Grace book cover

Grace Page #3

"Grace" is a short story featured in James Joyce's famous collection, Dubliners. The book is set in Dublin and provides a stark examination of Irish middle class society at the turn of the century. Despite its religious connotations, "Grace" is not about spirituality but rather offers commentary on relationships, social pretension, and the human condition. The plot involves a man named Mr. Kernan, who, after a drunken accident, is persuaded by his friends to attend a Catholic retreat. Its narrative explores themes of identity, redemption, and the influence of church in Irish society.


Year:
1914
67 Views

Submitted by davidb on September 28, 2023


								
had once known a similar case. A man of seventy had bitten off a piece of his tongue during an epileptic fit and the tongue had filled in again so that no one could see a trace of the bite. “Well, I’m not seventy,” said the invalid. “God forbid,” said Mr Cunningham. “It doesn’t pain you now?” asked Mr M’Coy. Mr M’Coy had been at one time a tenor of some reputation. His wife, who had been a soprano, still taught young children to play the piano at low terms. His line of life had not been the shortest distance between two points and for short periods he had been driven to live by his wits. He had been a clerk in the Midland Railway, a canvasser for advertisements for The Irish Times and for The Freeman’s Journal, a town traveller for a coal firm on commission, a private inquiry agent, a clerk in the office of the Sub-Sheriff and he had recently become secretary to the City Coroner. His new office made him professionally interested in Mr Kernan’s case. “Pain? Not much,” answered Mr Kernan. “But it’s so sickening. I feel as if I wanted to retch off.” “That’s the boose,” said Mr Cunningham firmly. “No,” said Mr Kernan. “I think I caught a cold on the car. There’s something keeps coming into my throat, phlegm or——” “Mucus.” said Mr M’Coy. “It keeps coming like from down in my throat; sickening thing.” “Yes, yes,” said Mr M’Coy, “that’s the thorax.” He looked at Mr Cunningham and Mr Power at the same time with an air of challenge. Mr Cunningham nodded his head rapidly and Mr Power said: “Ah, well, all’s well that ends well.” “I’m very much obliged to you, old man,” said the invalid. Mr Power waved his hand. “Those other two fellows I was with——” “Who were you with?” asked Mr Cunningham. “A chap. I don’t know his name. Damn it now, what’s his name? Little chap with sandy hair....” “And who else?” “Harford.” “Hm,” said Mr Cunningham. When Mr Cunningham made that remark, people were silent. It was known that the speaker had secret sources of information. In this case the monosyllable had a moral intention. Mr Harford sometimes formed one of a little detachment which left the city shortly after noon on Sunday with the purpose of arriving as soon as possible at some public-house on the outskirts of the city where its members duly qualified themselves as bona fide travellers. But his fellow-travellers had never consented to overlook his origin. He had begun life as an obscure financier by lending small sums of money to workmen at usurious interest. Later on he had become the partner of a very fat short gentleman, Mr Goldberg, in the Liffey Loan Bank. Though he had never embraced more than the Jewish ethical code his fellow-Catholics, whenever they had smarted in person or by proxy under his exactions, spoke of him bitterly as an Irish Jew and an illiterate and saw divine disapproval of usury made manifest through the person of his idiot son. At other times they remembered his good points. “I wonder where did he go to,” said Mr Kernan. He wished the details of the incident to remain vague. He wished his friends to think there had been some mistake, that Mr Harford and he had missed each other. His friends, who knew quite well Mr Harford’s manners in drinking, were silent. Mr Power said again: “All’s well that ends well.” Mr Kernan changed the subject at once. “That was a decent young chap, that medical fellow,” he said. “Only for him——” “O, only for him,” said Mr Power, “it might have been a case of seven days, without the option of a fine.” “Yes, yes,” said Mr Kernan, trying to remember. “I remember now there was a policeman. Decent young fellow, he seemed. How did it happen at all?” “It happened that you were peloothered, Tom,” said Mr Cunningham gravely. “True bill,” said Mr Kernan, equally gravely. “I suppose you squared the constable, Jack,” said Mr M’Coy. Mr Power did not relish the use of his Christian name. He was not straight-laced, but he could not forget that Mr M’Coy had recently made a crusade in search of valises and portmanteaus to enable Mrs M’Coy to fulfil imaginary engagements in the country. More than he resented the fact that he had been victimised he resented such low playing of the game. He answered the question, therefore, as if Mr Kernan had asked it. The narrative made Mr Kernan indignant. He was keenly conscious of his citizenship, wished to live with his city on terms mutually honourable and resented any affront put upon him by those whom he called country bumpkins. “Is this what we pay rates for?” he asked. “To feed and clothe these ignorant bostooms ... and they’re nothing else.” Mr Cunningham laughed. He was a Castle official only during office hours. “How could they be anything else, Tom?” he said. He assumed a thick provincial accent and said in a tone of command: “65, catch your cabbage!” Everyone laughed. Mr M’Coy, who wanted to enter the conversation by any door, pretended that he had never heard the story. Mr Cunningham said: “It is supposed—they say, you know—to take place in the depot where they get these thundering big country fellows, omadhauns, you know, to drill. The sergeant makes them stand in a row against the wall and hold up their plates.” He illustrated the story by grotesque gestures. “At dinner, you know. Then he has a bloody big bowl of cabbage before him on the table and a bloody big spoon like a shovel. He takes up a wad of cabbage on the spoon and pegs it across the room and the poor devils have to try and catch it on their plates: 65, catch your cabbage.” Everyone laughed again: but Mr Kernan was somewhat indignant still. He talked of writing a letter to the papers. “These yahoos coming up here,” he said, “think they can boss the people. I needn’t tell you, Martin, what kind of men they are.” Mr Cunningham gave a qualified assent. “It’s like everything else in this world,” he said. “You get some bad ones and you get some good ones.” “O yes, you get some good ones, I admit,” said Mr Kernan, satisfied. “It’s better to have nothing to say to them,” said Mr M’Coy. “That’s my opinion!” Mrs Kernan entered the room and, placing a tray on the table, said: “Help yourselves, gentlemen.” Mr Power stood up to officiate, offering her his chair. She declined it, saying she was ironing downstairs, and, after having exchanged a nod with Mr Cunningham behind Mr Power’s back, prepared to leave the room. Her husband called out to her: “And have you nothing for me, duckie?” “O, you! The back of my hand to you!” said Mrs Kernan tartly. Her husband called after her: “Nothing for poor little hubby!” He assumed such a comical face and voice that the distribution of the bottles of stout took place amid general merriment. The gentlemen drank from their glasses, set the glasses again on the table and paused. Then Mr Cunningham turned towards Mr Power and said casually: “On Thursday night, you said, Jack.” “Thursday, yes,” said Mr Power. “Righto!” said Mr Cunningham promptly.
Rate:0.0 / 0 votes

James Joyce

James Augustine Aloysius Joyce was an Irish novelist, short story writer, poet, teacher, and literary critic. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century. more…

All James Joyce books

1 fan

Discuss this Grace book with the community:

0 Comments

    Translation

    Translate and read this book in other languages:

    Select another language:

    • - Select -
    • 简体中文 (Chinese - Simplified)
    • 繁體中文 (Chinese - Traditional)
    • Español (Spanish)
    • Esperanto (Esperanto)
    • 日本語 (Japanese)
    • Português (Portuguese)
    • Deutsch (German)
    • العربية (Arabic)
    • Français (French)
    • Русский (Russian)
    • ಕನ್ನಡ (Kannada)
    • 한국어 (Korean)
    • עברית (Hebrew)
    • Gaeilge (Irish)
    • Українська (Ukrainian)
    • اردو (Urdu)
    • Magyar (Hungarian)
    • मानक हिन्दी (Hindi)
    • Indonesia (Indonesian)
    • Italiano (Italian)
    • தமிழ் (Tamil)
    • Türkçe (Turkish)
    • తెలుగు (Telugu)
    • ภาษาไทย (Thai)
    • Tiếng Việt (Vietnamese)
    • Čeština (Czech)
    • Polski (Polish)
    • Bahasa Indonesia (Indonesian)
    • Românește (Romanian)
    • Nederlands (Dutch)
    • Ελληνικά (Greek)
    • Latinum (Latin)
    • Svenska (Swedish)
    • Dansk (Danish)
    • Suomi (Finnish)
    • فارسی (Persian)
    • ייִדיש (Yiddish)
    • հայերեն (Armenian)
    • Norsk (Norwegian)
    • English (English)

    Citation

    Use the citation below to add this book to your bibliography:

    Style:MLAChicagoAPA

    "Grace Books." Literature.com. STANDS4 LLC, 2024. Web. 22 Dec. 2024. <https://www.literature.com/book/grace_2449>.

    We need you!

    Help us build the largest authors community and books collection on the web!

    Winter 2025

    Writing Contest

    Join our short stories contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    2
    months
    6
    days
    19
    hours

    Our favorite collection of

    Famous Authors

    »

    Quiz

    Are you a literary expert?

    »
    Who wrote "The Master and Margarita"?
    A Boris Pasternak
    B Anton Chekhov
    C Mikhail Bulgakov
    D Leo Tolstoy