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Ethan Frome is a 1911 book by American author Edith Wharton. It is set in the fictitious town of Starkfield, Massachusetts. The novel was adapted into a film, Ethan Frome, in 1993.


Year:
1911
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Submitted by acronimous on January 27, 2020


								
His former dread started up full-armed at the suggestion. “Why, what do you mean?” he stammered. She raised distressed eyes to his, her work dropping on the table between them. “I don't know. I thought last night she seemed to have.” “I'd like to know what,” he growled. “Nobody can tell with Zeena.” It was the first time they had ever spoken so openly of her attitude toward Mattie, and the repetition of the name seemed to carry it to the farther corners of the room and send it back to them in long repercussions of sound. Mattie waited, as if to give the echo time to drop, and then went on: “She hasn't said anything to you?” He shook his head. “No, not a word.” She tossed the hair back from her forehead with a laugh. “I guess I'm just nervous, then. I'm not going to think about it any more.” “Oh, no--don't let's think about it, Matt!” The sudden heat of his tone made her colour mount again, not with a rush, but gradually, delicately, like the reflection of a thought stealing slowly across her heart. She sat silent, her hands clasped on her work, and it seemed to him that a warm current flowed toward him along the strip of stuff that still lay unrolled between them. Cautiously he slid his hand palm-downward along the table till his finger-tips touched the end of the stuff. A faint vibration of her lashes seemed to show that she was aware of his gesture, and that it had sent a counter-current back to her; and she let her hands lie motionless on the other end of the strip. As they sat thus he heard a sound behind him and turned his head. The cat had jumped from Zeena's chair to dart at a mouse in the wainscot, and as a result of the sudden movement the empty chair had set up a spectral rocking. “She'll be rocking in it herself this time to-morrow,” Ethan thought. “I've been in a dream, and this is the only evening we'll ever have together.” The return to reality was as painful as the return to consciousness after taking an anaesthetic. His body and brain ached with indescribable weariness, and he could think of nothing to say or to do that should arrest the mad flight of the moments. His alteration of mood seemed to have communicated itself to Mattie. She looked up at him languidly, as though her lids were weighted with sleep and it cost her an effort to raise them. Her glance fell on his hand, which now completely covered the end of her work and grasped it as if it were a part of herself. He saw a scarcely perceptible tremor cross her face, and without knowing what he did he stooped his head and kissed the bit of stuff in his hold. As his lips rested on it he felt it glide slowly from beneath them, and saw that Mattie had risen and was silently rolling up her work. She fastened it with a pin, and then, finding her thimble and scissors, put them with the roll of stuff into the box covered with fancy paper which he had once brought to her from Bettsbridge. He stood up also, looking vaguely about the room. The clock above the dresser struck eleven. “Is the fire all right?” she asked in a low voice. He opened the door of the stove and poked aimlessly at the embers. When he raised himself again he saw that she was dragging toward the stove the old soap-box lined with carpet in which the cat made its bed. Then she recrossed the floor and lifted two of the geranium pots in her arms, moving them away from the cold window. He followed her and brought the other geraniums, the hyacinth bulbs in a cracked custard bowl and the German ivy trained over an old croquet hoop. When these nightly duties were performed there was nothing left to do but to bring in the tin candlestick from the passage, light the candle and blow out the lamp. Ethan put the candlestick in Mattie's hand and she went out of the kitchen ahead of him, the light that she carried before her making her dark hair look like a drift of mist on the moon. “Good night, Matt,” he said as she put her foot on the first step of the stairs. She turned and looked at him a moment. “Good night, Ethan,” she answered, and went up. When the door of her room had closed on her he remembered that he had not even touched her hand. VI The next morning at breakfast Jotham Powell was between them, and Ethan tried to hide his joy under an air of exaggerated indifference, lounging back in his chair to throw scraps to the cat, growling at the weather, and not so much as offering to help Mattie when she rose to clear away the dishes. He did not know why he was so irrationally happy, for nothing was changed in his life or hers. He had not even touched the tip of her fingers or looked her full in the eyes. But their evening together had given him a vision of what life at her side might be, and he was glad now that he had done nothing to trouble the sweetness of the picture. He had a fancy that she knew what had restrained him... There was a last load of lumber to be hauled to the village, and Jotham Powell--who did not work regularly for Ethan in winter--had “come round” to help with the job. But a wet snow, melting to sleet, had fallen in the night and turned the roads to glass. There was more wet in the air and it seemed likely to both men that the weather would “milden” toward afternoon and make the going safer. Ethan therefore proposed to his assistant that they should load the sledge at the wood-lot, as they had done on the previous morning, and put off the “teaming” to Starkfield till later in the day. This plan had the advantage of enabling him to send Jotham to the Flats after dinner to meet Zenobia, while he himself took the lumber down to the village. He told Jotham to go out and harness up the greys, and for a moment he and Mattie had the kitchen to themselves. She had plunged the breakfast dishes into a tin dish-pan and was bending above it with her slim arms bared to the elbow, the steam from the hot water beading her forehead and tightening her rough hair into little brown rings like the tendrils on the traveller's joy. Ethan stood looking at her, his heart in his throat. He wanted to say: “We shall never be alone again like this.” Instead, he reached down his tobacco-pouch from a shelf of the dresser, put it into his pocket and said: “I guess I can make out to be home for dinner.” She answered “All right, Ethan,” and he heard her singing over the dishes as he went. As soon as the sledge was loaded he meant to send Jotham back to the farm and hurry on foot into the village to buy the glue for the pickle-dish. With ordinary luck he should have had time to carry out this plan; but everything went wrong from the start. On the way over to the wood-lot one of the greys slipped on a glare of ice and cut his knee; and when they got him up again Jotham had to go back to the barn for a strip of rag to bind the cut. Then, when the loading finally began, a sleety rain was coming down once more, and the tree trunks were so slippery that it took twice as long as usual to lift them and get them in place on the sledge. It was what Jotham called a sour morning for work, and the horses, shivering and stamping under their wet blankets, seemed to like it as little as the men. It was long past the dinner-hour when the job was done, and Ethan had to give up going to the village because he wanted to lead the injured horse home and wash the cut himself.
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Edith Wharton

Edith Wharton was an American novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. She was the first woman to win the Pulitzer Prize for Literature in 1921. more…

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