggles for dignity and freedom in a repressive environment. The story is a powerful commentary on the impact of societal constraints and the enduring hope for liberation.

								

would begin going from village to village begging for alms and for work.
His wife was only seventeen; she was beautiful, spoilt, and shy; could
she possibly go from village to village begging alms with her face
unveiled? No, it was terrible even to think of that....

It was already getting light; the barge, the bushes of willow on the
water, and the waves could be clearly discerned, and if one looked round
there was the steep clay slope; at the bottom of it the hut thatched
with dingy brown straw, and the huts of the village lay clustered higher
up. The cocks were already crowing in the village.

The rusty red clay slope, the barge, the river, the strange, unkind
people, hunger, cold, illness, perhaps all that was not real. Most
likely it was all a dream, thought the Tatar. He felt that he was asleep
and heard his own snoring.... Of course he was at home in the Simbirsk
province, and he had only to call his wife by name for her to answer;
and in the next room was his mother.... What terrible dreams there are,
though! What are they for? The Tatar smiled and opened his eyes. What
river was this, the Volga?

Snow was falling.

"Boat!" was shouted on the further side. "Boat!"

The Tatar woke up, and went to wake his mates and row over to the other
side. The ferrymen came on to the river-bank, putting on their torn
sheepskins as they walked, swearing with voices husky from sleepiness
and shivering from the cold. On waking from their sleep, the river, from
which came a breath of piercing cold, seemed to strike them as revolting
and horrible. They jumped into the barge without hurrying themselves....
The Tatar and the three ferrymen took the long, broad-bladed oars, which
in the darkness looked like the claws of crabs; Semyon leaned his
stomach against the tiller. The shout on the other side still continued,
and two shots were fired from a revolver, probably with the idea that
the ferrymen were asleep or had gone to the pot-house in the village.

"All right, you have plenty of time," said Semyon in the tone of a man
convinced that there was no necessity in this world to hurry--that it
would lead to nothing, anyway.

The heavy, clumsy barge moved away from the bank and floated between the
willow-bushes, and only the willows slowly moving back showed that the
barge was not standing still but moving. The ferrymen swung the oars
evenly in time; Semyon lay with his stomach on the tiller and,
describing a semicircle in the air, flew from one side to the other. In
the darkness it looked as though the men were sitting on some
antediluvian animal with long paws, and were moving on it through a
cold, desolate land, the land of which one sometimes dreams in
nightmares.

They passed beyond the willows and floated out into the open. The creak
and regular splash of the oars was heard on the further shore, and a
shout came: "Make haste! make haste!"

Another ten minutes passed, and the barge banged heavily against the
landing-stage.

"And it keeps sprinkling and sprinkling," muttered Semyon, wiping the
snow from his face; "and where it all comes from God only knows."

On the bank stood a thin man of medium height in a jacket lined with fox
fur and in a white lambskin cap. He was standing at a little distance
from his horses and not moving; he had a gloomy, concentrated
expression, as though he were trying to remember something and angry
with his untrustworthy memory. When Semyon went up to him and took off
his cap, smiling, he said:

"I am hastening to Anastasyevka. My daughter's worse again, and they say
that there is a new doctor at Anastasyevka."

They dragged the carriage on to the barge and floated back. The man whom
Semyon addressed as Vassily Sergeyitch stood all the time motionless,
tightly compressing his thick lips and staring off into space; when his
coachman asked permission to smoke in his presence he made no answer, as
though he had not heard. Semyon, lying with his stomach on the tiller,
looked mockingly at him and said:

"Even in Siberia people can live--can li-ive!"

There was a triumphant expression on Canny's face, as though he had
proved something and was delighted that things had happened as he had
foretold. The unhappy helplessness of the man in the foxskin coat
evidently afforded him great pleasure.

"It's muddy driving now, Vassily Sergeyitch," he said when the horses
were harnessed again on the bank. "You should have put off going for
another fortnight, when it will be drier. Or else not have gone at all.
... If any good would come of your going--but as you know yourself,
people have been driving about for years and years, day and night, and
it's always been no use. That's the truth."

Vassily Sergeyitch tipped him without a word, got into his carriage and
drove off.

"There, he has galloped off for a doctor!" said Semyon, shrinking from
the cold. "But looking for a good doctor is like chasing the wind in the
fields or catching the devil by the tail, plague take your soul! What a
queer chap, Lord forgive me a sinner!"

The Tatar went up to Canny, and, looking at him with hatred and
repulsion, shivering, and mixing Tatar words with his broken Russian,
said: "He is good... good; but you are bad! You are bad! The gentleman
is a good soul, excellent, and you are a beast, bad! The gentleman is
alive, but you are a dead carcass.... God created man to be alive, and
to have joy and grief and sorrow; but you want nothing, so you are not
alive, you are stone, clay! A stone wants nothing and you want nothing.
You are a stone, and God does not love you, but He loves the gentleman!"

Everyone laughed; the Tatar frowned contemptuously, and with a wave of
his hand wrapped himself in his rags and went to the campfire. The
ferrymen and Semyon sauntered to the hut.

"It's cold," said one ferryman huskily as he stretched himself on the
straw with which the damp clay floor was covered.

"Yes, it's not warm," another assented. "It's a dog's life...."

They all lay down. The door was thrown open by the wind and the snow
drifted into the hut; nobody felt inclined to get up and shut the door:
they were cold, and it was too much trouble.

"I am all right," said Semyon as he began to doze. "I wouldn't wish
anyone a better life."

"You are a tough one, we all know. Even the devils won't take you!"

Sounds like a dog's howling came from outside.

"What's that? Who's there?"

"It's the Tatar crying."

"I say.... He's a queer one!"

"He'll get u-used to it!" said Semyon, and at once fell asleep.

The others were soon asleep too. The door remained unclosed.
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