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Ethan Frome is a 1911 book by American author Edith Wharton. It is set in the fictitious town of Starkfield, Massachusetts. The novel was adapted into a film, Ethan Frome, in 1993.


Year:
1911
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Submitted by acronimous on January 27, 2020


								
Hale went up to the grays and patted their sweating flanks. “Well, sir,” he said, “you keep them two as if they was pets.” Ethan set about unloading the logs and when he had finished his job he pushed open the glazed door of the shed which the builder used as his office. Hale sat with his feet up on the stove, his back propped against a battered desk strewn with papers: the place, like the man, was warm, genial and untidy. “Sit right down and thaw out,” he greeted Ethan. The latter did not know how to begin, but at length he managed to bring out his request for an advance of fifty dollars. The blood rushed to his thin skin under the sting of Hale's astonishment. It was the builder's custom to pay at the end of three months, and there was no precedent between the two men for a cash settlement. Ethan felt that if he had pleaded an urgent need Hale might have made shift to pay him; but pride, and an instinctive prudence, kept him from resorting to this argument. After his father's death it had taken time to get his head above water, and he did not want Andrew Hale, or any one else in Starkfield, to think he was going under again. Besides, he hated lying; if he wanted the money he wanted it, and it was nobody's business to ask why. He therefore made his demand with the awkwardness of a proud man who will not admit to himself that he is stooping; and he was not much surprised at Hale's refusal. The builder refused genially, as he did everything else: he treated the matter as something in the nature of a practical joke, and wanted to know if Ethan meditated buying a grand piano or adding a “cupolo” to his house; offering, in the latter case, to give his services free of cost. Ethan's arts were soon exhausted, and after an embarrassed pause he wished Hale good day and opened the door of the office. As he passed out the builder suddenly called after him: “See here--you ain't in a tight place, are you?” “Not a bit,” Ethan's pride retorted before his reason had time to intervene. “Well, that's good! Because I am, a shade. Fact is, I was going to ask you to give me a little extra time on that payment. Business is pretty slack, to begin with, and then I'm fixing up a little house for Ned and Ruth when they're married. I'm glad to do it for 'em, but it costs.” His look appealed to Ethan for sympathy. “The young people like things nice. You know how it is yourself: it's not so long ago since you fixed up your own place for Zeena.” Ethan left the grays in Hale's stable and went about some other business in the village. As he walked away the builder's last phrase lingered in his ears, and he reflected grimly that his seven years with Zeena seemed to Starkfield “not so long.” The afternoon was drawing to an end, and here and there a lighted pane spangled the cold gray dusk and made the snow look whiter. The bitter weather had driven every one indoors and Ethan had the long rural street to himself. Suddenly he heard the brisk play of sleigh-bells and a cutter passed him, drawn by a free-going horse. Ethan recognised Michael Eady's roan colt, and young Denis Eady, in a handsome new fur cap, leaned forward and waved a greeting. “Hello, Ethe!” he shouted and spun on. The cutter was going in the direction of the Frome farm, and Ethan's heart contracted as he listened to the dwindling bells. What more likely than that Denis Eady had heard of Zeena's departure for Bettsbridge, and was profiting by the opportunity to spend an hour with Mattie? Ethan was ashamed of the storm of jealousy in his breast. It seemed unworthy of the girl that his thoughts of her should be so violent. He walked on to the church corner and entered the shade of the Varnum spruces, where he had stood with her the night before. As he passed into their gloom he saw an indistinct outline just ahead of him. At his approach it melted for an instant into two separate shapes and then conjoined again, and he heard a kiss, and a half-laughing “Oh!” provoked by the discovery of his presence. Again the outline hastily disunited and the Varnum gate slammed on one half while the other hurried on ahead of him. Ethan smiled at the discomfiture he had caused. What did it matter to Ned Hale and Ruth Varnum if they were caught kissing each other? Everybody in Starkfield knew they were engaged. It pleased Ethan to have surprised a pair of lovers on the spot where he and Mattie had stood with such a thirst for each other in their hearts; but he felt a pang at the thought that these two need not hide their happiness. He fetched the grays from Hale's stable and started on his long climb back to the farm. The cold was less sharp than earlier in the day and a thick fleecy sky threatened snow for the morrow. Here and there a star pricked through, showing behind it a deep well of blue. In an hour or two the moon would push over the ridge behind the farm, burn a gold-edged rent in the clouds, and then be swallowed by them. A mournful peace hung on the fields, as though they felt the relaxing grasp of the cold and stretched themselves in their long winter sleep. Ethan's ears were alert for the jingle of sleigh-bells, but not a sound broke the silence of the lonely road. As he drew near the farm he saw, through the thin screen of larches at the gate, a light twinkling in the house above him. “She's up in her room,” he said to himself, “fixing herself up for supper”; and he remembered Zeena's sarcastic stare when Mattie, on the evening of her arrival, had come down to supper with smoothed hair and a ribbon at her neck. He passed by the graves on the knoll and turned his head to glance at one of the older headstones, which had interested him deeply as a boy because it bore his name. SACRED TO THE MEMORY OF ETHAN FROME AND ENDURANCE HIS WIFE, WHO DWELLED TOGETHER IN PEACE FOR FIFTY YEARS. He used to think that fifty years sounded like a long time to live together; but now it seemed to him that they might pass in a flash. Then, with a sudden dart of irony, he wondered if, when their turn came, the same epitaph would be written over him and Zeena. He opened the barn-door and craned his head into the obscurity, half-fearing to discover Denis Eady's roan colt in the stall beside the sorrel. But the old horse was there alone, mumbling his crib with toothless jaws, and Ethan whistled cheerfully while he bedded down the grays and shook an extra measure of oats into their mangers. His was not a tuneful throat--but harsh melodies burst from it as he locked the barn and sprang up the hill to the house. He reached the kitchen-porch and turned the door-handle; but the door did not yield to his touch. Startled at finding it locked he rattled the handle violently; then he reflected that Mattie was alone and that it was natural she should barricade herself at nightfall. He stood in the darkness expecting to hear her step. It did not come, and after vainly straining his ears he called out in a voice that shook with joy: “Hello, Matt!”
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Edith Wharton

Edith Wharton was an American novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. She was the first woman to win the Pulitzer Prize for Literature in 1921. more…

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